<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4722624708303882785</id><updated>2012-02-16T23:52:15.287+08:00</updated><category term='Aerotone'/><category term='Lal Lal Lal'/><category term='Room40'/><category term='Avant Garden Records'/><category term='* Not On Label'/><category term='Human Highway'/><category term='Music Fellowship'/><category term='Audio Dregs'/><category term='After Hours'/><category term='Wichita'/><category term='Absolutely Kosher Records'/><category term='Ahornfelder'/><category term='One Little Indian'/><category term='Flyrec'/><category term='Polydor (UK)'/><category term='W+K Tokyo Lab.'/><category term='Dekorder'/><category term='Output'/><category term='Fonal Records'/><category term='Strange Ways Records'/><category term='Rune Grammofon'/><category term='EMI Records (UK)'/><category term='Amorfon'/><category term='Preco'/><category term='Plug Research'/><category term='Headz'/><category term='Konkurrent(Cycle)'/><category term='Osaka'/><category term='Karaoke Kalk'/><category term='Liquid note records'/><category term='Wild Places'/><category term='Decca'/><category term='Because Music'/><category term='Music Related'/><category term='Type Records'/><category term='Wind Bell'/><category term='Secret Eye Records'/><category term='4AD'/><category term='Domino Recording Co.'/><category term='Leaf'/><category term='Häpna'/><category term='Midi Creative / Noble'/><category term='Happy'/><category term='Drag City'/><category term='Touch And Go'/><category term='This Plague of Dreaming'/><category term='Smekkleysa'/><category term='Rough Trade (UK)'/><category term='Time-Lag Records'/><category term='Labrador'/><category term='Carpark Records'/><category term='Paw Tracks'/><category term='Bluesanct'/><category term='Reprise Records'/><category term='FatCat Records'/><category term='Zahr Records'/><category term='(K-RAA-K)³'/><category term='Smalltown Supersound'/><category term='Beams Records'/><category term='Erato Disques'/><category term='Green UFOs'/><category term='12rec'/><category term='Half A Cow Records'/><category term='V2 Records'/><category term='Anticipate Recordings'/><category term='K'/><category term='Miasmah'/><category term='Other Electricities'/><category term='Indies Records'/><category term='Point Music'/><category term='Cassette Vision'/><category term='Sound Devastation Records'/><category term='Island Records'/><category term='Plop'/><category term='Locust Music'/><title type='text'>花瓣·聆音集</title><subtitle type='html'>Flower Petal·Music</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default?start-index=101&amp;max-results=100'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>143</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6841452039287569339</id><published>2008-04-04T16:44:00.003+08:00</published><updated>2008-04-07T20:25:48.685+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Karaoke Kalk'/><title type='text'>[Takagi Masakatsu|Eating 2]食依然很快樂</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/ghvegPE36T8dzyaeheoNZFQ_0CbJSL_h/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/ghvegPE36T8dzyaeheoNZFQ_0CbJSL_h/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Takagi Masakatsu&lt;br /&gt;Album：Eating 2&lt;br /&gt;Release Date：2003-08-04&lt;br /&gt;Label：Karaoke Kalk&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Ambient,              Abstract,              Experimental &lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;01&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Early Summer (1:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;02&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Casa Blanca (4:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;03&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Botanica (3:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;04&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Wolcalosso (2:07)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;05&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Trinidad Bird (3:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;06&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Gelnia (2:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;07&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bounce (2:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;08&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ice Shadow (2:26)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;09&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Venetian Red (4:16)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Enceol (4:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cerulean (2:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Shing Morno (2:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Guinacridone (1:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Joy (3:51)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Almost as a perfect segue out of Murcof, could come visual and musical artist Takagi, with the second instalment in his 'Eating' series. Opening with a sole oboe, branching into the pizzicato strings, plush piano and almost synthetic steel drum riddim of 'casa Blanca', this is a poetic beginning to an album bound to be received well by admirers of Masakatsu's first excursion. 'Botanica' has all the muted jazz appeal you could wish for, xylophones and breathy chording with a cheeky celeste, 'Wolcalasso' reveling in its more jaunty, edited classical feel. 'Trinidad bird' seals the equatorial associations of this album, a wonderful bass vamp and one of the very finest cuts here. Again, the music is ripe with pure associative qualities, allowing room for the all important imaginative space. 'Gelnia' could be one of the most relentlessly cheery numbers you could hear all year, yet this is balanced by a quite gorgeous, almost modal styled jazzual 'Bounce', down in tempo but not in heart. 'venetian red' implements some nifty keys, As a video artist, Masakatsu works with images and sounds in combination, most recently with the fashion designer Agnes B for his video installation and dvd release "light park". As ever, there's an advertising vulture waiting to snaffle the resonant melodic shapes of this finely tuned album, make sure to sneak in before someone has their wicked way with it, for this is a tender, well meant and gloriously enriching listen. Highly Recommended.(from boomkat)&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。推薦指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;有了上一次的經驗，這次在聼eating2的時候，找過來些平時最愛的食物，徹徹底底地享受一把生活的單純美好。居然才發現音樂和食物原來是這麽搭調的一對，把二者糅合在一起真是好有生活氣息啊。兩張都喜歡，如果非要比一比的話，我似乎更喜歡前者。eating2擁有更多的甜美與現代，eating則似乎顯得更自然質樸一些。如果說eating是沁人心脾的清茶的話，那麽eating2就是濃郁飃香的咖啡。如果說eating是清淡可口的sushi的話，那麽eating2就是可愛香甜的蛋糕。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://w16.easy-share.com/1700044623.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6841452039287569339?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6841452039287569339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6841452039287569339' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6841452039287569339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6841452039287569339'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/04/takagi-masakatsueating-2.html' title='[Takagi Masakatsu|Eating 2]食依然很快樂'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8419259325478300367</id><published>2008-01-31T15:29:00.002+08:00</published><updated>2008-03-09T15:36:17.270+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Karaoke Kalk'/><title type='text'>[Takagi Masakatsu|Eating]吃是快樂</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/yOjWfvhgsj8TRxJfQMs3swR4Myi5PAry/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/yOjWfvhgsj8TRxJfQMs3swR4Myi5PAry/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Takagi Masakatsu&lt;br /&gt;Album：Eating&lt;br /&gt;Release Date：2002&lt;br /&gt;Label：Karaoke Kalk&lt;br /&gt;Country：Japan&lt;br /&gt;Genre： Electronic&lt;br /&gt;Style：             Abstract,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Frousfre (2:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fore (2:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Spring (3:26)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fausel (2:51)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flows (2:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mihyn (3:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Angje (5:49)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hanri (2:18)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Woei (1:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Trot (1:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;On The Way To (3:37)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kim Perno (1:21)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Come March (3:16)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Takagi is known to us from visual collaborations with one of our current idols, Aoki Taskamasa on his dvd for the marvellous Progressive Form label from Japan. There’s something of the short film at work here, on this fine album for the unmissable Karaoke Kalk. Perfect, yet somehow open ended short pieces work in the same way as vignettes, suggesting time before and after with great aplomb. Never do you feel that these beautiful, sonorous pieces are unfinished, instead each sidles into your consciousness, like small flowers seen on a country walk. There’s acoustic elements aplenty, with pizzicato strings, wooden marimba tones, hopeful modal keys, muted horns, starkly beautiful accordion sounds, atop twinkling keys, all forming a cohesive and beautiful whole. This undemonstrative album is supremely persuasive, from its own wayside point of view. Impossibly fresh and hugely impressive, this will no doubt be one of the finest albums this year for your reviewer, and hopefully some of you out there as well. Essential music to warm the heart.(from boomkat)&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。推薦指數：8.2/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;高木在德國厰牌Karaoke Kalk發行的一張專輯，我喜歡這個專輯名字eating，因爲這是我最愛做的事情。哈哈。之後還發行了一張eating 2，改天再分享。節奏舒緩卻愉悅，鮮明跳動的電音，帶給人們很好的心情，一張溫暖人心的好專輯。各種豐富的配器一併滑落，像泉水般清涼舒爽。再配上一些孩子追逐打鬧、嬉戲玩耍的童聲，就更加富有生活氣息。非常可愛，感覺生活真美好。如果生活真的能夠如此不停地吃好吃的東西，聼好聽的音樂就好了。hoho。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1786206/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/1699808101.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8419259325478300367?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8419259325478300367/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8419259325478300367' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8419259325478300367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8419259325478300367'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/takagi-masakatsueating.html' title='[Takagi Masakatsu|Eating]吃是快樂'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8058299889503317772</id><published>2008-01-31T00:47:00.000+08:00</published><updated>2008-01-31T02:45:27.173+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='FatCat Records'/><title type='text'>[Múm|The Peel Session]果皮樂園</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/gAjoGsch5D-AnF8cAKzguwCgnW0OuePS/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/gAjoGsch5D-AnF8cAKzguwCgnW0OuePS/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Múm&lt;br /&gt;Album：The Peel Session&lt;br /&gt;Release Date：2006-12-04&lt;br /&gt;Label：FatCat Records&lt;br /&gt;Country：Iceland&lt;br /&gt;Genre：                       Electronic,                          Rock&lt;br /&gt;Style：            Lo-Fi,              Post Rock&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Scratched Bicycle / Smell Memory (5:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Awake On A Train (7:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Now There Is That Fear Again (3:57)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Ballad Of The Broken String (3:56)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;*Back In Stock* Mum only ever recorded one session for John Peel's BBC Radio One show, and here it is in its completeness. Dating back to October 2002, the four tracks here span the gap between the albums Yesterday Was Dramatic - Today Is OK and their breakthrough release, Finally We Are No One. 'Scratched Bicycle/Smell Memory' opens the session, and takes the form of a remixed medley of the two songs referenced in the title. It's a welcome reminder of the band's roots as purveyors of first rate warm, crunchy electronics and hints at their later work, integrating melodic acoustic instrumentation with laptop sound processing. 'Now There Is That Fear Again' (the only track here to be lifted from Finally We Are No One) provides the clearest indication of the more expansive, Mum sound that we know them for today. Complete with Kristín Anna Valtsdóttir's breathy, childlike vocals and dramatic staccato strings, it's an essential alternate version of one of the band's key songs. A great stop-gap that comes with a hearty, icelandic recommendation.(from boomkat)&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/365253.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/365253.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Múm06年發行的一張EP，4個track。Múm我想不用多介紹了，這張EP個人比較喜歡，它的封面純真可愛，音樂則更複雜一些，不單單只有純真可愛、歡快愉悅的成分，還有沉重、幽暗、冰冷、恐懼。。。值得反復聆聽。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1916930/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/1698672541.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/EOWUjzOazj8rT0xxvPUDveLVIxeqjtXP/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/EOWUjzOazj8rT0xxvPUDveLVIxeqjtXP/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8058299889503317772?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8058299889503317772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8058299889503317772' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8058299889503317772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8058299889503317772'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/mmthe-peel-session.html' title='[Múm|The Peel Session]果皮樂園'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8255217742078846682</id><published>2008-01-29T20:05:00.000+08:00</published><updated>2008-01-29T21:35:46.938+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Avant Garden Records'/><title type='text'>[VA|the Music from Beautiful Spain]來自伊比利亞的美麗聲音</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/7FqsjaWT0j9iKswp_VjJUhveCh7OqgFj/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/7FqsjaWT0j9iKswp_VjJUhveCh7OqgFj/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：&lt;span class="pl2"&gt;&lt;/span&gt;Various Artists&lt;br /&gt;Album：the Music from Beautiful Spain&lt;br /&gt;Release Date：2005&lt;br /&gt;Label：Avant Garden Records&lt;br /&gt;Country：Spain&lt;br /&gt;Genre： Folk&lt;br /&gt;Style：Folk，Indie，Pop&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting：&lt;/span&gt;&lt;br /&gt;　　01.  But for love-Anna Felix&lt;br /&gt;　　02.  Metti una sera a cena-Malabella&lt;br /&gt;　　03.  Who needs you-Delia Caprice&lt;br /&gt;　　04.  Kinky love-Rita Calypso&lt;br /&gt;　　05.  It’s hard to say goodbye-Rita Calypso&lt;br /&gt;　　06.  Mejor-Nosotrash&lt;br /&gt;　　07.  Parentesis-Portonovo&lt;br /&gt;　　08.  Boule de flipper-Souvenir&lt;br /&gt;　　09.  Si fuimos-Entre Rios&lt;br /&gt;　　10.  Hidden in the park-Pipas&lt;br /&gt;　　11.  "A red, red rose"-Camera Obscura&lt;br /&gt;　　12.  Universo(acoustic)-Niza&lt;br /&gt;　　13.  B.W.-Zola&lt;br /&gt;　　14.  "Buenos dias ,corazon"-Le Mans&lt;br /&gt;　　15.  Va el amor-Ana D&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;br /&gt;&lt;/span&gt;繼之前發行的兩張轟動全台現在都已絕版的合輯(美麗西班牙2004 &amp;amp; 夢幻歌謠仙境之聲2005) 創下了六萬張的銷售量之後&lt;br /&gt;再次推出美麗西班牙2005合輯&lt;br /&gt;　　&lt;br /&gt;收錄藝人簡介 :　&lt;br /&gt;&lt;br /&gt;V.A/Don Quijote 西班牙傳奇首部曲 / 唐吉柯德&lt;br /&gt;　　西班牙的Siesta廠牌，以「唐吉柯德」為名發表了"西班牙傳奇三部曲"的首部曲，除歌頌唐吉柯德他的勇敢情操外，並鼓勵大家，當理想和現實發生衝突，不要輕易放棄，夢想往往比想像中更有力量 　　&lt;br /&gt;&lt;br /&gt;Rita Calypso/Sicalyptico 芮塔小姐/幸福快樂的生活&lt;br /&gt;　　描繪都會女子脆弱卻又敏感的寂寞思緒！地中海的Bossa Nova新天后Rita Calypso用輕柔耳語、夢幻般的呢喃，融合了小野麗莎的清新爽朗、諾拉瓊絲的爵士風情與木匠兄妹式的感人民謠&lt;br /&gt;　　&lt;br /&gt;Nosotrash/Popemas Nosotrash樂團&lt;br /&gt;　　Nosotrash歌聲帶點香頌氣氛，但加了檸檬調味。那種可愛聰慧迷人的樣子，不禁讓人聯想到如果「艾蜜莉的異想世界」中那個可愛女主角開口唱歌的話大抵就是這個樣子&lt;br /&gt;　　&lt;br /&gt;Portonovo / En aquellos tiempos siempre era fiesta&lt;br /&gt;　　一個陽光閃動、微風拂面、光影交錯的世界；在此，心靈隨著音樂的流動逐漸澄澈了起來，到達一種令人身心舒暢到彷彿可以展翼飛翔的境界&lt;br /&gt;　　&lt;br /&gt;Souvenir /Des equilibres&lt;br /&gt;　　西班牙風情+法語的浪漫 Souvenir是無國界的陽光、微風。淺酸淺甜，都是一派冰涼沁口&lt;br /&gt;　　&lt;br /&gt;Entre Rios/Sal 石頭三姊妹樂團/感傷&lt;br /&gt;　　布宜諾斯艾利斯，攝氏零度的聲音‧一個激盪王家衛想像的地方，世界彼端最最新鮮的聲響。&lt;br /&gt;　　Entre Rios飄渺的氛圍、縈繞耳腔的悠揚旋律在電子音效的襯托下，顯出既疏離又親密的感受&lt;br /&gt;　　&lt;br /&gt;Pipas--《Golden Square》&lt;br /&gt;　　一種生命中難得的幸福體驗 翩然起舞的愉悅氛圍 Pipas的音樂彷彿一場甜美夢境般令人流連&lt;br /&gt;　　&lt;br /&gt;Camera Obscura/Keep it Clean 暗房樂團/清淨 (05年六月底即將發行敬請期待)&lt;br /&gt;　　由Belle &amp;amp; Sebastian團長Stuart所挖掘出來的樂團Camera Obscura是現今最具復古典雅色彩的美麗女聲，女主唱的歌聲在輕盈中帶有深刻感性，色彩鮮明的嗓音映照出繽紛幻變的世間景象&lt;br /&gt;　　&lt;br /&gt;Niza/Topolino 妮莎樂團(05年六月底即將發行敬請期待)&lt;br /&gt;　　西班牙的陽光Bossa Nova、清爽俐落的夏日質感。niza女主唱甜美輕柔的嗓音有著不言可喻的輕快魅力。這專輯收錄了Niza的所有絕版單曲，以及最具收藏價值的VU翻唱曲Femme Fatale&lt;br /&gt;　　&lt;br /&gt;Zola/Siete Maletas Zola樂團/帶著七隻皮箱去旅行&lt;br /&gt;　　浪跡天涯的最佳良伴！！Zola的音樂，簡樸中帶有纖細、活潑中帶有敏感、略酸的甜味，百嘗不厭。甜美無比的嗓音 + 層次分明、卻又清爽簡單的襯樂；帶點爵士情調，洋溢著雞尾酒香和海洋的味道&lt;br /&gt;　　&lt;br /&gt;Ana D/Recordando 安娜D&lt;br /&gt;　　西班牙導演阿莫多瓦的最愛! Ana D的歌曲啟發了阿莫多瓦創作"悄悄告訴她"的劇本。Ana D深沉而感性的嗓音唱出讓音樂老饕無可挑剔的經典，將你的五臟六脯燙的平平貼貼&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.5/10&lt;/span&gt; &lt;br /&gt;&lt;div style="text-align: justify;"&gt;來自西班牙的清新美麗的聲音，不可多得好專輯，發行于臺灣前衛花園。從這張專輯知道了這些以前沒有聽説過的好聲音，有幾個track真是好聽。像陽光照在身上溫暖感覺，整個人都被鑲上閃閃的金邊，很美好。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1837937/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/1698551771.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8255217742078846682?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8255217742078846682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8255217742078846682' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8255217742078846682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8255217742078846682'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/vathe-music-from-beautiful-spain.html' title='[VA|the Music from Beautiful Spain]來自伊比利亞的美麗聲音'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-5918978164019881194</id><published>2008-01-29T18:22:00.000+08:00</published><updated>2008-01-29T19:37:52.717+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music Fellowship'/><title type='text'>[The Franciscan Hobbies|Walls Are Stuck]迷墻</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/62Hzg0ZC7D92RnqGQAUqXKCbAekvIP9P/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/62Hzg0ZC7D92RnqGQAUqXKCbAekvIP9P/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：The Franciscan Hobbies&lt;br /&gt;Album：Walls Are Stuck&lt;br /&gt;Release Date：2005&lt;br /&gt;Label：Music Fellowship&lt;br /&gt;Country：US&lt;br /&gt;Genre： Rock&lt;br /&gt;Style：            Folk Rock,              Acoustic,              Experimental&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Modern Revival (0:49)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Elijah The Stone (2:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Satan Crystals (4:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Empty Hands (1:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Goat With The Dolphin Face (3:09)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Happy Burial (2:51)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Placing Of The Flowers (2:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Asmodeus (9:14)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lake Of Holy Fishes (4:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Death Music (4:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Etheric Double (5:11)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;span class="lfmlight"&gt; &lt;/span&gt;&lt;div style="text-align: justify;"&gt;This album from Jewelled Antler offshoot The Franciscan Hobbies (who include Thuja folks Loren Chasse and Glen Donaldson among their ranks, along with Ov and Softwar stalwart Christine Boepple and countless others) is one of my favourites to come both from the Music Fellowship label and from the JA world itself. A movement such as this can seem somewhat impenetrable with so many side projects and offshoots, but 'Walls Are Stuck' would be a fantastic place to start, showing the kind of submerged other-worldly avant-folk the collective would become branded with. It doesn't really fit into any 'proper' genre either; using tape recordings, field recordings, electronic and acoustic instruments and all sorts of peculiar percussion the Franciscan Hobbies create music that sounds out of time entirely. Take 'Satan Crystals' for example; this beautiful zither-led piece could be the soundtrack to a documentary about forest life, but then there's something slightly too dark, something slightly too lo-fi for public consumption, and that's what makes it so special to me. This is music made for the few, and we can take it close to our hearts and enjoy it in the comfort of our own rooms, it is music to be listened to in total seclusion and total loneliness, in a place where you can allow yourself the room to conjure up images of moonlit lakes and blustering leaves, shadowy cliffs and long-forgotten treasures. 'Walls Are Stuck' is the sort of music that magic is made of, both fantastical and deeply grounded at the same time, giving us fact and fiction within the strings of so many unusual instruments. If Narnia existed then The Franciscan Hobbies would no doubt be found there - that's how beautifully mysterious this music is. One for fans of Fonal desperate to find further wooded explorations into haunting freeform folk music... essential purchase!(from boomkat)&lt;br /&gt;&lt;br /&gt;"The Hobbies have been known to put this into practice by taking their junk folk-instruments, boomboxes &amp;amp; mini-discs outside, gathering in canyons, creek beds, backyards, and on porches &amp;amp; beaches. The Franciscan Hobbies are part of the expansive Jewelled Antler forest of bands &amp;amp; projects."&lt;br /&gt;&lt;br /&gt;"The second album from this satellite of San Franciscos Jewelled Antler Collective is packed full of earth mystery, permeated by the smell bone fires and vegetative rites. &lt;span class="" id="wikiSecondPart"&gt;The sound of rust-caked acoustic guitar and banjo dominates, while the ripple of earthworked gongs, tremulous sitar and percussion makes this the perfect soundtrack to a version of The Wicker Man performed by a group of California heads." - The Wire."&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="" id="wikiSecondPart"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;作爲Fonal的粉絲應該也聼一聼這張專輯，其中有Thuja的Loren Chasse、Glen Donaldson等人。他們Lo-fi的手法以及豐富奇異的配器使用使專輯充滿著神秘的古代氣息和北歐民謠的清冷氣質，好像身処刻滿滄桑的古老城堡又像走在杳無人煙的幽深森林，從第一曲The Modern Revival古老神秘的原始氣息就撲面而來，真的好酷、韻味好迷人。很難得的一張專輯，強烈推薦，但建議一定要在一個人的時候聼。呵呵。這是一張孤獨的專輯，我想一定要是耐得住寂寞的人才懂得欣賞。&lt;br /&gt;&lt;a href="http://w15.easy-share.com/1698542441.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/2KLWnEeKzz_DctSJ_Z2JDsH0Hd4wlGcm/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/2KLWnEeKzz_DctSJ_Z2JDsH0Hd4wlGcm/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-5918978164019881194?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/5918978164019881194/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=5918978164019881194' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5918978164019881194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5918978164019881194'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/franciscan-hobbieswalls-are-stuck.html' title='[The Franciscan Hobbies|Walls Are Stuck]迷墻'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-4921770019866979845</id><published>2008-01-26T15:11:00.001+08:00</published><updated>2008-01-26T20:18:13.098+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Carpark Records'/><title type='text'>[Takagi Masakatsu|Pia]影像中的記憶</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/pHXAmraHzj9-iZykuTfR3C5aZ0Ht6zWB/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/pHXAmraHzj9-iZykuTfR3C5aZ0Ht6zWB/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Takagi Masakatsu&lt;br /&gt;Album：Pia&lt;br /&gt;Release Date：2001-10-16&lt;br /&gt;Label：Carpark Records&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-01&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Toska&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-02&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bienna&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-03&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Eau&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-04&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fround&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-05&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Agni&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-06&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Guiter&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-07&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sossette&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-08&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Water Fall&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-09&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cino Park&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Caroc&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Light Park&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sprang&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Videocamara&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Eau&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-15&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Study for Camera&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-16&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fround&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-17&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pia&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD1-18&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Water Fall&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD2-01&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Eau&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD2-02&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Study For Camera&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD2-03&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fround&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD2-04&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pia&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;CD2-05&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Water Fall&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Takagi Masakatsu is a video maker who creates music. Takagi Masakatsu is a musician who creates video, or maybe Takagi Masakatsu is a documentary filmmaker, which ever one you prefer, Takagi is an artist who is wholly dedicated to exposing and preserving the human experience at the start of our burgeoning new century. Bringing new meaning to the phrase 'think globally, act locally,' Takagi has travelled the world collecting pieces of sound and video in which he constructs a fluid and timeless snapshot of our current human condition. Takagi employs samples of speaking children with other 'real' sounds such as the weather, his own piano playing, and various recorded sounds throughout his and other people's homes, after collecting this raw material, Takagi blends it into his laptop arrangements and manipulations to create a very new type of ambient music. One CD comprises the melodic ambient nature of Takagi's audio creations, while the 2nd CD is a CD-Rom featuring 5 audio/video pieces.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.2/10&lt;/span&gt; &lt;br /&gt;&lt;div style="text-align: justify;"&gt;這張應該是Takagi Masakatsu的第一張發行，他不單只做音樂，還在視覺設計方面也取得了顯著的成就。Takagi Masakatsu也是遊歷了許多國家，錄製各種聲音，來表達人類生活與情感，這張專輯就是這樣的，各種採樣，水聲、童聲...從音樂中傳達出影像的質感，在影像中回應音樂的靈動。所以Takagi Masakatsu幾乎每一張專輯都是音樂和Video一起發行，CD1是音樂部分，下面的分享中也只用音樂的部分，似乎有些遺憾，或者可以到他的網站&lt;a href="http://www.takagimasakatsu.com/"&gt;http://www.takagimasakatsu.com/&lt;/a&gt;，去看movie sample。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1499563/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/1698203891.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-4921770019866979845?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/4921770019866979845/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=4921770019866979845' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4921770019866979845'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4921770019866979845'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/takagi-masakatsupia.html' title='[Takagi Masakatsu|Pia]影像中的記憶'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3588417133491059443</id><published>2008-01-22T12:22:00.000+08:00</published><updated>2008-01-22T18:31:36.009+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music Related'/><title type='text'>[Pandatone|Happy Together]靜靜注視著那些快樂的人群</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/S1FJqLRC4T97NmkSHaQzxt5bsjmWz_sT/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/S1FJqLRC4T97NmkSHaQzxt5bsjmWz_sT/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Pandatone&lt;br /&gt;Album：Happy Together&lt;br /&gt;Release Date：2007-04-24&lt;br /&gt;Label：Music Related&lt;br /&gt;Country：US&lt;br /&gt;Genre：                       Electronic,                          Pop&lt;br /&gt;Style：            Ambient, Electronica, Techno, Electro&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Last To Remain (3:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;I Forgot If We Dreamed (5:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Fog Of Memory (3:50)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;We Fucking Love You (3:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Accountable (1:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Did It Happen (1:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Together &amp;amp; Lonely (5:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Because I Can (5:41)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Since Pandatone himself runs Music Related - the label this CD "Happy Together" appears on - he thought it was weird to write his own press blurb. So I was asked to write it. We're old friends by NYC standards, so I headed out to Queens to listen to the tracks and talk to him about making it.&lt;br /&gt;&lt;br /&gt;Upon arrival, I proceed to harass him about his apartment. (I always do this.) "You're 30 now. Don't you think it's time to stop living like you're in college?" "But I just got this cool paper shredder and humidifier," came his retort.&lt;br /&gt;&lt;br /&gt;We moved into the "studio," which is more like a storage space for boxes of CDs and cables than a studio - or even a bedroom. He started playing me Happy Together, but I had to almost immediately ask, "What's the deal? I thought you said you'd never release any Pandatone material on your own label?" He replied, "Yeah, shit is fucked like that. But listen to it anyway." I agreed… shit is fucked, and so I shut my yap.&lt;br /&gt;&lt;br /&gt;On the album, there are some very nice songs featuring female vocalist "Julliana Barwick" - uplifting numbers with deep production. Although slow in tempo, they are upbeat in spirit. Then there are tracks with male vocals that are much more melancholy. Pandatone tells me he doesn't write lyrics. The words are just the "shit in his head" when he hits record. Lucky for him, I think they work well together - almost playing out like shattered romance.&lt;br /&gt;&lt;br /&gt;It's been almost three years since his debut LP on Neo Ouija records. Besides the use of acoustic guitar, I'm not sure there are many similarities between this record and his debut. The influence of running Music Related is almost instantly apparent. His room is full of instruments now - from child-sized toys to a huge reel-to-reel tape deck. The Pandatone studio is the wrong environment for a clinical claustrophobic, but full of creative possibilities if you're the right type. It feels like this environment has been transfered into the songs for Happy Together. Pandatone's fascination with the actual sound of recording is plastered all over the album. Using lots of tape and background noise, he tries to bring out specific tones that are just too far gone to really be there.&lt;br /&gt;&lt;br /&gt;The influence of Shugo Tokumaru and the Boats is fairly noticeable - though not copied. The sound of NYC is in there too - with some tracks featuring an almost junktronic-type percussion. While the album plays and even after it ends, he is much more interested in talking about the artists who are working on stuff for Music Related than his own music, and I leave with a handful of CDs.&lt;br /&gt;&lt;br /&gt;Whether he likes comparisons or not, I would recommend Happy Together if you like Psapp, Müm, and Tujiko Noriko."(from dotshop.se)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.6/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;一起來Happy仿佛是一種奢望，因爲我並沒有在專輯中聽到很high的感覺，雖然也有很不錯的節奏，但我感覺更多的是一種冷靜，還帶著一絲淡淡的哀愁，Together &amp;amp; Lonely。pandatone在自己的厰牌發行了這張專輯，還加入Julliana Barwick的女聲演唱，在寬敞的氛圍下聲音很輕柔很脫俗。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://w13.easy-share.com/13647731.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/2518977.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/2518977.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3588417133491059443?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3588417133491059443/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3588417133491059443' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3588417133491059443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3588417133491059443'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/pandatonehappy-together.html' title='[Pandatone|Happy Together]靜靜注視著那些快樂的人群'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8533007442194374986</id><published>2008-01-22T02:05:00.000+08:00</published><updated>2008-01-23T21:20:34.073+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='4AD'/><title type='text'>[Lisa Germano|Happiness]極樂世界</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/DghyM4bA2z-rYif5C41DNpWV1mGI5oiR/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/DghyM4bA2z-rYif5C41DNpWV1mGI5oiR/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Lisa Germano&lt;br /&gt;Album：Happiness&lt;br /&gt;Release Date：1994&lt;br /&gt;Label：4AD&lt;br /&gt;Country：UK&lt;br /&gt;Genre： Rock&lt;br /&gt;Style：            Alternative Rock,              Art Rock&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bad Attitude&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Keyboards -   Malcolm Burn            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Destroy The Flower&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Drums -   Michael Radovsky       &lt;br /&gt;Mixed By [Additional] -   Mike Griffith       &lt;br /&gt;Producer, Bass, Mixed By [Additional] -   Jay Joyce            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Puppet&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Acoustic Guitar -   John Keane       &lt;br /&gt;Drums -   Kenny Aronoff       &lt;br /&gt;Guitar -   Jay Joyce       &lt;br /&gt;Mixed By [Additional] -   Trina Shoemaker       &lt;br /&gt;Piano, Tambourine, Mixed By [Additional] -   Malcolm Burn            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Everyone's Victim&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Bass -   Bill Dillon       &lt;br /&gt;Drums -   Daryl Johnson       &lt;br /&gt;Guitar -   Jay Joyce       &lt;br /&gt;Percussion -   Ronald Jones            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Energy&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cowboy&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Guitar [Pedal Steel] -   John Keane            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Happiness&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Guitar -   Malcolm Burn            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Earth&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Around The World&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Djembe -   Daryl Johnson       &lt;br /&gt;Keyboards -   Jay Joyce            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sycophant&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Keyboards, Tambourine -   Malcolm Burn       &lt;br /&gt;Producer, Bass -   Jay Joyce            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Miamo-Tutti&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Dresses Song&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Guitar -   Malcolm Burn            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Darkest Night Of All&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;On 1993's &lt;i&gt;Happiness&lt;/i&gt;, Lisa Germano delivered on the promise that her debut &lt;i&gt;On the Way Down From the Moon Palace&lt;/i&gt; suggested she had. Both more ambitious and more accessible than her first album, &lt;i&gt;Happiness&lt;/i&gt; swaths her ethereal-yet-earthy melodies in a rich, shimmering production courtesy of Malcom Burn. Originally released by Capitol, 4AD re-released the album once Germano switched labels; the label's head, Ivo Watts-Russell, remixed certain tracks like the folky dream pop of "Destroy the Flower" and the scathing "Sycophant," bringing out the songs' melancholy, wistful tendencies. However, even the Capitol version of &lt;i&gt;Happiness&lt;/i&gt; has plenty of both of those qualities. Just as Germano mixes the delicate with the down-to-earth in her music, she uses her fragile voice to express uncomfortable, sad, and occasionally funny sentiments, as on the bitchy, jaded "Bad Attitude," where she sings "You wish you were pretty/But you're not/Ha ha ha" with equal amounts of cynicism and idealism. With "The Dresses Song," she turns what would be a flirty pop song in anyone else's hands into an ambivalent compliment: "You look at me so fragile/You make me think about nothing/It feels so good like that." &lt;i&gt;Happiness&lt;/i&gt; also expands Germano's musical palette, ranging from jangly pop like "Puppet" and "Energy," to the brooding, droning rock of the title track and "Everyone's Victim," to the haunting, proto-trip-hop instrumental "Miamo-Tutti" (named for one of Germano's cats). The spooky, vulnerable final song "The Darkest Night of All" is a forerunner of the dark, riveting territory she'd cover on &lt;i&gt;Geek the Girl&lt;/i&gt;; as a whole, &lt;i&gt;Happiness&lt;/i&gt; finds Germano moving toward a remarkable emotional honesty, which makes the album all the more captivating.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.2/10&lt;/span&gt; &lt;a href="http://www.douban.com/subject/1463297/"&gt; &lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;很老的一張專輯了，Lisa簽約4AD發行的第一張專輯。實際上是在Capitol Records發行過的一張專輯，來到4AD之後重新發行的。區別是Capital版的有翻場Nancy Sinatra的These Boots Are Made For Walkin'，在這個下載裏，也加入這首歌。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1463297/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/15618941.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s267.photobucket.com/albums/ii317/Ms_Valerie/?action=view&amp;amp;current=R-1085619-1190933155.jpg" target="_blank"&gt;&lt;img style="width: 400px; height: 320px;" src="http://i267.photobucket.com/albums/ii317/Ms_Valerie/R-1085619-1190933155.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8533007442194374986?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8533007442194374986/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8533007442194374986' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8533007442194374986'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8533007442194374986'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/lisa-germanohappiness.html' title='[Lisa Germano|Happiness]極樂世界'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3101105843231948117</id><published>2008-01-21T21:42:00.000+08:00</published><updated>2008-01-22T01:25:04.950+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Beams Records'/><title type='text'>[AOKI Takamasa, Ogurusu Norihide, Takagi Masakatsu|Come And Play In Our Backyard]後院裏的青蔥歲月</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/q7iFhdx-6D_6a_vS64iox83cLjg3TAu8/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/q7iFhdx-6D_6a_vS64iox83cLjg3TAu8/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：AOKI Takamasa, Ogurusu Norihide, Takagi Masakatsu&lt;br /&gt;Album：Come And Play In Our Backyard&lt;br /&gt;Release Date：2003-08-10&lt;br /&gt;Label： Beams Records&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Downtempo,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td align="right"&gt;                AOKI Takamasa           &amp;amp;                         Ogurusu Norihide                       &lt;/td&gt;           &lt;td&gt;Humming Song (4:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td align="right"&gt;                Takagi Masakatsu                       &lt;/td&gt;           &lt;td&gt;Golden Town With Sunglasses (4:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td align="right"&gt;                AOKI Takamasa                       &lt;/td&gt;           &lt;td&gt;Erin (4:21)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td align="right"&gt;                Ogurusu Norihide                       &lt;/td&gt;           &lt;td&gt;Change (4:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td align="right"&gt;                AOKI Takamasa                       &lt;/td&gt;           &lt;td&gt;Get The Fnk (3:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td align="right"&gt;                Takagi Masakatsu                       &lt;/td&gt;           &lt;td&gt;Star Every Morning (3:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td align="right"&gt;                Ogurusu Norihide                       &lt;/td&gt;           &lt;td&gt;Sure! (1:18)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Beat -   AOKI Takamasa            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td align="right"&gt;                AOKI Takamasa                       &lt;/td&gt;           &lt;td&gt;Walking With Polco (4:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td align="right"&gt;                Takagi Masakatsu                       &lt;/td&gt;           &lt;td&gt;House Of Time (3:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td align="right"&gt;                AOKI Takamasa           &amp;amp;                         Ogurusu Norihide                       &lt;/td&gt;           &lt;td&gt;Humming Song 2 (1:09)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Last week a friend of mine complained about a performance of "laptop music" he saw recently. "If I wanted to elbow through a crowd just to watch someone sit behind their Powerbook," he snarled, "then I could just go to my office -- and it's not as smoky." He's got a point, but computer-generated music obviously can't be summed up that easily, especially when it is evolving in so many directions. Three Japanese artists have recently garnered attention for pushing the data-DJ medium forward, in both their live sets and a collaborative studio project -- their first as a trio.&lt;br /&gt;&lt;br /&gt;It's been called folktronica, acoustica and laptop-folk, but Aoki Takamasa, Ogurusu Norihide and Takagi Masakatsu seem wary of classifying "Come and Play in Our Backyard," released on Beams Records. One reason may be that this album differs from each of the Kansai denizens' other projects. Aoki punches out organic club-beats in Japan and Europe, while Ogurusu records ambient minimalism for both New York's Carpark Records and Tokyo's P-Vine. Takagi is also a visual artist whose music often accompanies his video installations.&lt;br /&gt;&lt;br /&gt;Silicom, a project he and Aoki undertook for Tokyo's Progressive Form label, used similar ideas, blending computer-based music with digital images.&lt;br /&gt;&lt;br /&gt;Their styles converge on "Backyard" to create a collection of mixed media varying from delicate to decadent. Most of Aoki's compositions delete the beats to clear room for crystalline chords from an acoustic guitar. The track "Get on the FNK," done in a "glitch style" that incorporates the circuitry's sputter and click, is the only contribution in which he allows software to take precedence over strings. The opener, "Humming Song," finds Aoki and Ogurusu plucking a simple, infectious melody for over three minutes before the hum of their G4 computers becomes audible. On "Change," Ogurusu's clear picking on the six-string bears no sign of electronic manipulation at all. Most of Takagi's contributions, however, are unfiltered, digital euphoria. His "Star Every Morning" runs through a million megabytes of bliss before ringing feedback shimmers and fades into the distance.&lt;br /&gt;&lt;br /&gt;The music here is mostly a sit-down affair, with spare vocals buried deep in the mix to keep the focus on the instruments -- whether played in the key of G or F4.（By JASON JENKINS）&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.2/10&lt;/span&gt; &lt;span style="font-size:-1;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:-1;"&gt;青木孝充、小来栖憲英、高木正勝三個大孩子聚到一起，用他們的音樂相互交談，回憶著後院裏的童年往事。不再大量使用他們慣用的電音，而是令人眼前一亮抱起民謠吉他，用最恰當最美好的語言回憶了過去&lt;/span&gt;&lt;span style="font-size:-1;"&gt;，讓人心情平和，懷念，嘴角不經意露出一絲微笑，我想每個人的心中一定都有這樣的一個滿載純真夢想、真摯友情的僻靜的後院，閃爍著幾個孩子蹦蹦跳跳的身影。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2123731/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/15575831.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3101105843231948117?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3101105843231948117/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3101105843231948117' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3101105843231948117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3101105843231948117'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/aoki-takamasa-ogurusu-norihide-takagi.html' title='[AOKI Takamasa, Ogurusu Norihide, Takagi Masakatsu|Come And Play In Our Backyard]後院裏的青蔥歲月'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7250618981985046836</id><published>2008-01-21T20:11:00.000+08:00</published><updated>2008-01-21T22:44:03.595+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='W+K Tokyo Lab.'/><title type='text'>[Takagi Masakatsu|Rehome]真伊小姐的美麗生活</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/ytJgBEbv7z91zZuTjDQOYOjKhutnzd5s/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/ytJgBEbv7z91zZuTjDQOYOjKhutnzd5s/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Takagi Masakatsu&lt;br /&gt;Album：Rehome&lt;br /&gt;Release Date：2003-06-25&lt;br /&gt;Label：W+K Tokyo Lab.&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Downtempo,              Synth-pop&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rehome&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Glory Days, Glory Nights&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Brighter Shade&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flying House&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rehome (Organ Remix)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Smell Up The Moon&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sound Of House&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Airy Air&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Curtain Tale&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Red Seeds On Roof&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Via Ever Sight&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flat Echo&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ween Piano&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;New release by famed multimedia talent Takagi Masakatsu, his second on the equally edgy W+K Tokyo Lab imprint (home of Hifana, Afra and DJ Uppercut). The carefully produced “Rehome” offers naïve and melancholy electronic pop, in the same cozy vein as what Morr Music has been putting out for the last few years (Isan, Lali Puna, F.S. Blumm…). As usual with W+K, the album comes in a high-quality CD+DVD package, although this time the DVD part is rather short (one excellent video for the titletrack). Not the least bit earth-shattering, but could pad quite a few lazy mornings.&lt;br /&gt;&lt;a href="http://www.takagimasakatsu.com/"&gt;http://www.takagimasakatsu.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.8/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;高木在W+K發行的第一張專輯，CD+DVD，W+K不但追求音樂的品質，也在影像上有很高的要求，很有品質。唱片的包裝也採用的是布料，而非紙質材料。此外還請來Kentaro Kobuke（古武家賢太郎）為這張唱片創作封面和插畫。如同它的視覺，專輯音樂純真爛漫，溫暖親切，演唱的部分比較多，Toma Itoko的甜美得令人放鬆聲音使整張專輯像一部單身麗人的生活劇，很有回家的感覺。我沒有那張DVD，所以分享得僅僅是音樂部分，對高木的影像也是非常喜愛的，夢幻、絢爛、富有質感，非常期待。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1758191/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/15569931.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_01.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_04.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_021.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_021.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_03.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.wktokyolab.com/blog/wp-content/uploads/2007/10/rehome_03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7250618981985046836?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7250618981985046836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7250618981985046836' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7250618981985046836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7250618981985046836'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/takagi-masakatsurehome.html' title='[Takagi Masakatsu|Rehome]真伊小姐的美麗生活'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-878104607844755675</id><published>2008-01-14T16:29:00.000+08:00</published><updated>2008-01-14T20:31:22.600+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Midi Creative / Noble'/><title type='text'>[World's End Girlfriend|The Lie Lay Land]謊言之城</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/G3HzE0-n7j_guaVGQKa4xrhomWhbZvC4/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/G3HzE0-n7j_guaVGQKa4xrhomWhbZvC4/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：World's End Girlfriend&lt;br /&gt;Album：The Lie Lay Land&lt;br /&gt;Release Date：2005-02-25&lt;br /&gt;Label：Midi Creative / Noble&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic,                          Rock&lt;br /&gt;Style：            Glitch,              Modern Classical,              Post Rock&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Phantasmagoria Moth Gate (6:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;We Are The Massacre (5:45)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Satan Veludo Children (8:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Garden In The Ceiling (6:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Owl Of Windward (5:20)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Scorpius Circus (10:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Song Cemetery (3:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Give Me Shadow,Put On My Crown. (12:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Black Hole Bird (14:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Unspoiled Monster (6:30)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;We have released two albums of a now internationally acclaimed next-generation musician, world's end girlfriend, as the noble's launching artist. With the unprecedented success of his two albums,farewell kingdom and dream's end come true, he bridged genre gaps and was widely praised by the fans of techno, abstract, post-rock, avant pop and electronica. His musical career includes the performance in Sonar 2002, the biggest European festival of progressive music and multimedia arts held in Barcelona, Spain, and the successful tour in Taipei, Hong Kong and Macao in 2004.&lt;br /&gt;&lt;br /&gt;He now returns with a band of freaky raw drums, horns, piano and a bass guitar, and tens of layers of guitar noise while retaining his well known style: excessive editing, collage and elegant strings arrangement. In self-produced The Lie Lay Land, his first album in two years, he created another grandeur fiction, 10 tracks, 80 minutes long.Listening to The Lie Lay Land resembles watching the films, say, by Emir Kusturica or Jan Svankmajer who portray a fleeting fantasy ludicrously and poignantly at the same time, or the films of Lars von Trier and Gaspar Noe who always sway our emotions with a relentless and extremely demanding story progression. His music, like those films, shows us a fictional world as a finished work.&lt;br /&gt;&lt;br /&gt;The artwork on the cover of The Lie Lay Land, the illustration of a well-known author of picture books, komako sakai, visually portrays world's end girlfriend's vision of the world.(from Nobel)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.2/10&lt;/span&gt; &lt;div style="text-align: justify;"&gt;THE LIE LAY LAND中WEG再次透過聲音編織出一個龐大複雜的音樂景觀，當中不乏強烈作者風格的戲劇性修飾與拼貼，從流麗的管弦編曲、環境錄音到數十支吉他疊製的強大噪音牆──他還親自往返大阪東京兩地指揮室內樂團作現場錄音──在在建構出高度個人的視覺化音樂語言。從艾米爾．庫斯杜力卡（Emir Kusturica）和楊斯凡克梅耶（Jan Svankmajer）式黑色幽默與荒謬；到拉斯馮提爾（Lars Von Trier）和加士伯奈爾（Gaspar Noe）式執拗與即興，WEG那夢境般的音樂場景穿插著激進的自由爵士、弦樂時而優美彷彿天籟，時而淒厲令人毛骨悚然，典型的後搖秋風掃落葉吉他飆奏導入節拍方正的行進，或抑鬱如送葬進行曲或狂亂如夢魘遊樂場的圓舞曲，生鏽的旋轉木馬失控停不下來而闖入遍地清寥的幽寂......  這次專輯封面特別邀請日本著名繪本作家酒井駒子繪製，可以說將WEG的世界觀以圖像方式傳神表達。(引自節點) &lt;/div&gt;&lt;a href="http://www.douban.com/subject/1417884/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Share：&lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/14852711.html"&gt;Part1&lt;/a&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/14854551.html"&gt;Part2&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-878104607844755675?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/878104607844755675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=878104607844755675' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/878104607844755675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/878104607844755675'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/worlds-end-girlfriendthe-lie-lay-land.html' title='[World&apos;s End Girlfriend|The Lie Lay Land]謊言之城'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-754681369301787876</id><published>2008-01-13T22:07:00.001+08:00</published><updated>2008-01-14T03:23:29.243+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Amorfon'/><title type='text'>[Yoshio Machida|Naada]青澀回憶</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/MIM8xxe3yj9I-uqPPCTGHv6yGXsRiMKt/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/MIM8xxe3yj9I-uqPPCTGHv6yGXsRiMKt/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Yoshio Machida&lt;br /&gt;Album：Naada&lt;br /&gt;Release Date：&lt;br /&gt;Label：Amorfon&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lotus Part 1 (7:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lotus Part 2 (6:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lotus Part 3 (6:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Texas Vino (5:13)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bloom (6:50)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dew (5:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lotus Solo (6:27)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Yoshio Machida is a Tokyo based transboundary sound &amp;amp; visual artist. For his 4th CD, he presents his first-ever set of "acoustic" improvisations using Steel Pans with no electronic processing. Steel Pan's mystic tone which was born in Trinidad and Tobago, a country in the southern Caribbean Sea can be often listened in the latin covered pieces. But this was made from a different perspective. As you could know the process that he changed to use the instrument, gong which was used in his sound collage work based on field-recording to Steel Pan, the impression of this album is like ambient, minimal music or traditional indian music which he inspired.&lt;br /&gt;&lt;br /&gt;The music on this album is unlike fugue, gamelan or Tintinnabulation proposed by Arvo Part. It features over-dubbed minimal improvised phrases that create unique random delay like effects, somewhat reminiscent of wind bell sounds. And there is a piece inspired by the milestone of Minimalism, Erik Satie's Vexations, and also a strangely wonderful drone piece created solely from Steel Pan rolls. Like his previous album, the theme of the album is flowers, and the clear sounds of the Steel Pan are sure to treat you with an ambient, meditative and relaxing listening experience.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.1/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;町田良夫在自己廠牌Amorfon發行的第二張個人專輯，同樣打破我們對於鋼鼓這源自加勒比海熱情嘉年華的樂器的印象，而呈現全然極簡、具有環境音樂美感，適合冥想與放鬆的音樂。不同的是，這次他更首度純以「原音」樂器即興演奏為基本元素而不另添加電子聲響，只利用over-dubbed來創造隨機而獨特、類似延遲的效果。在印度傳統音樂的色彩影響下，鋼鼓的聲音彷彿成了風鈴，隨著午後微風擺盪，催人入眠。(引自節點)&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14784001.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/IC2kpkCrxD8AwkpLilNJFZVQCHbzkw-Z/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/IC2kpkCrxD8AwkpLilNJFZVQCHbzkw-Z/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-754681369301787876?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/754681369301787876/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=754681369301787876' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/754681369301787876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/754681369301787876'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/yoshio-machidanaada.html' title='[Yoshio Machida|Naada]青澀回憶'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7441430610527432545</id><published>2008-01-13T20:25:00.000+08:00</published><updated>2008-01-14T03:22:38.728+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Amorfon'/><title type='text'>[Yoshio Machida|Infinite Flowers]花的姿態</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/UFMku6ENyT87bStSIzLAsnlHjtz6RWnb/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/UFMku6ENyT87bStSIzLAsnlHjtz6RWnb/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Yoshio Machida&lt;br /&gt;Album：Infinite Flowers&lt;br /&gt;Release Date：2004&lt;br /&gt;Label：Amorfon&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pollen (2:07)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;!Hana Mombo! (3:04)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Namaqua I (3:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Namaqua II (2:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Namaqua III (5:57)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Namaqua IV (4:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;A Small Flower (1:23)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fragrance I (4:54)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fragrance II (7:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Poppy (5:40)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=";font-family:Arial;font-size:11;"  lang="EN-US" &gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=";font-family:Arial;font-size:11;"  lang="EN-US" &gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;"Here is the evolved music with steelpan x electronics from Tokyo!!"&lt;/span&gt;&lt;br /&gt;"Infinite Flowers" is the 3rd album of YOSHIO MACHIDA, a sound &amp;amp; visual artist, based in Tokyo. Developing a gong piece from his 2nd album,"Hypernatural #2 (2001, softl music)", this album was made using a sound system of steel pan + live electronics(Max/MSP). In a unique piece, "¡hana mambo!", humorous robot choir is singing with rhythm and it's creating an exotic atmosphere. The wonderful ecology, beauty and brightness of "flower" which is the theme of this album are expressed in electronics textures enough. Creating with Keiichi Sugimoto(guitar, ex. MINAMO, FONICA) and Tetsuro Yasunaga(electronics, ex. MINAMO, VOIMA) from cubic music which is leading Tokyo's new music scene, it became electro-acoustic ensemble with clear sounds.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.6/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;就像這張CD的title“Infinite Flower”（無限的花朵），還有它非常漂亮的cd cover，Yoshio Machida（町田良夫）努力地用各種聲音描繪著花之印象：她的美麗，她的色彩，她的迷人香氣，她的自然氣質。町田良夫曾經遊歷過許多國家，並在世界各處田園風光中進行他的錄音實驗，而且親手創造了一種改良式的鋼鼓（steel pan）。這張專輯裏他就運用著這種“町田鋼鼓”，配上些live電音，創造著他追求的花香四溢、花瓣飛舞的田園意境。第二個track“!Hana Mombo!”在整張專輯中非常特別，唯一有演唱的一曲，卻將人聲處理得像機器人發出一般，讓人聯想起&lt;span class="pl2"&gt;&lt;/span&gt;Kazumasa Hashimoto和他的“futuristic pop”，可愛、富有童趣。&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1473817/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14783981.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/9730.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/9730.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7441430610527432545?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7441430610527432545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7441430610527432545' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7441430610527432545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7441430610527432545'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/yoshio-machidainfinite-flowers.html' title='[Yoshio Machida|Infinite Flowers]花的姿態'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1679665537382011185</id><published>2008-01-11T17:47:00.000+08:00</published><updated>2008-01-13T20:12:44.754+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='After Hours'/><title type='text'>[Mice Parade|Collaborations]同心圓</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/S9pSbT9h7z_QJAYCPfyLiOebJhhKkZhN/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/S9pSbT9h7z_QJAYCPfyLiOebJhhKkZhN/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Mice Parade&lt;br /&gt;Album：Collaborations&lt;br /&gt;Release Date：2000&lt;br /&gt;Label：After Hours&lt;br /&gt;Country：US&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Downtempo,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Fall From Andalucia (10:47)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Featuring -   HiM            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rela Circle (5:57)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Featuring -   Curtis Harvey            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mystery Brethren Vironment (7:41)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Featuring -   Aki Tsuyuko                ,   Nobukazu Takemura            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mystery Brethren Vironment (Jim O'Rourke Remix) (10:40)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Jim O'Rourke            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mystery Brethren Vironment (Child's View Remix) (6:11)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Nobukazu Takemura            &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Mice Parade is an anagram of Adam Pierce. Pierce used to play with the low-fi pop band Swirlies and was co-founder of Dylan Group, The. Mice Parade is his solo project. Mice Parade is electronic music without electronics. It sounds like electronic music, but in fact hardly any samples are used on his albums. All the instruments on the albums Mokoondi and Ramda for example, are played live and were recorded in one take. Most of the instruments were played by Adam Pierce himself.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.3/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;很不錯的一張專輯，其中還有HIM、竹村延和、Jim O'Rourke等人的參與，個人認爲比之前聼過的那張Obrigado Saudade要好很多。十多分鐘的The Fall From Andalucia頗具熱情魅惑的西班牙風情，Rela Circle輕巧靈動，Mystery Brethren Vironment張弛有度，節奏迷人，讓人突然間熱血澎湃。兩個Mystery Brethren Vironment的remix也還可以，但是更喜歡Adam Pierce的原版。&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1772753/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14379411.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3858600.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/3858600.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1679665537382011185?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1679665537382011185/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1679665537382011185' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1679665537382011185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1679665537382011185'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/mice-paradecollaborations.html' title='[Mice Parade|Collaborations]同心圓'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7763071308144813800</id><published>2008-01-11T15:59:00.001+08:00</published><updated>2008-01-11T17:46:45.656+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Toshiya Tsunoda|Ridge Of Undulation]波峰波谷，聲波曲綫</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/ck1kcaIB0D9OuD6Rpc0C2L_7__6D-BTj/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/ck1kcaIB0D9OuD6Rpc0C2L_7__6D-BTj/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Toshiya Tsunoda&lt;br /&gt;Album：Ridge Of Undulation&lt;br /&gt;Release Date：2005-12-13&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic,                          Non-Music&lt;br /&gt;Style：            Field Recording,              Experimental&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sine Waves Mixed With The Sound Of A Vibrating Surface_1 (5:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Seashore, Venice Beach_31 Jul 01 (3:21)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;An Aluminum Plate With Low Frequencies_1 (4:25)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Metal Pieces With High Frequencies (8:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;At Stern, Tokyo Bay_11 Dec 97 (4:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Arrival, Kisarazu Bay_11 Dec 97 (5:16)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;An Aluminum Plate With Low Frequencies_2 (4:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sine Waves Mixed With The Sound Of A Vibrating Surface_2 (4:16)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;i&gt;“The vibration of a thin metal plate and the huge waves of a vast seashore... similar phases can be observed between them... like wrinkles on clothes remind us of mountain ridges.”&lt;/i&gt;&lt;br /&gt;      &lt;br /&gt;New release from Japanese Toshiya Tsunoda who was the first artist to be released on Häpna in 1999. This household name in the art of fieldrecordings has produced a discography of highly sublime recordings capturing the finest details of sound, and Ridge of Undulation is no exception. This new work is exploring sonic phenomena of very different magnitudes, from roaring waves at sea to experiments with high frequency sine waves and vibrating objects. Piezoceramic sensors were placed on the objects and the vibrations were transmitted in voltage, which can be recorded.&lt;br /&gt;      &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3858417.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/3858417.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Toshiya Tsunoda is a Yokohama based artist who has studied at the Tokyo National University of Fine Art and Music. Tsunoda is concerned with the relation between sound space and cognition space and the hidden beauty in the tiniest sonic details. Since 1994, he has been operating the WrK label, which he co-founded with Minoru Sato. He has previously released works on the WrK, Selektion, Lucky Kitchen, Staalplaat and Häpna labels. His work has been shown at the ICC, Tokyo, and the Kawasaki city museum, among others.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.0/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;時隔六年后，Toshiya Tsunoda（角田俊也）再次在Hapna發片。和之前的The Air Vibration Inside A Hollow差不多，Toshiya Tsunoda像個物理學研究者一樣，依然樂此不疲地進行著他的聲波實驗。物體的振動，波浪的聲響，還有鋁板、金屬片。。。像實驗室中的操作者一樣，探索著各種各樣不同規模的聲波現象。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1475874/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/14591161.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/VKZNVZpFwD96DTzC6n8RIKfhq9JKgId6/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/VKZNVZpFwD96DTzC6n8RIKfhq9JKgId6/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7763071308144813800?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7763071308144813800/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7763071308144813800' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7763071308144813800'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7763071308144813800'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/toshiya-tsunodaridge-of-undulation.html' title='[Toshiya Tsunoda|Ridge Of Undulation]波峰波谷，聲波曲綫'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2013651528070109182</id><published>2008-01-10T20:47:00.001+08:00</published><updated>2008-04-04T16:53:29.072+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='W+K Tokyo Lab.'/><title type='text'>[Takagi Masakatsu|Coieda]金色逆光勾勒下的美女輪廓</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/IPkYHtD1yD8pKa2PJ8t7ZcuSoCo89qpe/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/IPkYHtD1yD8pKa2PJ8t7ZcuSoCo89qpe/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Takagi Masakatsu&lt;br /&gt;Album：Coieda&lt;br /&gt;Release Date：2004&lt;br /&gt;Label：W+K Tokyo Lab.&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Abstract,              Downtempo,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pia Flies (4:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;New Flat (4:49)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Midnight (1:37)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cruz (2:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Exit/Delete (4:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Coieda (3:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;O.P.R. (2:37)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dogma (3:05)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Girls (4:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Private Drawing (5:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cuba (3:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Birdland#3 (5:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Change Of Seasons (2:09)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Opfern (1:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;15&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Primo (7:11)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3820259.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 261px; height: 292px;" src="http://userserve-ak.last.fm/serve/_/3820259.jpg" alt="" border="0" /&gt;&lt;/a&gt;                Takagi Masakatsu, born in 1979, is a video artist and musician living and working in Kyoto, Japan.&lt;br /&gt;&lt;br /&gt;Coeida is a great addition to Masakatsu's collection of works. It perfectly encapsulates all of the positivity associated with the spring and summer seasons. In this regard, it's more reminiscent of the the more rhythmic Eating and Eating 2 releases than it is of his more experimental and atonal Pia and Opus Pia albums. The album has songs that are sometimes mostly piano-based and even one featuring David Sylvian (on "Exit/Delete"). Even though Masakatsu's aural works are mostly concentrated within the realm of electronic music, it's an album that's more contingent on the listener's mood than their genre preference.(from  discogs)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.4/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;日本藝術家Takagi Masakatsu（高木正勝）04年的一張專輯，不知道爲什麽我找了很多地方也沒找到點權威的英文資料，日文又不太好，所以只能隨便談談自己的感受了。很浪漫很唯美的一張音樂，以鋼琴為基礎的電子，我非常喜歡它的鋼琴部分，像birdland、還有最後的primo featuring Toma Itoko，很美的音樂。柔美輕快、溫暖人心，仿佛突然閒遇見愛情一般，令人怦然心動、面頰緋紅。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://w13.easy-share.com/14418561.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;(&lt;a href="http://w16.easy-share.com/1700042057.html"&gt;track 9&lt;/a&gt;)&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/Dz21aBYu7D9eiPcxDAaaYRWXhV5mzBuR/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/Dz21aBYu7D9eiPcxDAaaYRWXhV5mzBuR/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2013651528070109182?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2013651528070109182/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2013651528070109182' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2013651528070109182'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2013651528070109182'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/takagi-masakatsucoieda.html' title='[Takagi Masakatsu|Coieda]金色逆光勾勒下的美女輪廓'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3850651242037933499</id><published>2008-01-10T17:36:00.000+08:00</published><updated>2008-01-10T20:37:27.763+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Paw Tracks'/><title type='text'>[Panda Bear|Person Pitch]夏日陽光，人形矩陣</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/gKl9utQXfz-aA-OWRLUQqeWE4tbVs1JM/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/gKl9utQXfz-aA-OWRLUQqeWE4tbVs1JM/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Panda Bear&lt;br /&gt;Album：Person Pitch&lt;br /&gt;Release Date：2007&lt;br /&gt;Label：Paw Tracks&lt;br /&gt;Country：US&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Comfy In Nautica (4:04)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Take Pills (5:23)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bro's (12:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;I'm Not (3:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Good Girl / Carrots (12:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Search For Delicious (4:53)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ponytail (2:05)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/0DQiCcMwwT-rcsZcroDF7dG39Slar0Fl/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/0DQiCcMwwT-rcsZcroDF7dG39Slar0Fl/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Starting an album with a clattering of industrial rhythms sliding into a huge clap-and-stompalong with angelic vocals and what sounds like the Brotherhood of Man on a vocal loop tip not far removed from Suicide or Laurie Anderson is one way to make a mark. The fact that Panda Bear, aka Noah Lennox himself, sings like Brian Wilson and produces his voice to sound like it is another, though it has to be said that it just makes his Animal Collective membership all the more clear at this point. &lt;i&gt;Person Pitch&lt;/i&gt; is very much an end product of a variety of musical trends in whatever can be called indie rock in the early 21st century -- big-sounding, absolutely dedicated to texture and sonic playfulness, and somehow aiming to make a lot of interesting ideas seem kinda flat. There's no question there's both an audience for Panda Bear's work and the sounds he's playing around with, and to his considerable credit he creates a series of moody and memorable loops throughout. Songs like "Take Pills" and "Good Girl" are miles away from the rhythm-by-numbers of many of Panda Bear's contemporaries; importantly, after so many bands that just want to sound like late-'60s Beach Boys lock, stock, and barrel, the fact that there's a recognition that production and beat technology didn't stay frozen in time stands out. At its best, with the song "Bros," there's a beautiful transcendence that lives up to all the promise that has surrounded Panda Bear's work, the song slowly but surely evolving into a fantastic epic that could easily stand on its own as an EP. Still, the sweetness is almost too gooey, and what should be providing a healthy contrast ends up dragging the best instrumental moments down more than once, almost literally getting in the way of the striking sonic collages. It may be heresy to some, but conceivably &lt;i&gt;Person Pitch&lt;/i&gt; would be at its best if it were strictly instrumental.(from AMG)&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.6/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;這張碟被Pitchfork評爲年度最佳，但是音樂實際上很私人化的東西，仁者見仁、智者見智。Panda Bear（&lt;/span&gt;Noah Lennox&lt;span&gt;）是曾經Animal Collective的兩個核心成員之一，在這幾年結婚生子，並移居到里斯本。Person Pitch還是不錯的，熱情洋溢，捕捉匯聚了很多种有意思的聲音，&lt;/span&gt;&lt;span&gt;音樂中的空間很廣闊，&lt;/span&gt;&lt;span&gt;好像對里斯本溫暖陽光的印象主義描繪，令人身上有暖暖的很親近的感覺，還感覺周圍很有人氣，冬天聼這樣的音樂我想肯定不會感到寂寞。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1983502/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/14511111.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/354255.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/354255.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3850651242037933499?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3850651242037933499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3850651242037933499' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3850651242037933499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3850651242037933499'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/panda-bearperson-pitch.html' title='[Panda Bear|Person Pitch]夏日陽光，人形矩陣'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8686287331191510624</id><published>2008-01-10T17:02:00.000+08:00</published><updated>2008-01-10T17:36:41.174+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Domino Recording Co.'/><title type='text'>[Four Tet|Remixes]Remixes VS Remixed</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/8Yeq0qey6T_mQi-BuZzVoFXAfHYMcVKN/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/8Yeq0qey6T_mQi-BuZzVoFXAfHYMcVKN/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Four Tet&lt;br /&gt;Album：Remixes&lt;br /&gt;Release Date：2006-10&lt;br /&gt;Label：Domino&lt;br /&gt;Country：UK&lt;br /&gt;Genre：                      Electronic,                          Hip Hop&lt;br /&gt;Style：            Abstract,              Future Jazz,              Downtempo,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td&gt;&lt;b&gt;Remixes&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;           &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-1&lt;/td&gt;             &lt;td align="right"&gt;                Lars Horntveth                       &lt;/td&gt;           &lt;td&gt;Tics (Four Tet Remix) (6:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-2&lt;/td&gt;             &lt;td align="right"&gt;                Radiohead                       &lt;/td&gt;           &lt;td&gt;Skttrbrain (Four Tet Remix) (4:25)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-3&lt;/td&gt;             &lt;td align="right"&gt;                Madvillain                       &lt;/td&gt;           &lt;td&gt;Money Folder (Four Tet Remix) (2:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-4&lt;/td&gt;             &lt;td align="right"&gt;                His Name Is Alive                       &lt;/td&gt;           &lt;td&gt;One Year (Four Tet Remix) (6:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-5&lt;/td&gt;             &lt;td align="right"&gt;                Sia                       &lt;/td&gt;           &lt;td&gt;Breathe Me (Four Tet Remix) (5:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-6&lt;/td&gt;             &lt;td align="right"&gt;                Aphex Twin                       &lt;/td&gt;           &lt;td&gt;Untitled (SAW2 CD1 Track1) (Four Tet Remix) (7:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-7&lt;/td&gt;             &lt;td align="right"&gt;                Madvillain                       &lt;/td&gt;           &lt;td&gt;Great Day (Four Tet Remix) (3:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-8&lt;/td&gt;             &lt;td align="right"&gt;                Bonobo                       &lt;/td&gt;           &lt;td&gt;Pick Up (Four Tet Remix) (7:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-9&lt;/td&gt;             &lt;td align="right"&gt;                Rothko                       &lt;/td&gt;           &lt;td&gt;Roads Become Rivers (Rivers Become Oceans - Four Tet Remix) (7:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-10&lt;/td&gt;             &lt;td align="right"&gt;                Beth Orton                       &lt;/td&gt;           &lt;td&gt;Carmella (Four Tet Remix) (11:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-11&lt;/td&gt;             &lt;td align="right"&gt;                Bloc Party                       &lt;/td&gt;           &lt;td&gt;So Here We Are (Four Tet Remix) (6:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1-12&lt;/td&gt;             &lt;td align="right"&gt;                Pole                       &lt;/td&gt;           &lt;td&gt;Heim (Four Tet Remix) (7:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td&gt;&lt;b&gt;Remixed&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;           &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-1&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;A Joy (Featuring Percee P) (2:54)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals [Featuring] -   Percee P            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-2&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;As Serious As Your Life (Jay Dee Remix) (4:43)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Featuring -   Guilty Simpson             &lt;br /&gt;Remix -   Jay Dee            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-3&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;Hilarious Movie Of The 90s (Manitoba Remix) (5:37)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Manitoba            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-4&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;Hilarious Movie Of The 90s (Koushik's Funny Flic) (2:40)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Koushik            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-5&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;A Joy (Remix) (3:10)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-6&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;My Angel Rocks Back And Forth (Icarus Remix) (7:20)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Icarus (2)            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-7&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;A Joy (Battles Remix) (4:06)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Battles            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-8&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;As Serious As Your Life (Remix)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-9&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;A Joy (Featuring Percee P - Koushik's Quick Mix) (1:32)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Koushik             &lt;br /&gt;Vocals [Featuring] -   Percee P            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-10&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;Sun Drums And Soil (Sa-Ra Creative Partners Remix) (5:55)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Effects -   Four Tet             &lt;br /&gt;Recorded By, Mixed By -   Sa-Ra Creative Partners             &lt;br /&gt;Remix -   Sa-Ra Creative Partners             &lt;br /&gt;Synthesizer [Akai Mpc 3000, Arp String Ensemble], Percussion, Vocals, Whistling -   Taz Arnold             &lt;br /&gt;Synthesizer [Emu Sp 1200, Roland Juno 106, Jupiter 8], Percussion, Vocals -   Shafiq Husayn             &lt;br /&gt;Vocals, Congas, Piano [Fender Rhodes], Horns, Flute, Engineer, Synthesizer [Roland Sh-101, Prophet 5] -   Om'Mas Keith            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-11&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;First Thing/Chia (Isambard Khroustaliov Remix) (5:20)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Isambard Khroustaliov            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2-12&lt;/td&gt;             &lt;td align="right"&gt;                Four Tet                       &lt;/td&gt;           &lt;td&gt;No More Mosquitoes (Boom Bip Remix) (5:02)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Boom Bip            &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Spawned from the urge to do something apart from his post-rock band Fridge, Kieran Hebden's Four Tet project balances organic and programmed sounds. Hebden formed Fridge with Sam Jeffers and Adam Ilhan while still in high school. When Fridge went on temporary hiatus for Jeffers and Ilhan to attend college, Hebden spent time playing with ideas gained from hip-hop and electronica that he hadn't had time for while concentrating on the band. Eager to experiment, Hebden bought a computer and began collecting drum and sound samples. Though his tracks sounded contrary, Hebden produced them all in his flat using only his computer to loop, slice, and paste downloaded samples and rhythms. His first full-length was 1999's &lt;i&gt;Dialogue&lt;/i&gt;, which was noticed by experimental dub pioneer Pole (Stefan Betke). The two eventually collaborated for a 12", Four Tet vs. Pole, which included an original song by each and a remix of the track done by the other artist. Around the same time, Fridge was signed to the label Go! Beat, owned by Polydor. Hebden retained Four Tet as a side project, however, and released subsequent records &lt;i&gt;Pause&lt;/i&gt; (2001) and &lt;i&gt;Rounds&lt;/i&gt; (2003) through Domino. The &lt;i&gt;No More Mosquitoes&lt;/i&gt; EP and the "My Angel Rocks Back and Forth" single preceded the 2005 release of &lt;i&gt;Everything Ecstatic&lt;/i&gt;. In 2006, Hebden put together two compilations of some of his favorite tracks, &lt;i&gt;LateNightTales&lt;/i&gt; and &lt;i&gt;DJ-Kicks&lt;/i&gt;, as well as &lt;i&gt;Everything Ecstatic Films &amp;amp; Part 2&lt;/i&gt;. The two-disc &lt;i&gt;Remixes&lt;/i&gt; was also compiled and released that year as were two volumes of his &lt;i&gt;Exchange Session&lt;/i&gt; project with jazz drummer Steve Reid. These two volumes found Hebden working under his proper name for a change. This trend continued when their third collaboration, &lt;i&gt;Tongues&lt;/i&gt;, arrived in 2007.(from AMG)&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：6.0/10&lt;/span&gt; &lt;div style="text-align: justify;"&gt;他2006年的發行，也是最近的發行。由於Four Tet的Pause使他名聲大噪，並且奠定了Folktronica這種音樂風格。於是之後很多樂隊、歌手都找到他與之合作，包括Radiohead、coldplay等。這張專輯分爲2CD，第一部分是由Four Tet為他們重新打造，另一張是由其他的音樂人來重新演繹Four Tet的作品。但是個人不是很喜歡，不做推薦，有興趣的話可以聼聼。 &lt;/div&gt;&lt;a href="http://www.douban.com/subject/1890796/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Share:&lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/13753911.html"&gt;Part1&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;  &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/13755031.html"&gt;Part2&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;  &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/13753551.html"&gt;Part3&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;  &lt;/span&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/13753251.html"&gt;Part4&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.petit-bulletin.fr/lyon/articles-2006/420/420actupapier1-Four-Tet-Kieran-Hebden-Grnd-Zero.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.petit-bulletin.fr/lyon/articles-2006/420/420actupapier1-Four-Tet-Kieran-Hebden-Grnd-Zero.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8686287331191510624?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8686287331191510624/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8686287331191510624' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8686287331191510624'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8686287331191510624'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/four-tetremixesremixes-vs-remixed.html' title='[Four Tet|Remixes]Remixes VS Remixed'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1172108594315067274</id><published>2008-01-08T21:47:00.000+08:00</published><updated>2008-01-08T23:41:08.195+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Half A Cow Records'/><title type='text'>[Agnes Kain|Keep walking or I'll kill you]純真誓言</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/39/dl/EM4wragAwT8Gk7RpOhYDZbu_LCrhy1wC/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/39/dl/EM4wragAwT8Gk7RpOhYDZbu_LCrhy1wC/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Agnes Kain&lt;br /&gt;Album：Keep walking or I'll kill you&lt;br /&gt;Release Date：2007-09-25&lt;br /&gt;Label：Half A Cow Records&lt;br /&gt;Country：Australia&lt;br /&gt;Genre：Pop&lt;br /&gt;Style：Indie Folk，Indie Pop&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;br /&gt;        1. You will be loved, &amp;amp; hated&lt;br /&gt;2. Puddles &amp;amp; mud&lt;br /&gt;3. All time high&lt;br /&gt;4. Keep walking or I'll kill you&lt;br /&gt;5. To me&lt;br /&gt;6. Off with the faeries&lt;br /&gt;7. Favourite&lt;br /&gt;8. Pretty pickings&lt;br /&gt;9. Josephine&lt;br /&gt;10. Our new, happy life&lt;br /&gt;11. My brother told me&lt;br /&gt;12. Time&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Indie folk pop duo Agnes Kain (Chanelle Afford and Stefan Simunic) have been creating and playing music together for the past couple of years. Having grown up on the same street in a small town on the outskirts of Sydney, there is an intimacy and comfort to their music that comes from the closeness of being long time friends. A feeling that is projected to the listener, both on their recordings and at their live shows.&lt;br /&gt;&lt;br /&gt;They are excited to announce the release of their debut album &lt;i&gt;Keep walking or I’ll kill you&lt;/i&gt;, which despite the wicked title was born of love. Amidst the piano, mandolin and guitar lies unassuming, heartfelt and honest tales of loves lost and found, places almost forgotten, and the peculiarities of life. Throughout there is a deepness and substance that may be missed on first listen, and although the album contains many a cheerful moment, concealed within the upbeat and playful melodies of songs such as 'All time High' and 'Puddles &amp;amp; mud' are tales of a more serious and somber nature. Whilst others like, 'My brother told me' and the title track, 'Keep walking or I’ll kill you' are penned from a still and thoughtful place of innocence and bruises.&lt;br /&gt;&lt;br /&gt;The album was recorded by the duo in the spare room of their humble abode during early 2007. It was a challenge. There was heavy rain, extreme heat, they live on a flight path and their housemate vacuums incessantly. But it turned out exactly how it was intended, with simple compositions and arrangements weaving perfectly imperfect little embroideries. Both self-taught musicians, Stefan and Chanelle played most of the instruments on the album, including guitar, piano, mandolin, bass, melodica, glockenspiel, and percussion. Their friends, Ben Ellingworth (drums) and Anne Samuels (viola) also lent their talents on several songs.&lt;br /&gt;&lt;br /&gt;There is a darkness which underlies the infectious and cleverly constructed songs of &lt;i&gt;Keep walking or I’ll kill you&lt;/i&gt;, but also a feeling of sharing tea with old friends. Listening to the album it is easy to fall in love with its whimsical charm and warmth.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.3/10&lt;/span&gt; &lt;a href="http://www.douban.com/subject/2327002/"&gt; &lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;可愛的音樂，可愛的cover，可愛的album title，這句Keep walking or I'll kill you更像是這對兩小無猜、青梅竹馬的男女主人公可愛的誓言。Chanelle Afford和Stefan Simunic生活在悉尼的同一個小鎮、同一條街道，從小一起長大。所以從他們的音樂中你會感受到那種好朋友之間的親密無間，還有那種孩童之間的純真無邪。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2327002/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14378031.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/2179807.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/2179807.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1172108594315067274?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1172108594315067274/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1172108594315067274' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1172108594315067274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1172108594315067274'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/agnes-kainkeep-walking-or-ill-kill-you.html' title='[Agnes Kain|Keep walking or I&apos;ll kill you]純真誓言'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1676785401998324374</id><published>2008-01-07T00:30:00.000+08:00</published><updated>2008-01-08T18:22:12.994+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leaf'/><title type='text'>[Colleen|The Golden Morning Breaks]與天馬飛翔在最清澈的海面</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/ijOp45s67D9St1pXOU86hd09MpgWM5xA/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/ijOp45s67D9St1pXOU86hd09MpgWM5xA/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Colleen&lt;br /&gt;Album：The Golden Morning Breaks&lt;br /&gt;Release Date：2005-04&lt;br /&gt;Label：Leaf&lt;br /&gt;Country：France&lt;br /&gt;Genre：                      Electronic&lt;br /&gt;Style：            Leftfield,              Abstract,              Experimental, Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Summer Water (3:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Floating In The Clearest Night (2:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Heart Harmonicon (3:53)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sweet Rolling (4:04)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Happy Sea (3:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;I'll Read You A Story (6:51)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bubbles Which On The Water Swim (3:11)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mining In The Rain (3:11)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Golden Morning Breaks (5:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Everything Lay Still (10:46)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;span title="Unknown artist" class="bbcode_unknown"&gt;Cécile Schott&lt;/span&gt; was born in France and began making music under the name 'Colleen' in 2001, after a friend gave her a CD-R with the ACID Pro music production software contained within. Samples were a common part of her early work and in summer 2003 the debut album Everyone Alive Wants Answers was released. It was notable for its heavy use of looped samples, which were taken from records in her collection and heavily modified. The album was critically well-received and drew enough attention to warrant touring. During live shows, Schott would replicate the sounds from the album using acoustic instruments played through pedals as she thought the idea of using a laptop live was uninspiring.&lt;br /&gt;&lt;br /&gt;This approach using live physical instruments led to the 2005 follow-up , The Golden Morning Breaks. This album was something of a departure from the sampled setting of her debut and consisted almost entirely of natural, non-synthetic sounds, an approach Schott has stated in interviews that she prefers.&lt;br /&gt;&lt;br /&gt;Her most recent release was part of the Staalplaat label's series of live performances, called Mort Aux Vaches (meaning 'Death to Cows'). It was released on January 25, 2006.&lt;br /&gt;&lt;br /&gt;"Colleen Et Les Boites A Musique" hits the shops on October 2nd 2006, and is comprised of 14 short pieces created using only music boxes, originally commissioned by France Culture's Atelier De Création Radiophonique.&lt;br /&gt;&lt;br /&gt;In May 2007 dancer and choreographer Perrine Valli performed Série, a production with an original score composed by Schott - her first foray into dance.&lt;br /&gt;&lt;br /&gt;Les Ondes Silencieuses ('The Still Waters'), Colleen's third full-length album, was released on May 21, 2007. A slight evolution in sound was again heard on the album, as Schott adopted a more free-form approach in place of the use of loops that were so apparent in much of her prior output.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.6/10&lt;/span&gt; &lt;a href="http://www.douban.com/subject/1434213/"&gt; &lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;來自法國的&lt;span title="Unknown artist" class="bbcode_unknown"&gt;Cécile Schott，她的音樂美得好純粹，我想不論喜歡什麽類型音樂的人，聽到她的音樂都會承認它很美。純淨得清澈見底，這是世界上最美的水域。Colleen用各種古典音樂的元素，以她寂靜迷人的大提琴，編織著這純淨水面上一波漣漪，縹緲、幽遠、夢幻，仿佛來自天籟的聲音。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1434213/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Share:&lt;a href="http://w13.easy-share.com/14195651.html"&gt;Part1&lt;/a&gt; &lt;a href="http://w13.easy-share.com/14196941.html"&gt;Part2&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3558211.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/3558211.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1676785401998324374?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1676785401998324374/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1676785401998324374' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1676785401998324374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1676785401998324374'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/colleenthe-golden-morning-breaks.html' title='[Colleen|The Golden Morning Breaks]與天馬飛翔在最清澈的海面'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-266911060489351129</id><published>2008-01-06T19:25:00.000+08:00</published><updated>2008-01-07T00:18:11.661+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anticipate Recordings'/><title type='text'>[Sawako|Madoromi]風動，幡動，心動使然</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/KDKOqOdp0T8ijn5U8LhnayeOz5UAPlUm/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/KDKOqOdp0T8ijn5U8LhnayeOz5UAPlUm/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Sawako&lt;br /&gt;Album：Madoromi&lt;br /&gt;Release Date：2007-10-15&lt;br /&gt;Label：Anticipate Recordings&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Experimental,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;August Neige (7:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;It's Not On Purpose (3:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Uta Tane (5:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Passepass (3:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Appled Soapbox (3:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kira Kira (3:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Purple Sky Coming (6:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Far Away (6:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tiny Tiny (1:36)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Sawako's previous forays into lowercase audio sculpting have been published by such estimable imprints as 12k, and/oar and Community Library. This latest collection of pieces finds the Tokyo-based sound artist on top form too, shaping small, domestic-sounding pieces culled from a variety of location recordings, incidental noises and instrumental ramblings. Sawako has much in common with similarly-minded Japanese artists like Mondii, Ken Ikeda, or even Moskitoo and Piana, albeit devoid of any dominant vocal presence (despite the freeform utterances on 'August Neige' these pieces are focussed on abstract ambience), yet there's something very distinctive about the grasp on melody, which always seems to be at the forefront of these compositions, even if it is somewhat more subtle than on your standard pop fare. The likes of 'It's Not On Purpose', 'Kira Kira' and 'Applied Soapbox' could easily be mistaken for the work of Colleen, such is Sawako's skilful collision of organic sound sources and shapeshifting electroacoustic treatments. Excellent.(from boomkat)&lt;br /&gt;&lt;object height="345" width="410"&gt;&lt;param name="movie" value="http://www.youtube.com/v/nB6sVdHyxUg&amp;amp;rel=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/nB6sVdHyxUg&amp;amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" height="345" width="410"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;span class="bbcode_artist"&gt;Sawako&lt;/span&gt; is a Tokyo/NYC-based sound sculptor who understands the value of dynamics and the power of silence. After beginning in video art, Sawako shifted her focus from the video camera to sound. Once through the processor named Sawako, sounds in everyday life - field recordings, instruments, voice and electronic sounds - float in space vividly with a digital yet organic texture. Her unique sonic world has been called "post romantic sound" by Boston's Weekly Dig. &lt;span class="" id="wikiSecondPart"&gt;Sawako did live performances in Japan (offsite, metro, uplink, trees are so special etc.), USA (TONIC etc), Paris (batofar) and London (resonance FM), and has collaborated with a wide range of musicians such as &lt;span class="bbcode_artist"&gt;Andrew Deutsch&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Asuna&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Yuichiro Fujimoto&lt;/span&gt;, &lt;span title="Unknown artist" class="bbcode_unknown"&gt;Hayato Aoki&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Hypo&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;RF&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Heller&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;marcel türkowsky&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Taku Sugimoto&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Toshimaru Nakamura&lt;/span&gt; and &lt;span class="bbcode_artist"&gt;Taylor Deupree&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.6/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;Anticipate Recordings是我最近剛知道的一個厰牌，由&lt;/span&gt;Ezekiel Honig經營的，&lt;span&gt;它的官方網站做的很不錯，地址是&lt;a href="http://www.anticipaterecordings.com/"&gt;http://www.anticipaterecordings.com/&lt;/a&gt;。目前爲止只有四張發行，很少。所以準備把它的releases都聼一下。Sawako之前也在12k等其他一些厰牌發過碟，沒聼過之前的作品，無從比較，也不知道是個什麽樣子。Madoromi中Sawako慢條斯理地營造著她的音樂空間，前半部分不斷地使用叮叮鈴鈴的聲音，讓我想起Yuko Ikoma。還有長長的電音，氛圍朦朧空靈，還時不時飄來天籟般的人聲，又有些Piana的感覺。結尾很奇怪，像未完成似的戛然而止，讓我有些費解。但無論如何Sawako Kato還是獨特的，有著自己獨特風格和個性的飄渺電聲。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/2307445/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14185581.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/3357787.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/3357787.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-266911060489351129?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/266911060489351129/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=266911060489351129' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/266911060489351129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/266911060489351129'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/sawakomadoromi.html' title='[Sawako|Madoromi]風動，幡動，心動使然'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1628644494707378277</id><published>2008-01-06T17:26:00.000+08:00</published><updated>2008-01-06T19:18:04.000+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Room40'/><title type='text'>[Tenniscoats|Totemo Aimasho]時光隧道，飛行船</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/wlV3VhNh5z_mYSuJL9IveIvkk5m10elh/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/wlV3VhNh5z_mYSuJL9IveIvkk5m10elh/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Tenniscoats&lt;br /&gt;Album：Totemo Aimasho&lt;br /&gt;Release Date：2007-07-18&lt;br /&gt;Label：Room40&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic,                          Pop&lt;br /&gt;Style：            Experimental&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklisting:&lt;/span&gt;&lt;br /&gt;1. Hakka    0:44&lt;br /&gt;2. Aurora Curtains    5:16  &lt;br /&gt;3. Cacoy    5:24  &lt;br /&gt;4. kimininaritai    2:06  &lt;br /&gt;5. Broome    0:56  &lt;br /&gt;6. Donna Donna    3:40  &lt;br /&gt;7. Jitsurei    5:07  &lt;br /&gt;8. Before Noon    4:09  &lt;br /&gt;9. Hirei    5:22  &lt;br /&gt;10. Rasen    4:44  &lt;br /&gt;11. Midori    0:46  &lt;br /&gt;12. To Do First     5:45&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;*Deluxe double-gatefold packaging!* Room 40 is a label that has already impressed us deeply with its hand-picked selection of electronic minimamlism from the likes of Keith Fullerton Whitman, Taylor Deupree, Greg Davis and DJ Olive among many others, but this label debut from Japan's Tenniscoats is by far its most ambitious, endearing release to date. For a start Tenniscoats operate in a much more inclusive musical arena - their delicate blend of homespun melodies, traditional Japanese songwriting and gorgeous instrumentation press much more emotive buttons than the icy musical tundras often visited by this label. The packaging is also quite remarkable - a beautifully constructed double-gatefold covered in metallic gold illustrations and washed-out images - certainly one of the nicest looking objects we've stocked this year. The title of the album 'Totemo Aimasho' loosely translates as "Lets Meet Very Much" - and apparently doesn't make much sense in Japanese either - but the warm sentiment perfectly sums up this remarkable album's otherworldly pop reductions. The key to Tenniscoats' success is the fact that while they retain that almost naïve, sweet quality you get on many discs of this kind, they never resort to being meaninglessly twee - you have female vocals and sugared electronics but it's done in such a way that sidesteps obvious over-sentimentality or cringe-worthy childishness. There are precious few squeaky toy sounds and chirping birds present on this record and it's much appreciated, in place of this we have detuned pianos, woodwind instruments and distorted synthesizers, creating the sound you'd imagine Fennesz would construct if he were to visit more traditional song structures. Tenniscoats manage to reign in the sounds of the avant-garde and knit them into accessible and wonderfully listenable vignettes which you find yourself going back to again and again. There are clear influences from bands such as the aforementioned Fennesz and Scandinavia's Tape, and the whole free (freak?) folk in general, maybe by way of Maher Shalal Hash Baz, but what Tenniscoats have ended up with is an album which stands on its own as totally singular and hugely enjoyable. 'Totemo Aimasho' is a record you can sink into and absorb bit by bit, exploring and diving deep into that strange Eastern land of cherry blossom and raw fish. Take our advice, go grab yourself one of the most enjoyable leftfield pop treats we've come across so far this year. ESSENTIAL PURCHASE.(from boomkat)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;         &lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.0/10&lt;/span&gt; &lt;div style="text-align: justify;"&gt;2007年離開Nobel的Tenniscoats發行了兩張專輯，一張是發行于Häpna的&lt;a href="http://valeriemusic.blogspot.com/2007/11/tenniscoatstan-tan-therapy.html"&gt;Tan-Tan Therapy&lt;/a&gt;，另一就是這個Room40的Totemo Aimasho。我不好説哪張更好，實際上都很不錯，後者不如前者靈動，但也呈現了多元化的沉穩、甚至是憂傷，還有日本人的執著，&lt;span&gt;Saya的歌聲在這裡不僅可愛還有悲涼的感覺，結合一些傳統的音樂元素，讓人想起七八十年代的日本。&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2143599/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/14175891.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3560113.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/3560113.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1628644494707378277?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1628644494707378277/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1628644494707378277' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1628644494707378277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1628644494707378277'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/tenniscoatstotemo-aimasho.html' title='[Tenniscoats|Totemo Aimasho]時光隧道，飛行船'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1444305383188540488</id><published>2008-01-06T13:17:00.000+08:00</published><updated>2008-01-07T00:53:42.101+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Osaka'/><title type='text'>[Hannu|Worms In My Piano]鋼琴中的蠕蟲</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/ksj7n0502T_5fnyHkViO60WoRG4cSVNn/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/ksj7n0502T_5fnyHkViO60WoRG4cSVNn/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Hannu&lt;br /&gt;Album：Worms In My Piano&lt;br /&gt;Release Date：2006&lt;br /&gt;Label：Osaka&lt;br /&gt;Country：Finland&lt;br /&gt;Genre：                       Electronic,                          Jazz&lt;br /&gt;Style：            Experimental,              Contemporary Jazz,              Minimal&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sumu (2:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Haapavesi (3:44)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Metsä (3:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Worms In My Piano (2:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lyhty (3:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ikuisuus (4:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Suruista Suurin (3:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Winter Song (2:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Välisoitto (2:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Uusi Aamu (4:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Junassa (4:27)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Deary me, another artist debut that has literally floored all of us in the office - a shimmering, homespun amalgam of delicate twilight music that fans of Colleen, Deaf Center, Max Richter, Marsen Jules, Brian Eno, Greg Haines, Stars of The Lid and so on will absolutely adore. Hannu (real name Hannu) is from that Scandinavian snowy vodka-logged tundra which we have all fallen in love with, and luckily the music here evokes similarly icy imagery. Like Hannu's countrymen The Gentlemen Losers, this music perfectly evokes a crackling log fire, burning away as you peruse old photo albums and eat hot soup, or even a summery night of quiet contemplation. Taking cues from Colleen's or Es's horizontal loop-laden adventures Hannu takes us on picturesque journeys through his musical landscapes, each song an audio poem to unseen vistas, to drifting seas and crimson skies, to secret gardens and to bottomless wardrobes. His music is beautiful in that exciting, mystifying sense - music which genuinely gives you a sense of awe and romance at the big wide world. If you don't believe me just lend your ears to 'Haapavesi', the album's second track and one of its most perfectly crafted moments - tiny glockenspiels echo over hisses and crackles before being joined by low-slung guitar melodies and deep, booming bass with everything sounding like it has been filtered through some decomposed music box or other. Elsewhere we are treated to the harrowing acoustic doom of 'Lyhti', with bells and high pitched string sounds that would give Svarte Greiner a run for his money, and the unusual harpsichord-led jazz shuffle of 'Winter Song', but this is an album that tells a tale and one which is best enjoyed in one sitting, from beginning to end. 'Worms in my Piano' is a fascinating debut from an artist who is sure to go from strength to strength, and although it might be getting close to summer this is a disc you're going to be able to enjoy all year long, just remember to bring the vodka. Absolutely beautiful stuff and just about indispensable for fans of Type, Miasmah or Buro...（from boomkat）&lt;br /&gt;&lt;object height="345" width="410"&gt;&lt;param name="movie" value="http://www.youtube.com/v/rptl-z_PV8M&amp;amp;rel=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/rptl-z_PV8M&amp;amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" height="345" width="410"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Hannu Karjalainen lives in Helsinki, Finland. His surname is unpronouncable to non Finno-ugric language speakers so prefers to simply be known as Hannu. His musical background includes a free-grindcore band Abyss at the age of 11 plus lots of teenage experiments with four-track recorders and synthesizers.&lt;br /&gt;&lt;br /&gt;His source of inspiration is nature, landscape, weather, light, places, friends.. etc. His music captures a mood or a feeling of a place, to take the listener somewhere for a moment. &lt;span class="" id="wikiSecondPart"&gt;The album is a very personal statement and it is mostly recorded and produced at home in Helsinki but some of the songs utilize sounds culled from four-track recordings he made as a teenager in his home town in Northern Finland.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="" id="wikiSecondPart"&gt; This debut album is being mastered by Sami aka ES who runs the Finnish Fonal label.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.7/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style=";font-family:新細明體;font-size:11;"  &gt;&lt;/span&gt;&lt;span style=";font-family:新細明體;font-size:11;"  &gt;&lt;/span&gt;某一個夜裡，黑暗的草原上發出蠢蠢欲動的噪音，那彷彿是從險峻的地表下所崩裂出來的聲音。環顧四周，當聲音愈加貼近耳際，整個人被寒夜迫人的陰氣逼得蜷縮。往往我都認為，那群森林裡的精靈在作祟，貼近一望，才知道林蔭後是一幕別有洞天的天然景觀，直呼過癮。芬蘭人Hannu Karjalainen在他化名為Hannu的首部作品「Worms in my piano」裡，企圖營造出猶如聽見Brian Eno、Colleen與Fennesz等人陰暗奇辯的環境詩篇；他不似William Basinski一成不變地令人恐懼，也沒有Arvo Pärt叫人驚呼的前衛手段。「Worms in my piano」是一張乾淨、雅致、童趣與靜謐的Ambient音樂作品。Hannu仍試圖透過笛聲與箏琴等原音樂器來暖和身心處在迫寒底下的惶恐不安，對於聲音精雕細琢的追求令人激賞。音樂之外，Hannu亦是一名出色的電影人與自然攝影師；「Worms in my piano」從音樂至影像設計一氣呵成的概念，個人認為非常難得。(引自節點)&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2113499/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://w15.easy-share.com/14164411.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/19825.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/19825.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1444305383188540488?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1444305383188540488/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1444305383188540488' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1444305383188540488'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1444305383188540488'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/hannuworms-in-my-piano.html' title='[Hannu|Worms In My Piano]鋼琴中的蠕蟲'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-5883549058361156012</id><published>2008-01-05T17:42:00.001+08:00</published><updated>2008-01-06T13:17:37.588+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Smalltown Supersound'/><title type='text'>[Kim Hiorthøy|Hei]你還好嗎？</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/kDPOpt041D-ne-XPS5F4RuZKNoWuxSRL/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/kDPOpt041D-ne-XPS5F4RuZKNoWuxSRL/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kim Hiorthøy&lt;br /&gt;Album：Hei&lt;br /&gt;Release Date：2000&lt;br /&gt;Label：Smalltown Supersound&lt;br /&gt;Country：Norway&lt;br /&gt;Genre： Electronic&lt;br /&gt;Style：            IDM,              Downtempo&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Politiska Dikten Återvänder (4:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Forskjellige Gode Ting (9:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Den Fula Skogen Bakom Köket (1:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Torture Happiness (3:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Jag Finns Inte Mer (0:51)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Juli (4:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Teckningar Och Folk (1:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Det Uigjenkallelige Ved Det Som Er Gjort (0:55)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Giving And Taking Book (9:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Det Uigjenkallelige Ved Det Som Er Gjort Og Makten Til Å Tilgi (2:55)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hängar Långsamt I Luften (0:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (2:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hip Hop Is A Way Of Life (3:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Han Brydde Sig Inte Om Att Stiga Upp, Hela Dagen Lät Han Nya Bilder Och Funderingar Komma Och Gå Som De Ville, Sov Lite Ibland Och Vaknade Igen Och Visste Inte Alls Vem Han Var. Det Var En Fridfull Ock Mycket Spännande Dag (2:00)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Finally available again! ‘Hei’ is one of those records that has fast attained classic status. Here’s what we said about it when it came out on CD a couple of years ago : “What a revelation this album is....'Hei' (Hey in Norwegian) is one of those albums that crosses any number of genres..spends a little time with each, mixes them about and comes out with a gorgeously lovely, masterful pop album. In much the same way as Iceland's Mum, or the groundbreaking 'The West' LP from Matmos, Hiorthoy has embraced known stylings and sounds and has created something completely unique. Playful, melodic, sometimes embracing electronica, sometimes employing glitch, sometimes exposing itself to folk music, sometimes flowering childrens lullabies...the overall effect is one of pure joy. Please, trust us, you will treasure this album”. And indeed you will. Utterly lovely.(from boomkat)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.3/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;Hiorthøy的早期專輯，發行于千禧年，卻使得Hiorthøy在音樂道路上一舉成名。至今仍然被人們認爲是很經典的專輯，其中融合了衆多風格，衆多的元素，衆多採樣，非常豐富，而且可愛流暢，開拓了Hiorthøy式的電子民謠形式。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1884957/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13952231.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.alarmprisen.no/2007/wp-content/gallery/nominerte/kimhiorthoy.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.alarmprisen.no/2007/wp-content/gallery/nominerte/kimhiorthoy.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-5883549058361156012?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/5883549058361156012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=5883549058361156012' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5883549058361156012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5883549058361156012'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/kim-hiorthyhei.html' title='[Kim Hiorthøy|Hei]你還好嗎？'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2496919985654356687</id><published>2008-01-05T13:32:00.000+08:00</published><updated>2008-01-08T13:01:56.477+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Touch And Go'/><title type='text'>[CocoRosie|Noah's Ark]神愛世人</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/5sNz1tYn6z_D2rvE4z5W5fKxfOWE4WQO/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/5sNz1tYn6z_D2rvE4z5W5fKxfOWE4WQO/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：CocoRosie&lt;br /&gt;Album：Noah's Ark&lt;br /&gt;Release Date：2005-09&lt;br /&gt;Label：Touch And Go&lt;br /&gt;Country：US&lt;br /&gt;Genre：                                                Electronic&lt;br /&gt;Style：            Leftfield，Experimental，Indie&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;01&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;K-Hole&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;02&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Beautiful Boyz&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Featuring -   Antony             &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;03&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;South 2nd&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;04&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bear Hides And Buffalo&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;05&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tekno Love Song&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;06&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Sea Is Calm&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;07&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Noah's Ark&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;08&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Milk&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;09&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Armageddon&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Brazilian Sun&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bisounours&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Honey Or Tar&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;After hearing &lt;i&gt;Noah's Ark&lt;/i&gt;, any concerns about CocoRosie becoming too tasteful or straightforward after the widespread critical acclaim for their debut album, &lt;i&gt;La Maison de Mon Reve&lt;/i&gt;, can be put to rest. If anything, the album errs in the opposite direction: alternately rambling and hypnotic, it's much more somber and insular (despite the presence of such kindred spirits as Devendra Banhart and Antony of Antony &amp;amp; the Johnsons) than the duo's subversively angelic-sounding debut. &lt;i&gt;La Maison de Mon Reve&lt;/i&gt; certainly had a dark undercurrent that added considerable sting to its sweetness, but it's much more prominent on &lt;i&gt;Noah's Ark&lt;/i&gt;; sad, eerie lyrics like "K-Hole"'s "All of the aborted babies will turn into little Bambies" are paired with equally spooky, mournful music instead of the deceptively light tones of the group's first album. There's a lot of power in the album's darkness, particularly on the apocalyptic campfire singalong "Armageddon." However, &lt;i&gt;Noah's Ark&lt;/i&gt; occasionally feels too mannered and unfocused, and overly reliant on the sound effects and toy instruments that made their first album so surreally charming: in particular, interludes like "Milk" and "Bear Hides and Buffalo" sound like noise collages missing the key pieces that would hold them together. That said, the album still has many moments of transporting beauty, especially on the songs that feel less cloistered. On "Beautiful Boyz," Antony's gorgeous croon adds a touch of cabaret to the song's tale of star-crossed jailhouse love, and Banhart's Spanish-language mysticism on "Brazilian Sun" advances CocoRosie's dreamy exoticism, giving it a more organic feel than it had on &lt;i&gt;La Maison de Mon Reve&lt;/i&gt;. Indeed, the more natural moments on &lt;i&gt;Noah's Ark&lt;/i&gt; are often the best: the title track, "South 2nd," and "The Sea Is Calm" all put the focus on the Casady sisters' delicate singing and playing. A disappointment mostly in comparison to the seemingly out-of-nowhere brilliance of &lt;i&gt;La Maison de Mon Reve&lt;/i&gt;, &lt;i&gt;Noah's Ark&lt;/i&gt; might fail to charm those not already bewitched by that album, but it won't break the spell for devoted fans.（from AMG）&lt;br /&gt;&lt;br /&gt;CocoRosie are an American duo that was formed by sisters Sierra (Rosie) and Bianca (Coco) Casady in 2003. Sierra and Bianca Casady are American half-Cherokee sisters. Sierra, the older of the two, was born in Iowa, and Bianca was born in Hawaii. Their mother nicknamed them Rosie and Coco, respectively, from which their musical act takes its name. Stylistically they may be assigned to the &lt;span class="bbcode_tag"&gt;indie rock&lt;/span&gt;, &lt;span class="bbcode_tag"&gt;psych folk&lt;/span&gt; genres, and are sometimes associated with the &lt;span class="bbcode_tag"&gt;new weird america&lt;/span&gt; movement. Sierra plays the guitar, the flute, and leads vocals.              &lt;span class="" id="wikiSecondPart"&gt;Bianca is a percussionist and also beatboxes. The group also uses various objects such as toys to construct their unique sound. They were active for most of 2004, playing dates across the U.S. and making several trips to Europe for tours playing with &lt;span class="bbcode_artist"&gt;TV on the Radio&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Bright Eyes&lt;/span&gt;, &lt;span class="bbcode_artist"&gt;Devendra Banhart&lt;/span&gt; and others.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：7.8/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;另類姐妹花，來自美國，CocoRosie是她們名字的組合。姐妹倆一個低低吟唱，可愛清爽；另一個怪異陰暗，讓我想起Bjork。專輯中請來Antony Hegarty擔任製作，並在beautiful boyz中獻聲，就是bjork的volta中與老約合唱的那位，妖異的男人，聲音很有特點。除此之外，還有Devendra Banhart的參與。有人說這張專輯很陰冷很恐怖，也許他們還聼不太慣這樣另類的聲音，我倒是覺得這張專輯怪異得很單純，天真得很憂傷，就像它的封面，風格純真卻又很複雜。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1762359/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/14074921.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/105780.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/105780.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2496919985654356687?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2496919985654356687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2496919985654356687' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2496919985654356687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2496919985654356687'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/cocorosienoahs-ark.html' title='[CocoRosie|Noah&apos;s Ark]神愛世人'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6120422509421204671</id><published>2008-01-04T20:46:00.000+08:00</published><updated>2008-01-04T21:57:05.860+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Smalltown Supersound'/><title type='text'>[Kim Hiorthøy|Hopeness EP]希望之歌</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/egBosrvs5z9QYVDlkC-crcIHF7sjzLel/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/egBosrvs5z9QYVDlkC-crcIHF7sjzLel/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kim Hiorthøy&lt;br /&gt;Album：Hopeness EP&lt;br /&gt;Release Date：2004&lt;br /&gt;Label：Smalltown Supersound&lt;br /&gt;Country：Norway&lt;br /&gt;Genre： Electronic&lt;br /&gt;Style：            IDM,              Downtempo&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mandarinerna (7:16)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Soliga Dagens Släppiga Trosor (5:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Alt Måste Bli Anorlunda (3:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;You Know The Score (11:14)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ek, Bok, Tistel, Äpple (2:14)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;'Hopeness' is Hiorthøy's first all new material since his contribution to the amazing 'Pro Bono Publico' album back in 2002. This five track, thirty minute EP finds Kim flexing his bittersweet muscle with engrossing, lilting melodies recorded with that all encompassing hi-fidelity lo-fi attitude that typified his classic album 'Hei'. 'Mandarinerna' start's off with it's clattering backwards drums, electric piano sounds, childlike voices and optimistic aura - wondrous. 'Soliga Dagens Släppiga Trosor' adds a looping acoustic bassline over freestyle static clicks and pops just like Jan Jelinek's loopy jazz sampling with a broad grin on his mug plus at the end a bugged out drum maniac gets busy rounding out another killer track. 'Alt Mäste Blu Anorlunda' is a mini-gem of melodic ambience before the 11 min 'You Know The Scorfe' drops. Imagine broken beat meeting funky alpine folk and your halfway to describing this track - dope cuts it straight to the chase. Last up is 'Ek, Bok, Tistel, Äpple' a simple gorgeous piano solo, plus the lo-fi'esque recording technique throughout brings to mind the unique stylings of Rhythm &amp;amp; Sound or Vincent Gallo. Come July 2004 we’ll have the second long awaited full length album named 'For The Ladies', here's hoping it's as good as this EP. Spellbinding music.(from boomkat)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.6/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;2004年發行的一張EP，共有5個track。最長的一個達到了11分半，鼓點明快節奏激烈。有一個詞似乎能很好地概括這張EP，bittersweet，苦樂參半。希望大概就是這樣永遠處在喜樂和憂傷失望的中間狀態上。也許正是由於它的不可預知性，才顯得尤爲迷人。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1865536/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13951851.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.festivalfoto.no/images/gallery/kim_hiorthoy_01.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.festivalfoto.no/images/gallery/kim_hiorthoy_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6120422509421204671?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6120422509421204671/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6120422509421204671' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6120422509421204671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6120422509421204671'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/kim-hiorthyhopeness-ep.html' title='[Kim Hiorthøy|Hopeness EP]希望之歌'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6273899316475920903</id><published>2008-01-04T20:00:00.000+08:00</published><updated>2008-01-04T20:43:50.147+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cassette Vision'/><title type='text'>[Lem|Put A Lem In Your Pocket]夏日的陽光下把他放入口袋</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/cBmzYddc0j97sFK5ir_hJibIkkqlvDPB/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/cBmzYddc0j97sFK5ir_hJibIkkqlvDPB/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Lem&lt;br /&gt;Album：Put A Lem In Your Pocket&lt;br /&gt;Release Date：2005-03-03&lt;br /&gt;Label：Cassette Vision&lt;br /&gt;Country：Japan&lt;br /&gt;Genre： Electronic&lt;br /&gt;Style：Electronica，Folktronica，Ambient&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting:&lt;/span&gt;&lt;br /&gt;01. from small lem's space (intro)&lt;br /&gt;02. story of surf for young people&lt;br /&gt;03. loosing summer set&lt;br /&gt;04. pablo's graphic poetry&lt;br /&gt;05. a.m.5 , kate (sweet mix)&lt;br /&gt;06. snow loop slow libid&lt;br /&gt;07. little birds&lt;br /&gt;08. world of painbird&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt;Lem creates light, elegant, poignant, ethereal, and soulful electronic music. His music is softly cool like the thin water rolling over the wet sand as the wave moves back into the ocean. Hailing from Fukuoka (Japan), he was born under the name Goro Tanaka. Although he is not well known outside of his home country, people may discover Lem if they are lucky enough to stumble on someone playing his music. Other fans may have to seek out his work. Lem describes his art as electronic folk music (or “Folktronica”). Like a theme for an enlightening dream, Lem’s music is beautifully subtle and elegantly romantic.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt;&lt;/span&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt; Finderpop / Cassette Vision Label released Lem’s debut EP, “Loosing Summer Set”. The Japanese-based label is home to other unique artists like Apartment, Mountainbook, and Ajisaikippu-de. Independent in both business and spirit, Finderpop / Cassette Vision Label started out releasing CD-Rs. These days, they have a handful of artists, a budding following, and a catalogue of official CDs &amp;amp; DVDs. The label’s growth was fueled by the unique quality of the music.&lt;/span&gt;&lt;br /&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt; In 2005, Lem released his first full-length CD titled “Put A Lem In Your Pocket”. The beautifully romantic songs possess hushed vocals and subtle melodies. The album is perfect theme music for Sunday mornings, summer afternoons, or tender encounters deep within the night. Instead of attacking the listener, Lem’s music slowly rolls around the listener like a pleasant aroma. The opening track, “From Small Lem’s Space” includes the album’s thickest drum track (which still may be considered soft to the typical listener). The cool ease of the hip-hop groove makes the song instantly appealing. The inviting intro track also perfectly sets a mood for the LP. “Story Of Surf For Young People” enchants the listeners by using melodies created by graceful vibes and dreamy acoustic guitars. “AM 5 Kate (Sweet Mix)” includes guest female vocals from Babo (from Seisyun Mid Night Runners). One of the several songs that include vocals, the romantic singing is gently dominated by the musical melodies. The light electronic rhythm creates a futuristic new-age atmosphere. The album’s superlative final track, “Put A Jonathan In Your Pocket” is a poignant song which could be played during the ending credits on a romantic film. Through charming melodies and soft rhythms, “Put A Jonathan In Your Pocket” paints an audio scene of a beautiful Summer day. Although the album may take some time to be fully appreciated, the LP possesses a magnificent exquisiteness reminiscent of Cocteau Twins, Enya, Kahmi Karie, Mazzy Star, Opal, Dead Can Dance, and Massive Attack. In the songs that include vocals, many of the words are difficult to discern. Like the music of My Bloody Valentine, Lem’s vocals are woven deep inside, not on top of the instrumentation. “Put A Lem In Your Pocket” by Lem is a beautifully subtle and relaxing album. If you find Lem’s music in your pocket, consider yourself charmed.&lt;/span&gt; &lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。評價指數：8.4/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;每次聼Lem的音樂總是感覺無盡的放鬆，這張&lt;/span&gt;&lt;span name="intelliTxt" id="intelliTXT"&gt;不長的專輯Put A Lem In Your Pocket發行于2005年，表現的主題是夏日，夏日的陽光、夏日的海風、夏日的浪花，還有夏日的戀情，愜意得讓人覺得好像在海邊度假一樣享受。&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13952681.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.finderpoplabel.com/images/artist/lem_2007_001.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.finderpoplabel.com/images/artist/lem_2007_001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6273899316475920903?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6273899316475920903/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6273899316475920903' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6273899316475920903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6273899316475920903'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/lemput-lem-in-your-pocket.html' title='[Lem|Put A Lem In Your Pocket]夏日的陽光下把他放入口袋'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8511521541275989332</id><published>2008-01-04T17:54:00.000+08:00</published><updated>2008-01-04T18:33:41.778+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Smalltown Supersound'/><title type='text'>[Kim Hiorthøy|Melke]時刻準備著陷入愛情</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/huhX2-s41T8M8bs1noStXLKI3YIFVonX/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/huhX2-s41T8M8bs1noStXLKI3YIFVonX/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kim Hiorthøy&lt;br /&gt;Album：Melke&lt;br /&gt;Release Date：2002&lt;br /&gt;Label：Smalltown Supersound&lt;br /&gt;Country：Norway&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            IDM,              Drum n Bass,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Door Opens Both Ways (4:05)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Doktor Watson-Trikset (4:05)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Evil House, Evil Day (10:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Ting Som Virker (2:25)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Inga Sætre            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;On Sunday (4:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Det Blev Fel (6:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td align="right"&gt;                Kevin Blechdom                       &lt;/td&gt;           &lt;td&gt;Ready 4 Love (Fattigmannsremix) (7:17)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Kim Hiorthøy            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;As If (3:00)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td align="right"&gt;                Monopot                       &lt;/td&gt;           &lt;td&gt;Sane (3:37)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Kim Hiorthøy            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Tak (3:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td align="right"&gt;                Jaga Jazzist                       &lt;/td&gt;           &lt;td&gt;Going Down (Ostete Jantemix) (3:26)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Remix -   Kim Hiorthøy            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Nu Kommer Cathrine Inn, Hon Lutar Sig Mot Dörrposten (7:54)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Written By [Words] -   Daniel Nordbäck            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td align="right"&gt;                Kim Hiorthøy                       &lt;/td&gt;           &lt;td&gt;Äppelträd (5:37)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;                Kim Hiorthøy (b. 1973) is a Norwegian electronic musician, graphic designer, illustrator, filmmaker and writer.&lt;br /&gt;&lt;br /&gt;Hiorthøy has provided graphic design work for the Rune Grammofon label as well as the rock group Motorpsycho&lt;br /&gt;&lt;br /&gt;His musical style is difficult to classify; the Smalltown Supersound website includes the following description: "On his records Kim Hiorthøy combines weird beats, lo-fi/leftfield electronics, field recordings, electro-acoustic sounds and samples, resulting in a sound all his own."&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.1/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Kim Hiorthøy真是一位多才多藝的藝術傢，他的創作領域涉及到了音樂、設計、電影、寫作等很多藝術領域。作爲平面設計師和插畫師，Kim為挪威著名的實驗音樂厰牌Rune Grammofon和Smalltown Supersound打造的經典視覺設計贏得了全球廣泛的讚譽，被英國著名的設計評論傢Rick Poynor評爲了90年代后全球最值得關注的青年視覺設計師。&lt;br /&gt;&lt;br /&gt;設計取得優異的成就之後，他開始嘗試著用與大多數音樂家不同的方式創作音樂。他的音樂充滿天真的魅力，結合了古怪的節奏、Lo-fi的電音、豐富的採樣，既輕盈可愛又溫暖迷人。這張發行于2002年的專輯Melke被認爲是電音界的一顆寶石。XLR8R雜誌將他與Matthew Herbert、Four Tet和Matmos一起並列為folktronica的音樂前沿。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://w13.easy-share.com/13946681.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/43462.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/43462.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8511521541275989332?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8511521541275989332/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8511521541275989332' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8511521541275989332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8511521541275989332'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/kim-hiorthymelke.html' title='[Kim Hiorthøy|Melke]時刻準備著陷入愛情'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6979052295938610778</id><published>2008-01-04T00:37:00.000+08:00</published><updated>2008-01-04T17:52:47.142+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Toshiya Tsunoda|Extract From Field Recording Archive #2: The Air Vibration Inside A Hollow]中空，耳鳴，不同的聲音</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/JENW74ev0T9iCRg2a9CdwdiYPTK8UhHR/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/JENW74ev0T9iCRg2a9CdwdiYPTK8UhHR/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Toshiya Tsunoda&lt;br /&gt;Album：Extract From Field Recording Archive #2: The Air Vibration Inside A Hollow&lt;br /&gt;Release Date：1999-11&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Experimental&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bottle At Mountain Road (15:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bottle At Park (4:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tub-Type Container (5:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Drain Hoses (13:26)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Connecting Duct (14:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Downpipe For Rainwater (6:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Crack In The Lid Of A Manhole (2:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cavity In A Cliff Wall (9:24)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;This is a CD of field recordings by the Japanese artist Toshiya Tsunoda. Microphones were placed inside small objects (e.g. bottles and drain hoses) located outdoors - either in an urban or rural sound environment.&lt;br /&gt;&lt;br /&gt;The work of Toshiya Tsunoda is concerned with the relation between sound space and cognition space, and often investigates stationary waves formed by fixed conditions in closed systems.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="bbcode_artist"&gt;&lt;br /&gt;Toshiya Tsunoda&lt;/span&gt; is a Japanese sound artist best known for his detailed field recordings. His work is concerned with the relation between sound space and cognition space, and often investigates stationary waves formed by fixed conditions in closed systems. Toshiya Tsunoda is a founding member of the influential WrK collective and has previously released CDs on the WrK, Selektion, Sirr, Korm Plastics, Lucky Kitchen and Hibari labels. He also works with sound installations.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;這張專輯很奇特，Häpna的編號No.1，更重要的是它只是一些聲音，是日本藝術家Toshiya Tsunoda（角田俊也）將Microphones放入各種小容器裏，然後放置在各種環境中錄製的，這是他對於聲音空間以及知覺空間之間關係的一次探索，很具實驗性質。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://w13.easy-share.com/13944501.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/2494958.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/2494958.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6979052295938610778?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6979052295938610778/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6979052295938610778' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6979052295938610778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6979052295938610778'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/toshiya-tsunodaextract-from-field.html' title='[Toshiya Tsunoda|Extract From Field Recording Archive #2: The Air Vibration Inside A Hollow]中空，耳鳴，不同的聲音'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6688435111168304448</id><published>2008-01-03T21:42:00.000+08:00</published><updated>2008-01-04T00:04:48.628+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Locust Music'/><title type='text'>[Fazzini|Sulphur, Glue The Star]放映機投向白墻，周圍卻好黑暗</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/SUYlh64t7D_E7SuM8Fk0p5nUTTyymt_8/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/SUYlh64t7D_E7SuM8Fk0p5nUTTyymt_8/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Fazzini&lt;br /&gt;Album：Sulphur, Glue The Star&lt;br /&gt;Release Date：2007&lt;br /&gt;Label：Locust Music&lt;br /&gt;Country：US&lt;br /&gt;Genre： Rock&lt;br /&gt;Style：            Acoustic,              Avantgarde,              Neofolk&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Wooky&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Zone&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;03&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Duplex&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dell&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;06&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Urge&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;08&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Glare&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Urge (Reprise)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;The Yorkshire singer-songwriter Tom Fazzini performs a series of deeply personal, oddly constructed songs on this idiosyncratic collection, interspersed with spoken word vignettes by David Coxon. Richly drawn, the lyrics to these brief, electro-acoustic, pastoral-psychedelic pieces conjure a not-entirely friendly alternative world, where nothing is quite as it seems.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.7/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;這是一張很有意思的專輯，非常個人化。&lt;/span&gt;Wooky給人一種漫不經心的灑脫，Duplex可以說是專輯中最另類的track了，一直咕咕的氣泡聲使歌聲如同從水下傳來，憂傷得令人窒息。而緊接著是一陣讓人發毛的大笑。Tom Fazzini是英格蘭約克郡人，整張專輯包括每一個track都表現這一種奇特而且非常隨意的結構，還以許多散落的話語作點綴，像一個故事，或者一部電影，有畫面、有旁白，值得細細聆聽。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1793662/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13862731.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/3731353.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/3731353.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6688435111168304448?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6688435111168304448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6688435111168304448' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6688435111168304448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6688435111168304448'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/fazzinisulphur-glue-star.html' title='[Fazzini|Sulphur, Glue The Star]放映機投向白墻，周圍卻好黑暗'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6156865627971588671</id><published>2008-01-03T19:13:00.000+08:00</published><updated>2008-01-03T21:19:52.534+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Drag City'/><title type='text'>[White Magic|Through The Sun Door]記憶城堡</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/w0kkeQMz4j_3ciq-OTp9WHYNgIs0BsEP/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/w0kkeQMz4j_3ciq-OTp9WHYNgIs0BsEP/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：White Magic&lt;br /&gt;Album：Through The Sun Door&lt;br /&gt;Release Date：2004-05-18&lt;br /&gt;Label：Drag City&lt;br /&gt;Country：US&lt;br /&gt;Genre：Rock&lt;br /&gt;Style：Folk Rock,              Indie Rock&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;One-Note (3:13)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Don't Need (4:42)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Bass, Piano -   Miggy Littleton*            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Keeping The Wolves From The Door (3:11)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Gypsies Came Marching After (3:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Plain Gold Ring (5:06)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Bass -   Miggy Littleton*            &lt;br /&gt;Drums -   Andy Macleod            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Apocalypse (3:26)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Knowledge of Mira Billotte and Miggy Littleton's past and present work with Quix*o*tic, Ida, and Blood in the Wall offers little preparation for their work as two-thirds of White Magic. Their debut EP, &lt;i&gt;Through the Sun Door&lt;/i&gt;, trades in the same kind of vaguely haunted folk-rock as their Drag City labelmates Faun Fables and Joanna Newsom, although White Magic is more diverse and immediate, and less precious, than either of those artists. Billotte's rich alto is even more striking in this setting than it was in Quix*o*tic, drawing comparisons ranging from Karen Dalton to Grace Slick to Beth Orton. There are also some similarities, both vocally and musically, to Cat Power (particularly on the shuffling "Don't Need") and Mary Timony's post-Helium work (especially on "One Note"), but White Magic avoids the Renaissance faire feel that often characterizes Timony's music. Billotte certainly knows how to use her dusky, husky, strikingly womanly voice: one of her favorite tricks is to switch abruptly from the lower register of her voice to the upper one, injecting more drama into tracks such as the aforementioned "One Note" and "The Gypsies Came Marching After." It's a commanding voice, particularly on White Magic's cover of "Plain Gold Ring," which holds its own against the versions by Nina Simone and Nick Cave. The group's original songwriting is also fairly commanding: "Keeping the Wolves from the Door" has a strangely timeless feel, while "The Apocalypse" delves into eerie rock, relating how easily the end of the world could come about and how "we all have a little heaven in ourselves." Despite -- or perhaps because of -- the simplicity of the band's guitar-piano-bass-drums arrangements, &lt;i&gt;Through the Sun Door&lt;/i&gt; spans many moods, making it a strong debut from one of the better indie folk acts out there.（from AMG）&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.2/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;個人覺得這張EP比之後發行的&lt;strong class="title"&gt;&lt;/strong&gt;&lt;strong style="font-weight: normal;" class="title"&gt;&lt;a href="http://valeriemusic.blogspot.com/2007/12/white-magicdat-rosa-mel-apibusor.html"&gt;Dat Rosa Mel Apibus&lt;/a&gt;要好，所以這張最能代表White Magic的特色。&lt;/strong&gt;Mira Billotte富有爆發力的聲音，在這張專輯中十分出彩。&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1499562/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13850181.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/418238.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/418238.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6156865627971588671?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6156865627971588671/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6156865627971588671' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6156865627971588671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6156865627971588671'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/white-magicthrough-sun-door.html' title='[White Magic|Through The Sun Door]記憶城堡'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-977016928885509237</id><published>2008-01-03T12:42:00.000+08:00</published><updated>2008-01-03T21:38:54.190+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Hans Appelqvist|Naima]昨晚做了好多好多夢</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/YLV0cfMRzz-e6o5r4wvDB2g9EwofaaBM/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/YLV0cfMRzz-e6o5r4wvDB2g9EwofaaBM/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Hans Appelqvist&lt;br /&gt;Album：Naima&lt;br /&gt;Release Date：2006-11-06&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic,                          Rock&lt;br /&gt;Style：            Folk Rock,              Abstract,              Neofolk,              Ambient&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Naimamelodin (3:02)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Naima            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Underbar Var Jag Ännu (3:04)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Mahsa Baligh            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;En Lektion I Ansvar (3:47)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Freddie Wadling            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;http://www.naimachat.se (2:51)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;"Du, Min Naima" (4:24)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Iris Kristjansdottir                ,   Katrin Arnkelsdottir            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vi Lämnar Staden Och Går Mot Stranden (5:54)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Ellen Siöö                ,   Reza Shayesteh            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;"För Mig Är Det Inte Verkligt" (3:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;15&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;16&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Små Människor Utan Hår (3:41)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Marie Schmer-Galunder            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;17&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;18&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;On The Beach (6:22)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Mattias Svensson            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;19&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untitled (0:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;20&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;"Se Hur Det Dagas" (3:03)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;21&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Naima Tecknar I Ditt Skrev: Kärlek Ger Vila (3:20)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Naima Wifstrand            &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;”After two years of work since my last album ’Bremort’, a new album is finished. This time, the record is about Naima, an entity who in different ways is present to the persons on the album. Sometimes she interferes with their lives and speaks directly to them, sometimes her presence is only communicated through her musical theme, Naimamelodin (Naima’s melody).&lt;br /&gt;   &lt;br /&gt;Somewhat pretentiously expressed, the album is an answer to a longing for more fixed references. In less joyous times, I often wish for someone or something that could tell me how to be and behave, and through this advice free me from responsibility and thoughts about whether my acts are right or wrong. Someone who says: ’You ought to do like this, it is just the way it is’. Imagine how wonderful it would be if there was an entity with a pelican’s head who one had endless confidence in and who one could ask for advice every time one did not know what to do.”&lt;br /&gt;   &lt;br /&gt;In 2004 Hans Appelqvist released the album “Bremort” which got a lot of attention and among other things won the Swedish Radio’s Pop Record of the Year award. The record was staged in a fictitious small city in Sweden, where one as a listener could follow daily life during three days for some of the people living there. Hans Appelqvist has previously released ”Att möta verkligheten” on Häpna.（from Häpna）&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。評價指數：7.8/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;ugly cover。= =！不知道是哪位腦子進水的設計的這個封面，如果是Hans Appelqvist本人，我真是服了他了。恐怖，如果這張音樂中塑造的Naima就是這個形象，我想我一定會做噩夢的。呵呵。Hans Appelqvist的音樂中總是會聼到各種各樣奇奇怪怪的採樣，比如像&lt;/span&gt;http://www.naimachat.se這個有趣的track就是一段電腦狂想曲。有趣的還有on the beach那段英文版康定情歌，出人意料。Naima像我昨天一夜做過的所有夢，有著無盡的想象，海浪、飄渺迷幻的女人歌聲，仿佛海洋之中人魚的召喚、每天接觸的computer、熟悉又陌生的情歌，哪怕是可怕的鵜鶘頭女人，Naima給了我昨夜豐富的睡夢。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1939240/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13855531.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/356350.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/356350.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-977016928885509237?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/977016928885509237/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=977016928885509237' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/977016928885509237'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/977016928885509237'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/hans-appelqvistnaima.html' title='[Hans Appelqvist|Naima]昨晚做了好多好多夢'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3146238860455429687</id><published>2008-01-02T13:53:00.000+08:00</published><updated>2008-01-02T16:44:29.801+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Type Records'/><title type='text'>[Deaf Center|Pale Ravine]穿越蒼谷，見到了傳説中的聖湖</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/lL2g-8dl2z9VOGA_aeResT92vqe_TdaE/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/lL2g-8dl2z9VOGA_aeResT92vqe_TdaE/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Deaf Center&lt;br /&gt;Album：Pale Ravine&lt;br /&gt;Release Date：2005-11-07&lt;br /&gt;Label：Type Records&lt;br /&gt;Country：UK&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Modern Classical,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lobby (3:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Thread (3:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;White Lake (6:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Path To Lucy (4:54)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Stone Beacon (3:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Weir (6:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Loft (4:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Thunder Night (4:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lamp Mien (3:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Clearing (4:13)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fog Animal (4:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Eloy (2:15)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;With the astounding quality of releases that have appeared on Type recently, it would be easy to become blasé over their output. Deaf Center shake you from any such complacency - delivering here a record that will be extremely hard to beat as album of the year for 2005. Apparently inspired by "old silent 8mm film reels and historical architecture", the Norwegian duo of Erik Skodvin and Otto Totland have produced a lambent debut that recalls the likes of William Basinski (particularly the 'Disintegration Loops' indebted 'Lobby'), Marsen Jules and Harold Budd. Over layers of warmly battered aural sediment, Deaf Center build the kind of vista-expanding, piano tinged music that has you thinking you're in your very own film. Manifesting itself in the stravaig and epic iciness of 'Thread', or the etiolated Nyman piano of 'White Lake', Deaf Center have a seemingly bottomless supply of aural dignity and pathos on which to draw. Other highlights include the tense strings and snatched choirs of 'Stone Beacon', the thrumming piano of 'Loft' and the soaring orchestral pomp of 'Thunder Night'. Just incredible music.&lt;br /&gt;&lt;br /&gt;Deaf Center are two Norwegian friends Erik Skodvin and Otto Totland. Old school friends, they finally decided to write music together and ended up creating the phenomenal 'Neon City' EP.They have received rave reviews in De:Bug and online electronic magazines.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;如同這張專輯的名字Pale Ravine一樣，音樂呈現著廣博又蒼涼的氛圍，Deaf Center努力營造著莊嚴凝重亙古不變的歷史感以及充滿雄偉氣質的古典厚重感，收集著幾乎所有華美的聲音，精致細膩，令人感覺自己仿佛真的行走在千年的蒼幽峽谷中，獨自地尋找著被人們遺忘的傳説一般，深邃神秘。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1797673/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13757521.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/328074.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/328074.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3146238860455429687?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3146238860455429687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3146238860455429687' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3146238860455429687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3146238860455429687'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/deaf-centerpale-ravine.html' title='[Deaf Center|Pale Ravine]穿越蒼谷，見到了傳説中的聖湖'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3301575582615870639</id><published>2008-01-02T13:08:00.000+08:00</published><updated>2008-01-02T13:42:56.934+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wild Places'/><title type='text'>[Linda Perhacs|Parallelograms]風一樣的女子</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/diVlCToN1j_ZHFMJm33gj-RVAbcyMP-w/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/diVlCToN1j_ZHFMJm33gj-RVAbcyMP-w/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Linda Perhacs&lt;br /&gt;Album：Parallelograms&lt;br /&gt;Release Date：1970&lt;br /&gt;Label：Wild Places&lt;br /&gt;Country：US&lt;br /&gt;Genre：                      Rock&lt;br /&gt;Style：            Folk Rock,              Acoustic,              Psychedelic Rock,              Ethereal&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Chimacum Rain (3:20)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Paper Mountain Man (3:10)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dolphin (2:53)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Call Of The River (3:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sandy Toes (2:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Parallelograms (4:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hey, Who Really Cares? (2:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Moons &amp;amp; Cattails (4:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Morning Colors (4:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Porcelain Baked Cast Iron Wedding (3:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Delicious (4:07)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Probably this came out in the early 1970s when it was first issued on Kapp (the songs are copyrighted 1970); it was reissued by The Wild Places on CD in 1998. Joni Mitchell's first albums, particularly her first (largely solo acoustic) one, will be instantly evoked by the spare and isolated feel of the songs and the production, not to mention the melodies, guitar playing, and singing. It's not a photocopy, however; it's hard to imagine Joni singing "I'm spacing out, I'm seeing silences between leaves, " as Perhacs does on "Chimacum Rain," unless Mitchell got spiked with acid right before getting onstage. In addition, Perhacs is adept at dropping unusual effects and arrangements into the mix on occasion that have a mildly disquieting and psychedelic vibe. Back to "Chimacum Rain," for example: double-tracked voices get into a slightly hypnotic, disorienting swirl, and suddenly move into a half-chanted section with doomy background notes from hard-to-identify instruments. "Parallelograms" is a round-like vocal (again with multi-track voices), consisting of exactly eight words, that without warning goes into creepy washes of electronically distorted voices, flutes, and rattles. Not all of the record is weird, though; much of it's just attractively wistful, moody singer-songwriter folk, sometimes with an engaging folk-jazz backup, sometimes just with a guitar, sometimes enlivened by creative smudges of organ and electric guitar. It is not currently fashionable to rediscover these kind of subdued early-seventies singer-songwriter albums, but if and when these sorts of overlooked recordings begin to get attention, &lt;i&gt;Parallelograms&lt;/i&gt; will almost certainly become a cult favorite.（from AMG）&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.4/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Linda Perhacs這個風一般的神秘女子在1970年發行了這張傳奇的專輯之後，就消失得無影無蹤了，有人說她居住在夏威夷。Wild Places徒勞地花了兩年時間尋找Linda Perhacs，後來在1998年重新發行了這張專輯，讓我們今天仍然能夠比較容易聽到這飄逸的歌聲，脫俗的旋律。經典的音樂真的是可以經受住時間的考驗，我們至今聼到Parallelograms，尤其是其中那些像Chimacum Rain、Parallelograms、Hey, Who Really Cares?等等這些經典的歌曲，依舊為之深深沉醉。Linda Perhacs就像偶然降落于人間的穆斯，似乎永遠是一個謎。&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1859769/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13750071.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/256926.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/256926.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3301575582615870639?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3301575582615870639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3301575582615870639' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3301575582615870639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3301575582615870639'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2008/01/linda-perhacsparallelograms.html' title='[Linda Perhacs|Parallelograms]風一樣的女子'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2914515150582789067</id><published>2007-12-31T11:52:00.000+08:00</published><updated>2008-01-01T03:32:54.644+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Preco'/><title type='text'>[Motoro Faam|...And Water Cycles]生命之源，水之循環</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/jDGLLwS_2j9WY2xc6GAAT6daJetRR-yX/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/jDGLLwS_2j9WY2xc6GAAT6daJetRR-yX/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Motoro Faam&lt;br /&gt;Album：...And Water Cycles&lt;br /&gt;Release Date：2007-06&lt;br /&gt;Label：Preco&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Modern Classical,              IDM,              Experimental,              Ambient&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Snowmelts (4:49)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Surface Runoff (4:10)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Precipitation (8:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Condensation (7:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Infiltrations (7:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Evaporation (9:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;And Surface Flows (15:31)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;MOTORO FAAM is hailed from Kanagawa, Japan and is an act made by three 23 years old musicians. Mizukami Ryuta takes care of the electronic side of this unique project (samples and programming) while Kobara Daisuke (violin) and Kato Ayumi (piano) both classical educate have a main input in the musical part. MOTORO FAAM brings a perfect blending of weird electronica with beautiful played violin and piano. The general sound can be described as Murcof or Donato Wharton in a very experimental state of mind. &lt;span class="" id="wikiSecondPart"&gt;U-cover is pleased to have this act on their roster and a follow up release on the new U-cover transparente label is already planned for this year. With Fragments these three Japanese youngsters brings their European debut, seven tracks full of emotions, strange sounds and touching melodies. MOTORO FAAM is an act with some great future and Fragments can be seen as a big musical statement.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="" id="wikiSecondPart"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;秀美、壯闊，流暢得仿佛身臨其境地感受冰雪融化的瞬間。MOTORO FAAM是來自日本的三人樂團，Mizukami Ryuta負責電聲部分，Kobara Daisuke演奏小提琴，Kato Ayumi彈奏鋼琴，他們受到過正規的古典音樂教育，所以他們的音樂在電子之外，更多的是融入了一些古典音樂的元素，因此顯得非常特別。這是富有生命力爆發力的音樂，富有電影畫面感的音樂，一氣呵成得真的如流水一般，光是每個track的名字也足夠富有詩意的。這樣美好的音樂，我想在新年之始聆聽，必會帶來洶湧澎湃的好心情。送給大家，祝朋友們新年快樂！Happy New Year！&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2167936/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://w13.easy-share.com/13642381.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/392535.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/392535.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2914515150582789067?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2914515150582789067/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2914515150582789067' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2914515150582789067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2914515150582789067'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/motoro-faamand-water-cycles.html' title='[Motoro Faam|...And Water Cycles]生命之源，水之循環'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-5085777614220195812</id><published>2007-12-28T20:52:00.000+08:00</published><updated>2008-12-10T18:03:35.560+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Midi Creative / Noble'/><title type='text'>[Kazumasa Hashimoto|Euphoriam]歲末感受了幸福</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/wE5OdLRZoD8byVSFEcgv3sDgY7Hz7z9W/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/wE5OdLRZoD8byVSFEcgv3sDgY7Hz7z9W/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kazumasa Hashimoto&lt;br /&gt;Album：Euphoriam&lt;br /&gt;Release Date：2007-12-14&lt;br /&gt;Label：Midi Creative / Noble&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：Electronic&lt;br /&gt;Style：Indie，Modern Classical，IDM，Ambient&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting：&lt;/span&gt;&lt;br /&gt;01. Count My Sheep&lt;br /&gt;02. Lonesome Girl&lt;br /&gt;03. Euphoriam&lt;br /&gt;04. Velvet 36&lt;br /&gt;05. Londo&lt;br /&gt;06. Vagrantones&lt;br /&gt;07. Ballad&lt;br /&gt;08. White Butterflies&lt;br /&gt;09. Endless&lt;br /&gt;10. Perhaps I Never Meet You&lt;br /&gt;11. Goodbye Miss Wiggie&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The Japanese Noble label, home to luminaries such as TENNISCOATS, continue their releases of albums dedicated to the concept of "music for a daily life". Readers of these pages know that Noble is very dear to us, and we consider it Japan's prime label for astute alert music. Some of you might also know that KAZUMASA HASHIMOTO is our favourite Noble samurai. We are therefore eager and thrilled to be able to offer you "Euphoriam" - the new album by Japan's brightest burning star - the warm, mystical and talentful Tokyo composer, digital alchemist and pianist KAZUMASA HASHIMOTO.&lt;br /&gt;&lt;br /&gt;The new album, "Euphoriam" is Hashimoto's fourth album, follow up to "Gllia" (Noble, 2006), "Yupi" (Plop, 2003) and "The Second Epitaph" released in May of 2004 - the latter was reviewed in over 40 publications in Europe and America, with Germany's best music monthly DE:BUG awarding it 5/5 stars, and Hashimoto's works were also extensively used by BBC TV. On all three works, he showed his talent to initiate an astonishing fusion of rich acoustic and electronic sounds, with found sounds and field recordings, which found welcoming homes also outside of Japan. After a tour in Japan, and in the East Asia, followed by collaborations with World Standard and Shione Yukawa, "Euphoriam" is here released - an undertaking that took 18 months to complete.&lt;br /&gt;&lt;br /&gt;We have come to love Kazumasa Hashimoto for his warm genre-transcending music, his delicate combination of academic musical theory, unrivaled creativity and digital alchemist skills. “Euphorium” sees Hashimoto take a more "traditional" shape, wherein he brings his light experimental softness to a more melodic pop body - pop music that is new yet nostalgic at the same time. Hashimoto plays and produces most of the instruments, from the piano, guitar, bass to drums accompanied by several guest artists playing violin and cello, and features more vocal tracks including M-5, featuring Gutevolk. The pop melodies and the elegant and sophisticated arrangements of the tracks stun, with their beautiful and breathtaking harmony.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.2/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_BaOGwP1P_IQ/R3T-ZszrrTI/AAAAAAAAAz8/_tB4LZ84jkc/s1600-h/a5cfba6d.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_BaOGwP1P_IQ/R3T-ZszrrTI/AAAAAAAAAz8/_tB4LZ84jkc/s400/a5cfba6d.jpg" alt="" id="BLOGGER_PHOTO_ID_5149019991469436210" border="0" /&gt;&lt;/a&gt;Noble于14日發行了這張歲末壓軸唱片，日本音樂家橋本和昌(Kazumasa Hashimoto)的《Euphoriam》（幸福感）。這張唱片延續《Gllia》中巧妙結合電音與古典和輕搖滾的創作路線，以鋼琴為核心加上靈巧的嗶叭噪音所刻劃出的蔥鬱個人聲音世界，配合大量弦樂與管樂器增加音色的溫潤度，深具空間感的電聲處理，音樂滿佈雅致與多元的聲音亮點，加上這次大量使用美妙人聲吟唱，的確讓人聽出幸福的感覺，也讓樂迷更清楚感受到他努力追求的“futuristic pop”到底是什麼。&lt;br /&gt;&lt;br /&gt;從《Yupi》、《Epitaph》、《Gllia》到這張《Euphoriam》，明顯可以感受到橋本對處理人聲的興趣一張比一張大，今次整張11首曲目當中演唱曲目就佔了8首之多，除了上回在《Gllia》中合作愉快的Uma Torrini繼續獻聲，日本女唱作人Hirono Nishiyama (Gutevolk) 也為曲目[Londo] 操刀演唱（橋本今年為Gutevolk專輯擔任製作人）、而專輯主題曲目”Euphoriam”則邀得Escalade樂隊的主腦Greg Sullivan友情獻唱。除了大量使用人聲，橋本音樂另一個重要變化是越來越甜蜜，《Euphoriam》更是開宗名義要你感受他音樂傳遞出的無比幸福感，不管是“Lonesome Girl”、“Euphoriam” 、“Velvet 36” 、“Perhaps I Never Meet You”等曲目，都滿溢如春天般悠揚愉快的氣息，我深信只有每天活在愉快氣息當中、樂天又帶點純真的人，才會創作出這樣子的音樂出來，並希望分享給大家。（引自節點）&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13639461.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-5085777614220195812?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/5085777614220195812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=5085777614220195812' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5085777614220195812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/5085777614220195812'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kazumasa-hashimotoeuphoriam.html' title='[Kazumasa Hashimoto|Euphoriam]歲末感受了幸福'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_BaOGwP1P_IQ/R3T-ZszrrTI/AAAAAAAAAz8/_tB4LZ84jkc/s72-c/a5cfba6d.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1058254497751861326</id><published>2007-12-25T07:02:00.000+08:00</published><updated>2007-12-31T03:08:45.497+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Tape|Opera]歌劇院中的人生哲學</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/Ji3UqhyF6j-AlxGA_URABKNSA_qaL9Ez/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/Ji3UqhyF6j-AlxGA_URABKNSA_qaL9Ez/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Tape&lt;br /&gt;Album：Opera&lt;br /&gt;Release Date：2002&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Leftfield,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bell Mountain&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fire made of Bones&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Feeler&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Summa&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Radiolaria&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Longitude&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Noises from a Hill&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Return to Ship&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Terraces&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rut&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Beetles rattled and whispered encrypted truths while hovering over the garden paths of the doctor’s mansion. Specimen found on the journey that don’t fit the theory haunts you, but be calm, we will quietly discuss them later. Impressions found in corallic limestone; you have rocks large as fists with you in the luggage, fine we will examine them tonight in the umbrageous light on the porch. You have rowan-tree here, he said. Old thyme, medicinal herbs, minfoil, a scrubby bush of some kind. Yes... was there anything curious about that? Was it criticism that the old friend uttered? Certainly, he was more incalculable than ever; I also read in the local paper about his infamous outbursts after he came home from his journey, but I must not think about it too much.&lt;br /&gt;&lt;br /&gt;   The temperature dropped. Night spiders and dragonflies flew in from the pond, in over the gates and through the iron fence. Spirals of cobweb was caught in the woodwork as we sat on the porch after our walk in the garden. Anomalies, tiny crooked bone pipes, notes cut out of malajic travel journals and pieces of wood, that to me at least seemed insignificant and not quite relevant to the subject; all this was presented on the table cloth under flickering kerosene light that somtimes widened our world and invited plants and moths to our conversations, sometimes shrunk it to a world of shadows with room just for the two of us. It was a strange collection of objects. Suddenly, I was overwhelmed with a feeling that everything was possible; the evolution had proceeded in radically different directions on various places on Earth; the world was open, it could bring forth every living being and object imaginable. From afar, the noise of thunder could be heard, and shivering I was reminded of that in noise every sound is present even if one can’t hear them, as every conceivable form thrive in chaos during a inhumanly absurd time scale. (from the Xesmarism, in Swedish)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.2/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;Tape的音樂是適合在半夜聼的，白天太過喧鬧，感受不到它的味道。一個長長的電音一直在耳邊縈繞，但是依舊寧靜，散發著獨自一人可以靜下心來思考時的迷人香氣，把玩著吉他，讓它跳出一個個緩緩的音符，仿佛人生哲學似的令人回味。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1461605/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13478011.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1058254497751861326?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1058254497751861326/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1058254497751861326' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1058254497751861326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1058254497751861326'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/tapeopera.html' title='[Tape|Opera]歌劇院中的人生哲學'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7378681887963048976</id><published>2007-12-25T06:21:00.000+08:00</published><updated>2007-12-31T03:08:54.084+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Tape|Milieu]平安夜，寧靜的音符，我好平安</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/AvGCKXpT0z_6zQElztAhRR_atQQlYNyo/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/AvGCKXpT0z_6zQElztAhRR_atQQlYNyo/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Tape&lt;br /&gt;Album：Milieu&lt;br /&gt;Release Date：2003&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Minimal,              Leftfield&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Oak Player&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sponge Chorus&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Crippled Tree&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Edisto&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Golden Twig&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Long Bell&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Root Tattoo&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Switchboard Fog&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Tape is a trio from Stockholm, Sweden, building their music from a whole array of acoustic instruments, computer and field recordings. Their first CD “Opera” got excellent reviews in international press and was compared to artists such as Talk Talk, Gastr del Sol, Fennesz, John Fahey and Faust. See the web page for full info and reviews about “Opera”.&lt;br /&gt;    &lt;/div&gt;&lt;p style="text-align: justify;"&gt;Their new CD “Milieu” shares the same basic premises as “Opera”. All kinds of sound sources are used and organically integrated in the songs, which move freely somewhere between the composed and the improvised.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       Even if “Milieu” makes use of experimental methods, the album is argumentably more songbased than “Opera” and therefore maybe more accessible.&lt;br /&gt;&lt;br /&gt;“Milieu is Björn Olsson as seen through Gastr del Sol's lens — or Pascal Comelade influenced by the Nordic winds instead of the Spanish sun. Peaceful, slightly melancholic, impressionistic without sounding tentative, Milieu delivers a very coherent half-hour of music. [...] Recommended despite its brevity.”&lt;br /&gt;    &lt;b&gt;Rated 4/5, François Couture, All music guide&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;       “Tape succeeds where other "folktronica" acts noodle themselves into a corner or fall prey to an over-determined laptop. On Milieu, the trio's second album, the compositions are carefully and emotionally layered, a midnight Fahey/Parch pantomime against a rusted silo.”&lt;br /&gt;    &lt;b&gt;Rated 7.9/10, Brandon Stosuy, Pitchfork&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;我喜歡的類型。我喜歡的類型主要有兩种：寧靜柔和得令人陶醉，另一種bizarre、weird得讓我能夠在音樂中肆意放縱。Tape這張專輯屬於前者，尤其是在這樣一個平安之夜，我真的覺得自己好需要它啊，感謝上帝給我這樣一張美麗田園一般的好音樂陪我度過一個祥和安靜的平安夜，有了它我沒有感覺到寂寞與孤獨。朋友在網上問我爲什麽還不睡覺，在等聖誕老人嗎？我笑著給了他肯定地回答，是的，我在等聖誕老人還有他給我準備的禮物。:)伴著音樂，感受著這份屬於我一個人的自由自在的平安。 &lt;/div&gt;&lt;a href="http://www.douban.com/subject/1764637/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13480361.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/339393.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/339393.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7378681887963048976?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7378681887963048976/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7378681887963048976' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7378681887963048976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7378681887963048976'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/tapemilieu.html' title='[Tape|Milieu]平安夜，寧靜的音符，我好平安'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-502047206793252246</id><published>2007-12-25T03:53:00.000+08:00</published><updated>2008-01-08T19:12:47.320+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Sagor &amp; Swing|Orgelplaneten]光電蝴蝶鳥，跳動地終結</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/6CNkwdBBsz8BLdya-cg4FLLjIktmN_9e/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/6CNkwdBBsz8BLdya-cg4FLLjIktmN_9e/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Sagor &amp;amp; Swing&lt;br /&gt;Album：Orgelplaneten&lt;br /&gt;Release Date：2004&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic,                          Rock&lt;br /&gt;Style：            Leftfield,              Downtempo,              Prog Rock&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Henriks Födelsedagsmelodi&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Äventyr I Alperna&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;8-Bitarspolskan&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rymden På 50-Talet&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Distro&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Smedjebacken By Night&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Postmodernism&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bora Bora&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Baklängesvisa&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Idiom&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Just half a year since “Allt hänger samman” and the fourth album from Sagor &amp;amp; Swing, “Orgelplaneten” (“The Organ Planet”) is here. The energy has been turned up quite a bit. This more energetic side of their sound has been showing a whole lot during their concerts, but this is the first time that it has been captured on record, as a document of how the duo have sounded live. It also stands out from their three earlier records by adding Moog and accordion to the usual setup of organ and drums.&lt;br /&gt;    &lt;/div&gt;&lt;p style="text-align: justify;"&gt;A more playful and joyous atmosphere runs through the record. Many of the songs e.g. “8-bitarspolskan” and “Äventyr i Alperna” have an electronic sound reminiscing of synthesizer experiments á la Jean Jacques Perrey. “Distro” and “Postmodernism” are both full-on instrumental pop songs while “Smedjebacken by night” echoes of lazy hotdog-stand reggae. But the fairyland-music and Sagor &amp;amp; Swing’s unmistakable touch is still there, just below the surface.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       This album marks the end for Sagor &amp;amp; Swing. Echoes and shadows will certainly turn up in the future, but “Orgelplaneten” is the final record from the group as we remember them.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;在這張唱片之後，Sagor &amp;amp; Swing宣告解散，每一支很棒的音樂團體解散，我都會感到很難過很遺憾。這張專輯與Sagor &amp;amp; Swing之前的發行相比，明顯地強烈很多，跳動很多，也吵鬧很多。不知兩人是否在這時產生了某些摩擦，還是什麽原因，這張專輯像是某种衝突、或者是某种爆發，充滿著力量，與之前的風格迥然不同，卻與Eric Malmberg的solo album有些相像。兩人以這樣一張富有動感的專輯結束了他們3年來的合作。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1764651/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14195691.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-502047206793252246?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/502047206793252246/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=502047206793252246' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/502047206793252246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/502047206793252246'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/sagor-swingorgelplaneten.html' title='[Sagor &amp; Swing|Orgelplaneten]光電蝴蝶鳥，跳動地終結'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3635008671311938277</id><published>2007-12-25T03:26:00.000+08:00</published><updated>2008-01-02T20:12:04.797+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Sagor &amp; Swing|Allt Hänger Samman]黑森林中的聖光</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/VkVPmN5R5T9OPFY3BoipxSpBOzr4SQqt/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/VkVPmN5R5T9OPFY3BoipxSpBOzr4SQqt/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Sagor &amp;amp; Swing&lt;br /&gt;Album：Allt Hänger Samman&lt;br /&gt;Release Date：2003&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Downtempo,              Ambient&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Återkomsten&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Lövverk&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vid En Tjärn&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Grottmusik&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Polska Från Insjön&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Längre In I Skogen&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Längst Inne I Skogen&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Det Sista Äventyret&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vandring Bort&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flyttfåglar&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Alla Sagor Har Ett Slut&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The myth of Sagor &amp;amp; Swing tells that they are children of nature that grew up in the forest. That they at an early age built their first instruments and isolated from the noise of civilization invented a music of their own. What we know for sure, however, is that they make wonderful organ music and have been doing this for some time now. This is their third album, “Allt hänger samman”.&lt;br /&gt;    &lt;/div&gt;&lt;p style="text-align: justify;"&gt;The woods have thickened. The melodies have become more intricate and the idyllic scenes now have a darker tone. One slips away on excursions in the faintest sounds through passages where the organ is a tone generator built to recreate the sounds of the forest - the wind, the singing of birds, the creaking of roots.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       &lt;/div&gt;&lt;p style="text-align: justify;"&gt;As soon as the majestic introduction “Återkomsten” begins, one senses that something is going on. In “Lövverk” echoes are heard of Kraftwerk and their endless ostinati and the final “Alla sagor har ett slut” is a magnificent, minimalistic bookending. The moods that are summoned in between the songs keeps one helplessly in the world of Sagor &amp;amp; Swing.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       Their previous two albums “Orgelfärger” and “Melodier och fåglar” are both small gems deserving wider recognition.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.3/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;節點中這樣描述Sagor&amp;amp;Swing的音樂:「在過度感官刺激與資訊轟炸的年代，很多人雖然想安靜一下，其實卻無法忍受真正的無聲。這張『沒什麼的音樂』（nothing music），正能滿足那種渴求。」就是這樣一類音樂，一直播放著既不覺得寂寞，也不影響心情和手邊的忙碌。所以經常能夠聼到這樣的音樂，是現代都市人心靈的一方很好的撫慰劑。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1529872/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13761571.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3635008671311938277?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3635008671311938277/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3635008671311938277' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3635008671311938277'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3635008671311938277'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/sagor-swingallt-hnger-samman.html' title='[Sagor &amp; Swing|Allt Hänger Samman]黑森林中的聖光'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2203909490383817298</id><published>2007-12-24T21:44:00.001+08:00</published><updated>2008-01-08T19:13:24.512+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Sagor &amp; Swing|Orgelfärger]溫婉的月，夜的使者</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/mEZrFO2nuD_J9QEGXWSd0t2vVQoqP-9l/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/mEZrFO2nuD_J9QEGXWSd0t2vVQoqP-9l/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Sagor &amp;amp; Swing&lt;br /&gt;Album：Orgelfärger&lt;br /&gt;Release Date：2001&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Downtempo,              Ambient&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vals På Vingar&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Melodi&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Andra Melodin&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sagoslottet&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;En Vandring I Bergen&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ljud Långt Bortifrån&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ett, Två, Tre, Fyr&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mjuk Skog&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Allt Kommer Att Ordna Sig&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bordunens Vandring&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ljud Långt Långt Bortifrån&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;In the living room of a small house in Dalarna, the Swedish countryside, Sagor &amp;amp; Swing has recorded this timeless music evoking the surrounding landscape - the forests, mountains and lakes. Moody and simple melodies with echoes of old Swedish folk tunes and the nature in the paintings of John Bauer.&lt;br /&gt;    &lt;/div&gt;&lt;p style="text-align: justify;"&gt;Some years ago, Eric Malmberg was given an organ from legendary Swedish organplayer Bo Hansson, one half of the 70’s drums/organ duo Hansson &amp;amp; Karlsson. This organ was the very one used on Hansson’s epic record Lord of the Rings, an influential record which combined jazz and rock together with minor key melodies of Swedish folk music. Sagor &amp;amp; Swing makes a more minimal journey. The melodies unfold at a calm pace and the whole album has a mesmerizing feeling to it.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       &lt;/div&gt;&lt;p style="text-align: justify;"&gt;This is music which could only have been made in Sweden. While the music of Björn Olsson, another Swede influenced by folk music, is connected to the archipelago of the Swedish west coast, Sagor &amp;amp; Swing has its spiritual home in the old forests deep in the middle of the country.&lt;br /&gt;    &lt;/p&gt;&lt;div style="text-align: justify;"&gt;       Eric is also an accomplished comic strip writer. His serial “Hansson &amp;amp; Karlsson i världsrymden” (“Hansson &amp;amp; Karlsson in outer space”) ran in the Swedish newspaper Dagens Nyheter at the end of 2000.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.2/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;縂覺得Sagor &amp;amp; Swing要比Eric的solo要好聼，難道是人多力量大？hoho。而且更溫和，更舒緩，柔美的風琴演奏，配上輕輕的鼓點，&lt;/span&gt;&lt;span&gt;Sagor &amp;amp; Swing是這個音樂領域的先鋒。&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1764654/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14195431.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/83303.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/83303.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2203909490383817298?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2203909490383817298/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2203909490383817298' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2203909490383817298'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2203909490383817298'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/sagor-swingorgelfrger.html' title='[Sagor &amp; Swing|Orgelfärger]溫婉的月，夜的使者'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6447980535543031457</id><published>2007-12-24T20:01:00.000+08:00</published><updated>2008-02-01T13:59:14.029+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Eric Malmberg|Verklighet &amp; Beat]窗外的世界很精彩</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/7sKfF9cc3j8aS3r4FZwBvN1Mf8wEfCID/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/7sKfF9cc3j8aS3r4FZwBvN1Mf8wEfCID/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Eric Malmberg&lt;br /&gt;Album：Verklighet &amp;amp; Beat&lt;br /&gt;Release Date：2007-09-12&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic,                          Rock&lt;br /&gt;Style：            Prog Rock,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Finalen&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Min Kompis Anton&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Till Minne Av Lilly Lindström&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Slutet På En Epok&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Leksand, Tidigt Nittiotal&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Söndagskonsert&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Milda Döden Hämtar Oss Alla Till Slut&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ackordflödet Och Evigheten&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Varat Fanns Någonstans I Röran&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Styx&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Eric Malmberg might not be a name on everyone's lips (especially if you've been born and raised anywhere south of Sweden) but this latest from the ex-Sagor &amp;amp; Swing organist, despite a title that makes pronunciation to a non Scandinavian about as easy as humming the Hungarian national anthem, is a real triumph. Some of you might have heard Sagor &amp;amp; Swing before, some might even have caught them live - I was lucky enough to manage the latter and it was an unforgettable experience, pinned together by Malmberg's virtuosity on his trusty Hammond organ. Prog fans will no doubt have heard the name Bo Hansson bandied about a little, and the man who once wrote an album dedicated to Lord of the Rings (how prog is that?! and this was before Peter Jackson had even had a sniff) serves as Malmberg's biggest influence, even popping up on 'Verklighet &amp;amp; Beat' on the synthesizer. So far so Swedish. But this album, easily Malmberg's most assured solo work to date, should see the musician carry his music far beyond the Northern Lights. Okay so maybe I'm not the best person to ask about this, being a Goblin completist and self-confessed Rick Wakeman fan (sorry) I have a rather high tolerance for proggy excess, but this record is a dictat in Hammond-led magnificence from its first, assured chord. The instrumentation is simple - live drums, Hammond organ, guitar, bass and the occasional synthesizer and over ten tracks Malmberg creates an acid-laced, THC haze of tie-dyed, rose tinted gorgeousness, harnessed by each player's clearly outstanding abilities. It's odd because with this unusual burst of interest recently in anything proggy, psychedelic and breaks heavy (thanks in part no doubt to Andy Votel's killer Finders Keepers imprint) Malmberg's music suddenly makes a lot of sense in 2007. He might have been busying himself with the Hammond for many years now but the climate feels right at the moment for him to capture the hearts and minds of crate diggers and a new generation of psychedelic explorers, and I suggest that anyone enamoured by recent rediscovered psych/prog gems from the 70s should check this album without any further delay. I don't want to go into it track by track, because first and foremost (like every great prog album) it needs to be heard in its entiriry, but a special mention needs to go out to the phenomenal and totally bonkers 'Till minne av Lilly Lindström' a track which starts with a clean break, builds into dancefloor abusing Hammond-hammering mayhem and then ends up with lush string orchestrations and disco-lite sweeps. Insane and more enjoyable than you could possibly imagine - an album to totally lose yourself in, and one for anyone looking for something just that little different. Huge recommendation.&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;（from Boomkat）&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/strong&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Eric Malmberg在Häpna發行的第二張solo，第一張&lt;a href="http://valeriemusic.blogspot.com/2007/12/eric-malmbergden-gtfulla-mnniskan.html"&gt;Den Gåtfulla Människan&lt;/a&gt;發行05年。Eric Malmberg是個有天賦的風琴演奏者，風琴在他的手裏，似乎充滿著魔力，能夠發出閃閃亮亮的璀璨光芒。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2264619/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13885581.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.hapna.com/EMalmberg-500x335.jpeg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.hapna.com/EMalmberg-500x335.jpeg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6447980535543031457?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6447980535543031457/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6447980535543031457' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6447980535543031457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6447980535543031457'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/eric-malmbergverklighet-beat.html' title='[Eric Malmberg|Verklighet &amp; Beat]窗外的世界很精彩'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-557102554885170719</id><published>2007-12-24T04:49:00.000+08:00</published><updated>2008-01-03T12:15:26.967+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Drag City'/><title type='text'>[White Magic|Dat Rosa Mel Apibus]玫瑰or罌粟</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/AHxzHTWTsj85iZt4dB0iq4mRwKquLxFg/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/AHxzHTWTsj85iZt4dB0iq4mRwKquLxFg/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：White Magic&lt;br /&gt;Album：Dat Rosa Mel Apibus&lt;br /&gt;Release Date：2006&lt;br /&gt;Label：Drag City&lt;br /&gt;Country：US&lt;br /&gt;Genre： Rock&lt;br /&gt;Style：            Folk Rock&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Light (3:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hear My Call (4:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Childhood Song (3:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;What I See (3:33)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;All The World Wept (5:07)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dat Rosa Mel Abipus (5:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sun Song (3:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hold Your Hand In The Dark (6:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Katie Cruel (4:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sea Chanty (5:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Palm And Wine (3:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Song Of Solomon (6:13)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;White Magic's original lineup was comprised of Mira Billotte on vocals and piano, drummer/bassist Miggy Littleton, and guitarist/drummer Andy Mcleod. Billotte played drums and sang in Quix*o*tic with her sister Christina (of Slant 6 fame); Littleton once played in Ida; and McLeod also played in California Speedway. For a couple of years, the band played in New York. They soon appeared on a United Bamboo compilation. Drag City signed them in 2003, and in 2004, they released the band's Through The Sun Door EP to general critical praise. They toured the U.S. opening for like-minded folk musicians Will Oldham and &lt;span class="" id="wikiSecondPart"&gt;&lt;span class="bbcode_artist"&gt;Brightblack Morning Light&lt;/span&gt; in 2004 (when the latter band was still known as Brightblack).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="" id="wikiSecondPart"&gt; In 2005, the group appeared on a free split EP, sponsored by Tylenol; it featured three songs each by White Magic and indie rock band The American Analog Set. Throughout 2005, Billotte performed as White Magic accompanied by guitarist Sleepy Doug Shaw. White Magic's current lineup's core consists of these two musicians, aided by an array of friends/musicians of similar musical aesthetics.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="" id="wikiSecondPart"&gt; On November 14, 2006, debut album Dat Rosa Mel Apibus was released on Drag City Records.&lt;/span&gt;&lt;span class="" id="wikiSecondPart"&gt;Billotte's alto has earned her comparisons to Grace Slick, Karen Dalton, Beth Orton, Dawn McCarthy (of Faun Fables), and Nico.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：6.5/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;簡單的鋼琴敲擊，配上吉他旁敲側擊和重重的鼓點，女主唱兼鋼琴手的Mira Billotte的聲音倒是有幾分張力，曲風有幾分復古。但是個人對這張專輯實在是沒有什麽興趣，因為我覺得它有些單調，以至於聼了很多次都沒有將這張專輯完整地停下來過。今天終于耐下心來，仔細聼一聼，這張專輯是一張耐聼的專輯，也許需要反復地聼才能找到些感覺。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1924529/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Share:&lt;a href="http://w15.easy-share.com/13772441.html"&gt;Part1&lt;/a&gt; &lt;a href="http://w15.easy-share.com/13773241.html"&gt;Part2&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/131884.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/131884.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-557102554885170719?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/557102554885170719/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=557102554885170719' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/557102554885170719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/557102554885170719'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/white-magicdat-rosa-mel-apibusor.html' title='[White Magic|Dat Rosa Mel Apibus]玫瑰or罌粟'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7101222778287601606</id><published>2007-12-24T03:36:00.000+08:00</published><updated>2007-12-31T03:09:22.625+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Drag City'/><title type='text'>[Joanna Newsom|The Milk-Eyed Mender]書架上那本塵封已久的童話故事</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/cKkBH6UtuT8uSuMv5VgtlIDKfky7ok5g/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/cKkBH6UtuT8uSuMv5VgtlIDKfky7ok5g/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Joanna Newsom&lt;br /&gt;Album：The Milk-Eyed Mender&lt;br /&gt;Release Date：2004-03-23&lt;br /&gt;Label：Drag City&lt;br /&gt;Country：US&lt;br /&gt;Genre： Rock&lt;br /&gt;Style：            Folk Rock&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bridges And Balloons (3:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sprout And The Bean (4:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Book Of Right-On (4:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sadie (6:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Inflammatory Writ (2:50)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;This Side Of The Blue (5:21)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Guitar -   Noah Georgeson            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;"En Gallop" (5:07)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cassiopeia (3:20)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Peach, Plum, Pear (3:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Swansea (5:05)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Three Little Babes (3:42)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Noah Georgeson            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Clam, Crab, Cockle, Cowrie (4:21)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Classically trained harpist Joanna Newsom uses her appreciation of Appalachian folk and bluegrass for an oddly alluring set of indie rock melodies. &lt;i&gt;Milk-Eyed Mender&lt;/i&gt;, which follows her homemade EP releases Walnut Whales and Yarn and Glue, is rich in harvest colors. Newsom's childlike voice brings an unstudied grace to an innocent setting of songs, and such quirkiness is hard to find among most guitar-driven indie acts. From the more whimsical moments of "Peach, Plum, Pear" and "Inflammatory Writ" to the dovelike ballad "This Side of the Blue," Newsom welcomes the listener to sink into its imagination. Delicate harp arrangements are nicely sprinkled among specks of pianos, organs, and a harpsichord, only adding to the fascination that is &lt;i&gt;Milk-Eyed Mender&lt;/i&gt;. Some may find the album to be overly sweet in spots due to Newsom's girlish voice; however, the fairytale-like appeal of &lt;i&gt;Milk-Eyed Mender&lt;/i&gt; is far too intriguing to dismiss. Newsom exists in several musical spheres, one being a member of the Pleased, while not forgetting how wonderful it is to live in a warm place that leaves you bright-eyed and hopeful for only what is good in life.(From AMG)&lt;br /&gt;&lt;object height="365" width="410"&gt;&lt;param name="movie" value="http://www.youtube.com/v/IYl0uLrXP7U&amp;amp;rel=0&amp;amp;border=1"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/IYl0uLrXP7U&amp;amp;rel=0&amp;amp;border=1" type="application/x-shockwave-flash" wmode="transparent" height="365" width="410"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Joanna的歌聲讓我回到童年，豐富的想象，絢爛的色彩，像一個又一個可愛的童話故事。第一次認識她就是通過上面的那個video，那個叫做Sprout And The Bean的童話，有著夢幻般的意境、美妙得如行雲流水般的音符。於是我喜歡上了這個會彈豎琴的女孩。不過Joanna的歌對於我來説不能連續地聼很久，這也是真的。呵呵。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1456461/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13460151.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/378944.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/378944.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7101222778287601606?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7101222778287601606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7101222778287601606' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7101222778287601606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7101222778287601606'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/joanna-newsomthe-milk-eyed-mender.html' title='[Joanna Newsom|The Milk-Eyed Mender]書架上那本塵封已久的童話故事'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6181714364438971432</id><published>2007-12-24T02:58:00.000+08:00</published><updated>2007-12-31T03:09:36.044+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='K'/><title type='text'>[Beck|One Foot In The Grave]我將一只腳踏入墳墓</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/arFEDmaD2T8wLnb7_1h6RTAITJcRXJfQ/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/arFEDmaD2T8wLnb7_1h6RTAITJcRXJfQ/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Beck&lt;br /&gt;Album：One Foot In The Grave&lt;br /&gt;Release Date：1994-06-27&lt;br /&gt;Label：K&lt;br /&gt;Country：US&lt;br /&gt;Genre：                      Rock&lt;br /&gt;Style：            Folk Rock,              Acoustic&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;He's A Mighty Good Leader&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sleeping Bag&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;I Get Lonesome&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Calvin Johnson            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Burnt Orange Peel&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cyanide Breath Mint&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;See Water&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ziplock Bag&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hollow Log&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Forcefield&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fourteen Rivers Fourteen Floods&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Asshole&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;I've Seen The Land Beyond&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Outcome&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Girl Dreams&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Painted Eyelids&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Atmospheric Conditions&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Calvin Johnson            &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;One Foot in the Grave&lt;/i&gt; appeared not long after the noisy freak-out of &lt;i&gt;Stereopathetic Soulmanure&lt;/i&gt;, and its quiet, folky textures couldn't be more different than those of its predecessor, or the genre-bending &lt;i&gt;Mellow Gold&lt;/i&gt;, for that matter. Recorded before &lt;i&gt;Mellow Gold&lt;/i&gt;, the record showcases Beck as a postmodern folkie, and the results are revelatory. Stripped of the intoxicating production that dominated &lt;i&gt;Mellow Gold&lt;/i&gt;, Beck's songs prove to be wonderful, vibrant tunes, teeming with emotion, haunting wordplay, and simple, memorable melodies. It's alternately haunting and jubilant, and Calvin Johnson's occasional harmonies lend the record an intimate warmth. It's a gentle record, and its collection of small gems are every bit as impressive as the songs on &lt;i&gt;Mellow Gold&lt;/i&gt; or its 1996 follow-up, &lt;i&gt;Odelay&lt;/i&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.6/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;好老的專輯了，1994年的，我又把它找出來了。我現在的朋友幾乎沒有幾個人知道我還聼過他的音樂了，我想聼Coldplay、Radiohead成長起來的一代人應該也都聼過他，所以當然我也不例外。今天我聼Beck也並不感覺枯燥，當然也是分心情的。他的音樂、還有他的嗓音、包括他的吉他彈法，總是令我感覺到一種不羈與灑脫，既有美國式的隨意又有英倫的酷勁十足，聼著這樣的音樂就不必去在乎任何現實中的不快了，讓它們滾到一邊去。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1442635/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13488141.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/232765.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/232765.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6181714364438971432?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6181714364438971432/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6181714364438971432' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6181714364438971432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6181714364438971432'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/beckone-foot-in-grave.html' title='[Beck|One Foot In The Grave]我將一只腳踏入墳墓'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7190037250312680920</id><published>2007-12-20T21:46:00.000+08:00</published><updated>2007-12-30T22:09:43.296+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fonal Records'/><title type='text'>[Kemialliset Ystävät|Kellari Juniversumi]圖騰崇拜，天外之音</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/8E9xNudG2T8KeGD4rlUtIDvMfbespO9I/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/8E9xNudG2T8KeGD4rlUtIDvMfbespO9I/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kemialliset Ystävät&lt;br /&gt;Album：Kellari Juniversumi&lt;br /&gt;Release Date：2002&lt;br /&gt;Label：Fonal Records&lt;br /&gt;Country：Finland&lt;br /&gt;Genre：                                                Electronic&lt;br /&gt;Style：            Abstract,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Puiden Sydämet Antavat Tahdin (2:23)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kellari Juniversumi (2:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Taivas Ja Meri, Yhteen Sulautuneina (3:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Utuaurat (1:50)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mustametsä (2:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;...On Pieni Metsä (1:24)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Planeetta Kaukainen Muo Kutsuu (1:29)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kuuntelin Kuinka Puut Kuiskivat (2:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Monien Kalojen Aalto (3:05)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kuuma Tomu (3:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Amerikka (2:18)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kummitushiiri (2:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Salainen Paikka (2:04)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pallo (3:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;15&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kuutarhassa (3:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;16&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Soihdun Tuhkaa (2:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;17&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Heijastuksia! Kaikuja! (5:10)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Probably one of the best known and most credible exports of Finland’s burgeoning free-psych scene, Jan Anderzén aka Kemialliset Ystävät (which means Chemical Friends) burst into relative popularity with this 2002 album, now reissued with a gorgeous book of artwork. After a slew of cassette, 7” and cdr releases, the wonderful people at Fonal saw fit to throw Mr. Anderzén’s work into public view and unsurprisingly it received universal acclaim. Taking cues from the American new-psych gods Jewelled Antler Collective (of whom Anderzén is a sometime member) this is free music at its very best; unpretentious compositions which retain an undeniable sense of irreverence and can be experimental without losing sight of listenability. All sorts of sounds are thrown into the mix – layer upon layer of analogue synth squelches, detuned guitars and other miscellaneous small instruments adding to the texture and wall-of-sound on this record. For fans of Fonal this record is an absolute must, an important stepping stone for the label and a hugely influential part of the modern weird-folk-psych scene.(from boomkat)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.4/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;他們的專輯有好多張，準備都聼過之後再寫。Kemialliset Ystävät的英文意思是Chemical Friends。&lt;/span&gt;&lt;span&gt;這張發行于2002年，編號FR-21。封面好讚，買一張Fonal的CD真是無論從視覺上還是聽覺上都不會後悔。&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1859760/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13590041.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/224394.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/224394.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7190037250312680920?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7190037250312680920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7190037250312680920' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7190037250312680920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7190037250312680920'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kemialliset-ystvtkellari-juniversumi.html' title='[Kemialliset Ystävät|Kellari Juniversumi]圖騰崇拜，天外之音'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3805573467466234420</id><published>2007-12-20T17:01:00.000+08:00</published><updated>2007-12-20T18:39:55.878+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Drag City'/><title type='text'>[The Valerie Project|The Valerie Project]瓦萊莉和她的奇跡一周</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/ZB1akbgf1T_VqcUy0bIrtHaErpcEQqgf/item"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/ZB1akbgf1T_VqcUy0bIrtHaErpcEQqgf/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：The Valerie Project&lt;br /&gt;Album：The Valerie Project&lt;br /&gt;Release Date：2007-11-19&lt;br /&gt;Label：Drag City&lt;br /&gt;Country：US&lt;br /&gt;Genre： Rock,Indie&lt;br /&gt;Style：Indie&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting:&lt;/span&gt;&lt;br /&gt;1. Prelude    0:44&lt;br /&gt;2. Introduction    2:26&lt;br /&gt;3. Torchlight    3:09&lt;br /&gt;4. Grandmother    4:58&lt;br /&gt;5. A Letter    2:03&lt;br /&gt;6. Tree Of Life    1:39&lt;br /&gt;7. The Sermon    1:32&lt;br /&gt;8. Eagle's Theme    2:19&lt;br /&gt;9. Dungeon    2:57&lt;br /&gt;10. Fire Fountain    2:58&lt;br /&gt;11. The Feast    3:22&lt;br /&gt;12. Dove, Pearl, Priest    2:31&lt;br /&gt;13. Vampires    2:57&lt;br /&gt;14. Eagle's Theme (Reprise)    2:25&lt;br /&gt;15. The Crypt    0:57&lt;br /&gt;16. Elsa    3:12&lt;br /&gt;17. Machine Room    3:06&lt;br /&gt;18. Bookshelf Serenade    1:21&lt;br /&gt;19. Flower Girl    1:00&lt;br /&gt;20. Blood Sacrifice    3:31&lt;br /&gt;21. The Crypt (Reprise)    2:31&lt;br /&gt;22. A Second Letter    0:55&lt;br /&gt;23. Hedvica    2:10&lt;br /&gt;24. Burned At The Stake    2:53&lt;br /&gt;25. Den Of Iniquity    3:15&lt;br /&gt;26. An End To Enchantment    0:55&lt;br /&gt;27. A Final Letter    3:13&lt;br /&gt;28. Death and Rebirth    2:04&lt;br /&gt;29. Reunion    6:32&lt;br /&gt;30. Crib        0:20 &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.valerieproject.org/"&gt;http://www.valerieproject.org/&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;A surrealist fairy tale involving vampires, lecherous priests, witch-burning, and budding teenage sexuality, Jaromil Jires' 1970 film Valerie and Her Week of Wonders could scarcely have been more tailor-made to become a cult favorite. Considered a classic of Czech New Wave cinema, the film's reputation has also benefited greatly from Lubos Fiser's original film score. As with the soundtrack to the 1973 version of The Wicker Man, Fiser's enchanting score has itself become an important underground touchstone, whose echoes have been heard in the work of Broadcast, Tim Burton, and all across the psych-folk terrain.&lt;br /&gt;&lt;br /&gt;Now, as a tribute to the film and its enduring appeal, a collective calling themselves the Valerie Project have created and performed an alternate soundtrack to accompany 35-mm projections of Valerie and Her Week of Wonders. Led by Greg Weeks of Espers, the Project unites an impressive ensemble of Philadelphia-based musicians that includes several members of Espers, Tara Burke of Fursaxa, and electronicist Charles Cohen. One of the group's stated goals is reframe the film to help viewers advance new interpretations of this complex work. Whether or not they've succeeded in that regard is likely open to debate, but nevertheless their dense, vibrant new score can certainly be savored as an engaging and imaginative song cycle in its own right.&lt;br /&gt;&lt;br /&gt;Even after multiple viewings, Valerie and Her Week of Wonders can remain a bewildering spectacle, and its dream-like plot defies easy synopsis. Long story short: a young girl hits puberty, gets herself a pair of magic earrings, and all hell breaks loose as she soon discovers that seemingly everyone she encounters is a shape-shifting blood relative, a lascivious clergyman, and/or a vampire.&lt;br /&gt;&lt;br /&gt;In fact, the film is filled with so many odd plot twists and bizarre images that it effectively becomes a blank slate for its composers, as virtually any score that is even remotely mystical or enchanted is going to sound more or less appropriate. So it is interesting to note that the Valerie Project have here neither done a faithful recreation of Fiser's original score, nor have they necessarily taken the soundtrack in any radical new directions. Instead, the music here can almost be considered as a fantasia on the themes introduced by Fiser, and is best appreciated as a supplement to the original score rather than as a replacement.&lt;br /&gt;&lt;br /&gt;In the original score, Fiser and collaborator Jan Klusak used a gauzy array of woodwinds, harpsichord, and a children's chorus to craft a soundtrack that elevated the film's off-kilter balance and sense of anti-authoritarian whimsy. For their part, the Valerie Project have incorporated certain elements of Fiser's design-- a lyrical flute passage here, some disembodied voices there--but with the aid of Weeks' acid guitar leads and a forceful string section they have instead captured more of the film's underlying melancholy and brooding aura of loss.&lt;br /&gt;&lt;br /&gt;Despite my best efforts, and the Valerie Project's descriptive song titles, I had very little luck in synchronizing their soundtrack with a DVD of the film in any truly precise or meaningful way. (Although there does seem to be a portentous twinkle of chimes whenever those magical earrings appear onscreen .) That said, the group do a fine job of conveying the general mood and atmosphere of the film's action through the disorienting psychedelic swirl of "Grandmother" or with the robust strings of "Burned at the Stake", and once you have seen the movie it becomes easy to discern which scenes each track is designed to evoke. As with her Fursaxa work, the wordless vocals of Tara Burke are a sumptuous treat throughout, and the album's strongest pieces such as "Eagle's Theme" or "The Feast" match or better the transporting splendor of anything yet created by Espers.&lt;br /&gt;&lt;br /&gt;Weeks has stated that he feels Valerie and Her Week of Wonders projects a political or cultural message that remains relevant today through its themes of lost innocence and responsible pastoral living. And though the film is certainly abstract enough to be open to a variety of interpretations, this feels to me like a bit of a stretch. The film's sexual politics might seem rather problematic to today's audiences, and it certainly doesn't paint a very rosy picture of pastoral life, especially if you don't like getting chomped by vampire grannies. There is little doubt, however, that the Valerie Project's passion for Jires' film and Fiser's soundtrack has taken them well beyond anywhere they might otherwise have gone, and with this album it is an enjoyable privilege to join in their travels.(from Last.fm)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.2/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;第一次在網上看到這張專輯的時候，我就決定一定要聼一聼，它的封面，它的名字都讓我感覺到深深地好奇。感謝我的朋友Tore幫我找來這張專輯，聼過之後才知道Valerie Project真的是來自于這部我心愛的電影，Jaromil Jires的&lt;/span&gt;Valerie and Her Week of Wonders（1970，捷克新浪潮的尾聲，嚴格意義上說這部電影不屬於典型的捷克新浪潮影片）。以前也聼過Fiser的電影原聲，現在由Espers的幾名成員、還有Fursaxa的Tara Burke以及電音藝術傢Charles Cohen一起組成的這個&lt;span&gt;Valerie Project，為這部電影的愛好者們，重新創造並演繹了這個夢幻的哥特式女孩童話，非常令人驚喜。&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/2327499/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3805573467466234420?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3805573467466234420/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3805573467466234420' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3805573467466234420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3805573467466234420'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/valerie-projectthe-valerie-project.html' title='[The Valerie Project|The Valerie Project]瓦萊莉和她的奇跡一周'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6061565773706225581</id><published>2007-12-19T19:46:00.000+08:00</published><updated>2007-12-31T08:37:24.014+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Midi Creative / Noble'/><title type='text'>[Kazumasa Hashimoto|Gllia]五光十色動物園裏的美麗回憶</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/7nufryBW3D9xQtK-0ZtwB1q-1lOdMx8w/item"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 162px; height: 162px;" src="http://deco-00.slide.com/r/1/0/dl/7nufryBW3D9xQtK-0ZtwB1q-1lOdMx8w/item" alt="" border="0" /&gt;&lt;/a&gt;Artist：Kazumasa Hashimoto&lt;br /&gt;Album：Gllia&lt;br /&gt;Release Date：2006-03-10&lt;br /&gt;Label：Midi Creative / Noble&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Modern Classical,              IDM,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Theme (1:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mr. Gleam (5:21)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Monochrome Prome (6:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;001 (Far) (1:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ne Connissons (4:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ruinruin (3:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Gllia (6:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;002 (Esbia) (1:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Milmils (4:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Drama (3:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Happy Days Passed Like A Dream (2:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Curtainfall (1:55)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Noble label releases albums under the concept of "music for daily life" and is very pleased to announce that a new artist has joined us. The 11th release from the label is Gllia by this internationally acclaimed composer kazumasa hashimoto known for his warm musical style you could describe as a blessed honeymoon of classical music and electronica.&lt;br /&gt;&lt;br /&gt;With his last two successful albums, the first album yupi released in April of 2003 and the second epitaph released in May of 2004, he showed his talent to initiate an astonishing fusion of rich acoustic and electronic sounds and field recordings and immediately caught listeners' attention in and outside of Japan. After a tour in Japan and in the East Asia and collaborations with world standard and Shione Yukawa, he released the first full album in 22 months.&lt;br /&gt;&lt;br /&gt;The graceful ensemble of various acoustic instruments: the keyboard instruments such as the piano, the glockenspiel, the vibraphone and the marimba, the stringed instruments such as the violin, the cello and the guitar, the wind instruments such as the clarinet and the trumpet and the drums. Somewhat melancholic vocals and poetry reading. Scratching noise gentle to the ears. He arranges these diverse musical elements and does deep space processing of sounds for his orchestra full of elegant and universal illumination, which is unbearably beautiful. Gllia, in which kazumasa hashimoto shows his talent as a new generation composer by developing his own style and revealing a rather personal aspect, is undoubtedly his masterpiece at this moment.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;這張專輯在鋼琴的旋律之外，大量地用了以前也使用過的似機器似真人的聲音，還有吉他、大提琴等弦樂。從Theme開始，Kazumasa Hashimoto用豐富的配器和層次演繹了一段美好時光，悠揚、令人放鬆，仿佛與最好的朋友或者最愛的人在一起的時光。直至The Happy Days Passed Like A Dream，達到了高潮，也有些傷感，這首曲子真的讓我當時的心情為之一顫，我非常喜歡這個track，雖然它很短。於是就在這個似乎代表永恒的曲調中Curtainfall。。。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1782392/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13472551.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/3542981.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/3542981.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6061565773706225581?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6061565773706225581/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6061565773706225581' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6061565773706225581'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6061565773706225581'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kazumasa-hashimotogllia.html' title='[Kazumasa Hashimoto|Gllia]五光十色動物園裏的美麗回憶'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6817358098427308504</id><published>2007-12-19T16:18:00.000+08:00</published><updated>2007-12-31T08:47:21.546+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Flyrec'/><title type='text'>[Kazumasa Hashimoto|Epitaph]化腐朽為神奇，霜精靈之物語</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/kVat2aMp4z8OeABr2lKWsVv8_kZQ4Bli/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/kVat2aMp4z8OeABr2lKWsVv8_kZQ4Bli/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kazumasa Hashimoto&lt;br /&gt;Album：Epitaph&lt;br /&gt;Release Date：2004&lt;br /&gt;Label：Flyrec&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：eftfield,              IDM,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Beginning (1:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Echomoo (4:11)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;-1° (4:18)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;SLD (5:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Eama Gene (7:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;-2° (1:25)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pulcinella (5:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;-3° (1:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Epitaph (7:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;-4° (5:26)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ending (3:39)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;&lt;span class="v9gray"&gt;"Epitaph" is the follow-up to Kazumasa Hashimoto's  first album "Yupi" which was released to critical acclaim in Spring  2003.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="v9gray"&gt; Using the piano as the centerpiece as well as wind and string instruments, Hashimoto  blends his ensemble of acoustic instruments with sine waves, glitch noises, and  electronics to create a lush and refreshing world of sound.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="v9gray"&gt; While incorporating elements from minimalist composers as well as electroacoustic  music and electronica, Hashimoto's music has a universal and timeless appeal to  it.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="v9gray"&gt; The rich tones of the acoustic instruments, the beautiful harmonies, the skillfull  arrangements, and the multitude of musical elements blended into the background  of the songs makes for a listening experience that is always invigorating.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="v9gray"&gt; This real-life soundtrack is sure to pluck gently at the heartstring of all listeners.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.1/10&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Kazumasa Hashimoto第二張專輯，依然是以鋼琴作爲主旋律，加入各種電音與合成。音符清涼、跳躍，給人冰雪天地那種很純淨的感受，氛圍或可愛活躍、或瑰麗壯闊，或柔美空靈。他的唱片總是讓我感覺很完整，像一部電影，有畫面，有初始，有段落，有尾聲，零下n度的創意將高潮層層推進，編排得無可挑剔。 &lt;/div&gt;&lt;a href="http://www.douban.com/subject/2286921/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13473921.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/3542981.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6817358098427308504?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6817358098427308504/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6817358098427308504' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6817358098427308504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6817358098427308504'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kazumasa-hashimotoepitaph.html' title='[Kazumasa Hashimoto|Epitaph]化腐朽為神奇，霜精靈之物語'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8768848679690675461</id><published>2007-12-17T21:30:00.000+08:00</published><updated>2007-12-31T08:57:36.865+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Plop'/><title type='text'>[Kazumasa Hashimoto|Yupi]聆聽花開的聲音</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/WmOthmbO3D_WgoE-SSyU_Efp0A5o_o_l/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/WmOthmbO3D_WgoE-SSyU_Efp0A5o_o_l/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kazumasa Hashimoto&lt;br /&gt;Album：Yupi&lt;br /&gt;Release Date：2003&lt;br /&gt;Label：Plop&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                                                Electronic&lt;br /&gt;Style：            Minimal,              Leftfield,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Input&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Encyclopedic Landscape&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;+&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Output&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Cucurus&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;++&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Noaro&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;+++&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Carune&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Telomere&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;++++&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Synapse&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;+++++&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Yupi&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/245728.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 197px; height: 157px;" src="http://userserve-ak.last.fm/serve/_/245728.jpg" alt="" border="0" /&gt;&lt;/a&gt;                Kazumasa Hashimoto (b. 1974 in Tokyo, Japan) is a Japanese composer, mastering engineer and web designer.As a child, Hashimoto learned classical piano, starting to compose in high school while making music on his computer. He majored in composition at Tokyo College of Music. His minimalistic music is a rich blend of electronic textures, digitally distorted voices and acoustic instruments such as cello, violin and clarinet, and makes extensive use of the piano.&lt;br /&gt;&lt;br /&gt;As a pianist he has collaborated with Japanese electronica artist              &lt;span class="" id="wikiSecondPart"&gt;&lt;span class="bbcode_artist"&gt;World's End Girlfriend&lt;/span&gt; and with world music artist Souichiro Suzuki. In 2005 he was featured on Childish Music, an anthology of music compiled by &lt;span class="bbcode_artist"&gt;Ekkehard Ehlers&lt;/span&gt; in "an attempt to define a new genre" of "naive sounds".&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.4/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;這張發行于2003年的唱片編排很有意思，有幾個track，名為+。它們將Yupi有銜接地分爲了幾個部分，好像一部交響樂的幾個樂章一樣。                Kazumasa Hashimoto（橋本和昌）自幼學習鋼琴，所以最擅長將鋼琴與electronic結合營造氛圍。他的音樂是有畫面的，能夠讓聽者的腦海中呈現一幅幅想象的圖景，海天白雲，鳥語花香，流水潺潺。。。如何形容這張可愛的專輯呢？靜謐，深邃，清新，高遠。。。每一個部分都似乎傳達著不同的主題，營造著迥異的聲音景觀。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1761969/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13471321.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/3542961.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/3542961.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8768848679690675461?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8768848679690675461/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8768848679690675461' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8768848679690675461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8768848679690675461'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kazumasa-hashimotoyupi.html' title='[Kazumasa Hashimoto|Yupi]聆聽花開的聲音'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-71902200783455708</id><published>2007-12-16T20:57:00.000+08:00</published><updated>2008-01-03T12:38:16.389+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Smekkleysa'/><title type='text'>[Kira Kira|Skotta]電氣貓咪上太空</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/OCTmvb1jyz9RZq6ZCMk4_abv90wFoud-/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/OCTmvb1jyz9RZq6ZCMk4_abv90wFoud-/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kira Kira&lt;br /&gt;Album：Skotta&lt;br /&gt;Release Date：2006&lt;br /&gt;Label：Smekkleysa&lt;br /&gt;Country：Iceland&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Leftfield,              Abstract&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Boat (1:50)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Romantic Accident (2:45)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kittens In His Pockets (4:58)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Drakula Darling (4:21)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Syngdu Svarthol (2:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Epitaph (2:20)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dyri (2:14)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Malfur Skinnytoe Junior (4:56)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Empty House Sigh (2:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Take Your Best Shot (Crowd Goes Wild) (8:02)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Kira Kira (Kristin Bjork Kristjansdottir) is a founding member of Icelandic art collective Kitchen Motors. For the past 10 years she has tinkered with noises in bands such as Spunk (they did a split 10" with mum way back in 1998), Big band brutal, Storsveit Sigridar Nielsdottur and as Kira Kira since autumn 1999.&lt;br /&gt;&lt;br /&gt;'Skotta' is Kira Kira’s debut album. She doesn’t have many instruments, only a few music boxes attached to a pink wooden stick and a nylon string guitar her mom gave her when she was 12. So she sneaks around with a pocket recorder collecting sounds to toy with.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;她也叫bjork，也來自冰島。所以被很多人稱作小bjork，但是她沒有bjork那般很容易唱劈了的嘶吼，而是很細很輕很甜美的聲音，像只小貓，配上丁丁鈴鈴的八音盒聲&lt;/span&gt;&lt;span&gt;非常可愛。&lt;/span&gt;Skotta是kira kira的首張專輯，裏面充滿了聼上去碎碎的電音，脈衝般的聲音，在這樣的電音之中流淌著旋律，仿佛在聼者身體裏插入了許多的綫纜，然後通入電流，感覺氛圍很科幻，呵呵。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1777925/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13477221.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/363326.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/363326.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-71902200783455708?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/71902200783455708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=71902200783455708' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/71902200783455708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/71902200783455708'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kira-kiraskotta.html' title='[Kira Kira|Skotta]電氣貓咪上太空'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3903709748357313132</id><published>2007-12-15T18:33:00.000+08:00</published><updated>2007-12-31T09:09:37.191+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Midi Creative / Noble'/><title type='text'>[Tenniscoats|The Ending Theme]窗上的冰淩折射了陽光</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/HJ2nFe110z_4ItCyRj7IiB-8zF91h2X6/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/HJ2nFe110z_4ItCyRj7IiB-8zF91h2X6/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Tenniscoats&lt;br /&gt;Album：The Ending Theme&lt;br /&gt;Release Date：2002-06-22&lt;br /&gt;Label：Midi Creative / Noble&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic,                          Pop&lt;br /&gt;Style：            Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;In My Blood River (5:25)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Red Haired Eric (1:22)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Mou Mou Rainbow (5:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Horses (1:28)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Castaneda (6:09)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Sky Is Inhaling The Smoke (0:57)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;In The Sun (4:18)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Ending Theme (2:59)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Recently featured as part of the This is our music series in MTV and Swedish Television, we are happy to bring you Japanese lo-fi DIY-pop wonder TENNISCOATS - the best thing since you were a kid, eating icecream on the beach the first day of your summer holiday. As is the case with Maher Shalal Hash Baz, the mentor and spiritual leader of Tenniscoats, this duo is about innocence, trial and error and a deep fascination for ordinary sounds in everyday life, neglected sounds that are forgotten and are revolting as they rise in unison to crave to be fucking big upped! Clickety-rickety-boom-tjoff-clacks made by human activity. The Hummings while you do the dishes sound world (it's vast!).&lt;br /&gt;&lt;br /&gt;"The Ending Theme" is this duo's third album. Tenniscoats consist of Saya and Takashi Ueno, who also runs the Majikick label and are members of the great Maher Shalal Hash Baz. Saya does the vocals and keyboards and Takashi Ueno plays the guitar and saxophone.&lt;br /&gt;&lt;br /&gt;Tenniscoats is pastoral and nostalgic, innocent and simple melodies, driven by deep strong stoicism based on the powerful sincerity towards music."Tenniscoats"” is Saya-Japanese for "Tennis courts".&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.3/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Tenniscoats是由Saya和Takashi Ueno兩個日本人組成的團體，之前還聼過他們今年的新唱片&lt;a href="http://valeriemusic.blogspot.com/2007/11/tenniscoatstan-tan-therapy.html"&gt;Tan-Tan Theraphy&lt;/a&gt;，The Ending Theme是他們的第三張專輯，發行于02年，很久了。Tenniscoats的音樂folktronica外，還很后搖，讓人想起sigur ros，想起mum。不過Tenniscoats的音樂更多的是溫暖與明亮，有著空靈的氛圍、田園詩般的美好與和諧。而且Saya的嗓音親切純淨，像柔和的陽光。The Ending Theme真的很適合在這樣的冬天聆聽哦。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2276786/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13470491.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/615035.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/615035.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3903709748357313132?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3903709748357313132/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3903709748357313132' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3903709748357313132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3903709748357313132'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/tenniscoatsthe-ending-theme.html' title='[Tenniscoats|The Ending Theme]窗上的冰淩折射了陽光'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-140818877945005617</id><published>2007-12-15T17:19:00.000+08:00</published><updated>2008-01-12T16:48:40.002+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Domino Recording Co.'/><title type='text'>[Four Tet|Pause]停格式行進</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/qM3fOygY3z_4ZbSw2KjWsw7RtiAXy5yN/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/qM3fOygY3z_4ZbSw2KjWsw7RtiAXy5yN/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Four Tet&lt;br /&gt;Album：Pause&lt;br /&gt;Release Date：2001&lt;br /&gt;Label：Domino Recording Co.&lt;br /&gt;Country：UK&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Downtempo&lt;p&gt;  &lt;/p&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Glue Of The World (5:02)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Twenty Three (3:34)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Harmony One (1:41)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Parks (6:03)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Leila Came Round And We Watched A Video (1:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Untangle (4:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Everything Is Alright (2:31)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;No More Mosquitoes (3:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tangle (3:44)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;You Could Ruin My Day (7:03)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hilarious Movie Of The 90's (3:29)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;On his second full-length as Four Tet, producer/mixologist/computer kid Kieran Hebden further f*cks with the notion that turntablism and electronica are essentially "nothing more than" computer music. While it's true that all the rhythms, melodies, and harmonies here are collaged samples combined with turntable wizardry, uninformed listeners would be hard-pressed to find anything but a few drum loops that sound as if they were composed and recorded by a band. For starters, on his opener, "Glue of the World," acoustic guitars, zithers, harps, and string basses wander around a minor-key riff that is augmented by a slip 'n' slide hip-hop rhythm with a sharp, in-your-face, drum-'n'-no-bass interlude. The track is a weave; it blends new age, acoustic jazz, and flamenco music in a golden braid that is heavenly. On "Twenty Three," steel drums, bells, and African and Balinese rhythm instruments open the way for an electric piano and acoustic guitar riff aided by a set of congas and bongos to come charging in DJ Shadow style. Just as the West African folk music theme settles, Hebden kicks it with hip-hop and a front line of trumpets, playing a long, slow, languid melody line, turning it into who knows what, but it's cool. It's also beautiful that there are small interludes of found sounds, like typewriter keys re-sequenced against an electric piano to create nothing but an ambient rhythm track that sounds as much like somebody shuffling things around on a desk as anything else -- until you pay attention. On tracks like "Untangle," where the percussion sounds a little less organic, Hebden demonstrates with flashes and cross-fades how rhythms from all over the world can be unified by the turntablist's skill -- or perhaps by musicians themselves willing to play together, which would be ideal. When the guitars and the bajo sexto kick in with the drums and the loops, it's the freakin' United Nations on stun, kickin' up a grand-style peace whoop. Four Tet's &lt;i&gt;Pause&lt;/i&gt; offers more proof that DJ culture still has plenty to offer, and that Keiran Hebden is just getting started in his experimentation with transcultural electronica. Organic as dirt, and full of an acid-head's sense of space, this one's a winner from start to finish.(from AMG)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.3/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;這是一張2001的發行了，一點都不新鮮了，還沒有聼過的朋友，可以下載來聼聼。Four tet總是能讓我感覺到周圍很明亮，各種聲音採樣能夠將我的耳朵充分填滿。打字機、蚊子嗡嗡叫、稚嫩的童聲。。。在他的音樂裏匯集，各種拼湊在他的音樂裏就像是雕花玻璃一樣，折射著陽光，呈現著五顔六色讓人目眩神迷的光斑。最令我為之折服的是他能遊刃有餘地使用著東方的、中國的弦樂，而且用得恰到好處，沒有矯揉造作的感覺。這是一張很不錯的唱片，雖然我更喜歡之後的rounds，但是這張也是十分地值得一聼。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1394899/"&gt; &lt;/a&gt;&lt;a href="http://www.douban.com/subject/1394899/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13479411.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/314980.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/314980.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-140818877945005617?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/140818877945005617/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=140818877945005617' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/140818877945005617'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/140818877945005617'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/four-tetpause.html' title='[Four Tet|Pause]停格式行進'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-3311852049865128702</id><published>2007-12-13T21:25:00.000+08:00</published><updated>2008-01-04T18:40:40.563+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='* Not On Label'/><title type='text'>[Kuupuu|Tour Musik]歐陸行記</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/2AsUgxswxD8zkbffPIcBurY7ieoNQpkf/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/2AsUgxswxD8zkbffPIcBurY7ieoNQpkf/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Kuupuu&lt;br /&gt;Album：Tour Musik&lt;br /&gt;Release Date：2007&lt;br /&gt;Label：Not On Label&lt;br /&gt;Country：Finland&lt;br /&gt;Genre：                       Electronic,                          Folk&lt;br /&gt;Style：            Abstract,              Experimental,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ritva, Elsa, A? (4:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hääherne (0:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Muisti Meni (1:47)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Haava (1:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Yksi Valoista (4:01)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Naavahaava (2:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Yötaivaan (5:39)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Koli (2:27)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ukkosen Johdattajat (8:12)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.lurtta.com/ready/lontoo_katto.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://www.lurtta.com/ready/lontoo_katto.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;span class="" id="wikiSecondPart"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="" id="wikiSecondPart"&gt;TOUR MUSIK self released cdr 2007 (sold in gigs only)&lt;/span&gt;&lt;br /&gt;Self-released CDr, handmade packaging. All musik by Kuupuu except Hääherne with Kukkiva Poliisi and Ukkosen Johdattajat with Joylaav.&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.myspace.com/kuupuu"&gt;http://www.myspace.com/kuupuu&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;我的朋友們都知道我是她的fans，昨天得到這張唱片時真的是高興得要死了。kuupuu最近一張的發行，Self-released CDr。但是很奇怪，我在網上卻找不到關於這張唱片的info。她還是老樣子，還是那麽酷，還是那麽另類，我對她的每張專輯都愛不釋手。&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13485041.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/O-NURc9O5j_EPk0b0Zzx6qqadeOA15YP/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/O-NURc9O5j_EPk0b0Zzx6qqadeOA15YP/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-3311852049865128702?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/3311852049865128702/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=3311852049865128702' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3311852049865128702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/3311852049865128702'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/kuupuutour-musik.html' title='[Kuupuu|Tour Musik]歐陸行記'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6493538657265984139</id><published>2007-12-13T18:12:00.000+08:00</published><updated>2008-01-02T02:03:31.287+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='FatCat Records'/><title type='text'>[Silje Nes|Ames Room]坐在房間喃喃自語</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/3-8X6ovu7T9YgPpjtEKY1V8mPTjiz-vb/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/3-8X6ovu7T9YgPpjtEKY1V8mPTjiz-vb/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Silje Nes&lt;br /&gt;Album：Ames Room&lt;br /&gt;Release Date：2007-10&lt;br /&gt;Label：FatCat Records&lt;br /&gt;Country：UK&lt;br /&gt;Genre：             Rock&lt;br /&gt;Style：            Folk Rock&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Over All (2:13)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Drown (2:30)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Shapes, Electric (3:36)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Ames Room (2:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Giant Disguise (4:13)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Dizzy Street (3:52)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Long Shadows Left Around (2:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bright Night Morning (3:48)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Recurring Dream (3:43)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Searching, White (1:46)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Magnetic Moments Of Spinning Objects (2:59)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Melt (2:43)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Escape (3:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;No Bird Can (3:28)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/2826511.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/2826511.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;We first became aware of Norwegian singer-songwriter / multi-instrumentalist Silje Nes through a unique and utterly charming demo we received out of the blue in 2005. Intrigued and enchanted by the quirkily sprawling mixture of instruments, electronics and sweet vocals, we have been regularly talking with her since, with Silje working on and submitting new tracks and slowly piecing this debut album together. Boldly Inventive and broad-visioned, 'Ames Room' announces the emergence of a hugely talented and distinctive young artist. With the sole exception of the opening track - written and recorded with Kristian Stockhaus from Ungdomskulen - the entirety of the album is Silje's own work and sounds like someone clearly reveling in the act of creation.&lt;br /&gt;&lt;br /&gt;Entirely home-recorded, the album gathers together material created between Autumn 2004 and Summer 2007. Attesting to the primacy of the recording process, the songs were actually written as they were recorded. Silje notes the importance of this presence that comes from recording spontaneously, with all its imperfections. "It's the recording that I enjoy, and I can't separate that from the songwriting." Whilst the early recordings were largely instrumental (often wordlessly using her voice as an extra instrument) and more heavily electronic, over the past year her lyrics and vocal have come increasingly to the fore, as has the use of guitar and drums. Gentle and wispily imbuing songs with an almost childlike sense of wonder and awe, Silje's voice is breathy and beautifully measured, calmly sitting at the centre of the webs she spins like some playful, benevolent animating spirit.&lt;br /&gt;&lt;br /&gt;Whilst creating a sound-world entirely her own, 'Ames Room' shows a similar single-mindedness and (autodidactic) adventurousness to fellow peers like Tujiko Noriko, Islaja, Lau Nau, Eglantine Gouzy, Foehn, or Leila Arab, also sharing something of the homespun, sprawling beauty of the likes of The Pastels, Pram, or Crescent. Beautifully pieced together, tracks unfurl like a series of intricate constructions, or like some kind of strange blown-up world of insects or curious creatures - the whole teeming with life and a great sense of fun.Broad ranging and full of character, the album moves from languid dream-pop to stomping, upbeat tracks, to more introspective or abstract numbers. With sparkling melodies at times exuding a music-box sweetness, spindly electronics - barbed, bubbling, and tinkling - weave around a vast array of instruments including cello, electronics, drums, guitar, bass, keyboards, recorder,glockenspiel, xylophone, melodica, and trumpet, as well as percussion played on all manner of found objects. Playful rhythms increasingly accumulate, with machine programming cohering alongside layered live syncopations.&lt;br /&gt;&lt;br /&gt;Silje grew up in the tiny town of Leikanger, in Sognefjord, the largest fjord in Norway, before moving to the rainy, larger town of Bergen in 2000. She began making her own music in 2001, recording on 4-track demo software through a tiny inbuilt microphone on a laptop. Though sheÆd previously studied classical piano, when she started recording she decided to do so with guitars and instruments on which she had no previous experience of playing. Simply guided by finding sounds she loved and the excitement of discovering new instruments without learned conventions, she made use of whatever equipment she could get hold of - guitars and an old synth, a cello, a drum kit, a laptop, as well as loop pedals to build layers of her own playing. Little by little she also found ways of including her own voice in the mix, both as texture and song, and her music has organically evolved from there. Although she made a successful live debut outside of Norway with a set at FatCat's 'Open Circuit' festival in Belgium in February this year, during this period Silje has played her songs for just a very few people locally.&lt;br /&gt;&lt;br /&gt;At that Belgian show, she did everything herself and it was mesmerizing to watch - gradually building loops on a loop-station through guitar picking, singing, playing a drum kit and other percussion (tambourine, glass bottle, etc) and a xylophone, sometimes being accompanied by a little robot that was beating a kick drum.&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。評價指數：7.8/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Silje Nes的聲音很清新很柔美，唱得很輕，來自挪威。我以前不知道她，看到這張CD的cover才把它收回來的，上面關於她的介紹說得比較詳細了。聼她的演唱你會感覺像有個小姑娘在耳邊說悄悄話似的，向你吐露她的心事，一張可愛的唱片。而Searching, White中她也展現了她的另一面，很酷很冷靜的一面。但也許是實在太輕，縂覺得沒什麽波瀾，縂感覺提不太起精神。&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2335826/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13490361.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/339590.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/339590.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6493538657265984139?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6493538657265984139/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6493538657265984139' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6493538657265984139'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6493538657265984139'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/silje-nesames-room.html' title='[Silje Nes|Ames Room]坐在房間喃喃自語'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-4635574578854010567</id><published>2007-12-13T00:01:00.001+08:00</published><updated>2008-03-09T14:04:29.465+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fonal Records'/><title type='text'>[Es|A Love Cycle]轉經、輪回、盼望</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/rQOzTlEC7T9F4SGAScct2ayu7btcs2c3/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/rQOzTlEC7T9F4SGAScct2ayu7btcs2c3/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Es&lt;br /&gt;Album：A Love Cycle&lt;br /&gt;Release Date：2006&lt;br /&gt;Label：Fonal Records&lt;br /&gt;Country：Finland&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Leftfield,              Experimental,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Suuri Höyhen (7:07)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;A Love Cycle (12:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Les Fleurs Sont Des Bonnes Auditrices (4:29)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals [Humming] -   Elissa Määttänen            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;We Make Holes In The Heart To Break Universe Apart (13:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Twenty-Five Twenty-Five (3:03)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;She Puts Out The Fire In Her Heart With Her Tears (11:54)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Sami Sänpäkkilä, owner and curator of the phenomenal Fonal label, has managed to attract a great deal of interest in his work over the last couple of years. Peaking with the frankly unmissable vinyl-only ‘Sateenkaarisuudelma’ album on Kraak, the Finnish musician drew people into his world of crackling vinyl, distant piano and half-sung Finnish nursery rhymes. ‘A Love Cycle’ was originally released in 2001 and is the second Es album, but to beef up this re-issue a little Sänpäkkilä has added an extra track, the gorgeous ‘Suuri Hoyhen’ which appeared on a Kraak compilation/sampler also in 2001. It’s been out of press for far too long now, and since interest had grown in Sänpäkkilä’s works significantly recently, it seems like the perfect time to fashion a reissue! Surprisingly given the dubious longevity of experimental/electronic music the disc still sounds as fresh as ever; the album was put together almost entirely using three cheap flea-market turntables and a pile of decaying vinyl, so Philip Jeck and Christian Marclay are obviously going to come in handy as reference points, but Sänpäkkilä injects his own personality into the noisy loops and crackle. His homespun aesthetic is as present here as on his choice of releases for Fonal, beautiful ethereal humming erupts over bassy rumbles and disconcerting static while distortion cracks and crumbles overhead. I suppose many would describe Es as ‘ambient’ music, but there is more going on here than may at first reveal itself, the layers need peeling away slowly on repeated listens before you achieve maximum enjoyment. Within these loops rest hidden glimpses of love, love for music, for art, for the process itself, and that’s what makes Sami Sänpäkkilä’s work just so damn involving. A huge recommendation and an essential part of the Fonal catalogue.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.2/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;重復，不斷地重復。輪回，永恒地輪回。A Love Cycle就在這樣的重復中進行，但是我對它卻比對Flick更加喜愛。它是一個循環、一個周而復始的生命。尤其是Les Fleurs Sont Des Bonnes Auditrices深邃的鋼琴和&lt;span style="font-size:100%;"&gt;Elissa Määttänen的輕輕哼唱交織的時候，我仿佛觸摸到了歷史與希望。這個女子的聲音純淨、自然，曾多次在Es的唱片中出現，還有就是我很喜歡其中那感覺非常Lo-fi的老式錄音帶的沙沙聲。五年前的Fonal曾發行過這張唱片，06年的這張是再版，區別就是多了一個bonus track，也就是第一曲&lt;/span&gt;Suuri Höyhen。&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2003681/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13478391.html"&gt;&lt;span style="font-weight: bold;"&gt;share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/3428728.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/3428728.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-4635574578854010567?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/4635574578854010567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=4635574578854010567' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4635574578854010567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4635574578854010567'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/esa-love-cycle.html' title='[Es|A Love Cycle]轉經、輪回、盼望'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8798014646351125196</id><published>2007-12-12T22:23:00.000+08:00</published><updated>2007-12-29T11:16:51.548+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='(K-RAA-K)³'/><title type='text'>[Es|Flick]輕輕拂去眼前的霧氣</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/Yn4r7S6A3j8G-fjns5aNNr1zqrXNteMw/zoomer.fpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/Yn4r7S6A3j8G-fjns5aNNr1zqrXNteMw/zoomer.fpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Es&lt;br /&gt;Album：Flick&lt;br /&gt;Release Date：2000&lt;br /&gt;Label：(K-RAA-K)³&lt;br /&gt;Country：Belgium&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Leftfield,              Abstract,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rainpipe (2:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Clink (7:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Kemialliset Häät (5:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flick (8:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Signal To God (0:49)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Klink (2:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Baureuth-Ulvila In 16h (10:40)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vertex (5:25)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Wormhole (8:44)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Wow, here's something I never thought would surface again - the incredibly rare debut cd from none other than Fonal Records boss Sami Sänpäkkilä re-issued finally for our listening pleasure. It originally surfaced in 2000 way back before the words 'Finnish' 'Forest' and 'Folk' were uttered in the same sentence, but here is where you can hear the framework for Sänpäkkilä's patented sound which was came to such a peak with the gorgeous 'Sateenkaarisuudelma'. Using a simple combination of electric guitar, synthesizer and no doubt an arsenal of effects pedals and recording devices Sänpäkkilä comes up with a dense soup of trembling psychedelic sound. Admittedly a little more accessible than his mind-altering later works, this nevertheless shows off Sänpäkkilä's unsurpassed talents for sound manipulation and unusual recording techniques - take the title track 'Flick' for example, which takes dissonant cheap synthesizer sounds and throws them over what sounds like the mechanical whirr of a camera. This track is the audio equivalent of watching a mischievously dark animated movie, perhaps made by the Brother's Quay, and as radio static and barely heard voices begin to push their way into the foreground and guitar dances around playfully you'd be hard pushed not to fall into Sänpäkkilä's world. Unsurprisingly his work has been compared countless times to that of turntable experimenter Philip Jeck, but here there are definitely audible influences that go far beyond one man's work - I can hear the early electronic ramblings of the BBC Radiophonic Workshop and the musique concrete experimentations of Luc Ferrari in there somewhere as well as a clear knowledge of post-rock forms and it's this respect and encyclopaedic musical knowledge that sets his work apart from that of his peers. This might not be the most well known of Sami Sänpäkkilä's albums but it's a hugely enjoyable experience and a priceless look into how it all began. Beautiful stuff and a huge recommendation!（from boomkat）&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.9/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Es的第一張發行，個人覺得雖然不如之後的好，但也還算一張不錯的電子。整張專輯裏我覺得Flick最有特點、也是最爲豐富的，雖然它的開頭與上一個track之間沒有銜接、唐突地嚇了我一跳。我想Sami本人也是最滿意這首曲子，要麽怎麽會拿它做title呢。其他的也都還不錯，但是都沒有Flick那麽立體。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2220470/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13479161.html"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/2685312.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/2685312.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-8798014646351125196?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/8798014646351125196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=8798014646351125196' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8798014646351125196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/8798014646351125196'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/esflick.html' title='[Es|Flick]輕輕拂去眼前的霧氣'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2419666689177308320</id><published>2007-12-12T19:12:00.001+08:00</published><updated>2008-03-09T14:07:34.894+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='(K-RAA-K)³'/><title type='text'>[Es|Sateenkaarisuudelma]海市蜃樓，縹緲歌聲</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://item.slide.com/r/1/0/i/UJv1ZlQ8oD-jVUe58ih9r5tDKZtQc7s6/"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://item.slide.com/r/1/0/i/UJv1ZlQ8oD-jVUe58ih9r5tDKZtQc7s6/" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Es&lt;br /&gt;Album：Sateenkaarisuudelma&lt;br /&gt;Release Date：2005&lt;br /&gt;Label：(K-RAA-K)³&lt;br /&gt;Country：Belgium&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sateenkaarisuudelma I&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Vocals -   Elissa Määttänen            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sateenkaarisuudelma II&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Violin -   Laura Naukkarinen            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sateenkaarisuudelma III&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Keyboards -   Jan Anderzen        &lt;br /&gt;Saxophone -   Suvi Mäkinen            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;B1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Harmonia, Rakkautta&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Keyboards -   Jan Anderzen        &lt;br /&gt;Saxophone -   Suvi Mäkinen            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;C1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Maailmankaari I&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;C2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Maailmankaari II&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;D1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Universaali Totuus&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;D2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Pianokaari&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Back in stock. Serving as a fantastic precursor to our imminent stocking of the Fonal catalogue, this is the new vinyl only (!) album from Fonal boss Sami Sänpäkkilä, aka Es, and what an album it is. Already being championed by David Keenan in the Wire and multiple webzines, there is little I can say about this that hasn't already been laid on in these glowing reports, but this is an album I am truly passionate about. The first thing you notice is just how damned gorgeous it looks, this is easily the sleeve of the year; and the gorgeous watercolour shown on the front of the sleeve in heavy textured card is complemented by similar paintings on each panel of the luxurious double vinyl package. The most important thing about 'Sateenkaarisuudelma', of course, is the music; which ranges from the breathy vocals/violins and guitar of side A's title track and the uplifting saxophone drenched charm of 'Harmonia, Rakkautta' to the dense piano led 'Pianokaari' (which featured on the recent 'Invisible Pyramid' compilation, psych followers!). What I find so irresistible about Es is his ability to make what might at first seem like difficult music (Finnish psychedelia anyone?) sound so effortlessly engaging. There is a childlike loveliness and a breathless warmth to these recordings, a homely quality far removed from the pretentiousness often associated with Wire referenced emissions. I implore you, give this album a home; love it and cherish it, nourish it with your attention and you will reap the rewards for years to come. Even all you children of the digital age, this is reason enough to ask Father Christmas to bring you a Technics 1210 this year (this is a vinyl only album, and is specifically recorded for the vinyl medium). A stone cold, quiet classic.(from boomkat)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.5/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;Es的這張專輯時間很長，2LP，大概有一小時13分鐘，發行於比利時的獨立厰牌(K-RAA-K)³，不是Fonal。個人覺得這張專輯與Es之前的那張&lt;/span&gt;&lt;a href="http://valeriemusic.blogspot.com/2007/12/eskaikkeuden-kauneus-ja-ksittmttmyys.html"&gt;Kaikkeuden Kauneus Ja Käsittämättömyys&lt;/a&gt;非常不同，沒有了很多古老民族的神秘，和濃厚原始氣息的節奏。Sateenkaarisuudelma借助了鋼琴、吉他、小提琴，還有許多的模擬音，創造了一種開闊又朦朧的仙境，很深沉。仿佛站在海邊，凝視遠方，周圍彌漫著水氣，沙鷗在飛翔，你會突然間發現海平面的盡頭出現了一道彩虹。。。&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;share:&lt;a href="http://w13.easy-share.com/13478431.html"&gt;Part1&lt;/a&gt; &lt;a href="http://w13.easy-share.com/13478521.html"&gt;Part2&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/85HlqYK96T-bm6bZRLvR4KYXFeODIieK/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/85HlqYK96T-bm6bZRLvR4KYXFeODIieK/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/mIoO7tNksz-9oObe75-QgIuQe-G6ZNqU/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/mIoO7tNksz-9oObe75-QgIuQe-G6ZNqU/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/WI3LV1WjtT8cbr5sN4xE8NBCp0Aqw5SL/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/WI3LV1WjtT8cbr5sN4xE8NBCp0Aqw5SL/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2419666689177308320?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2419666689177308320/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2419666689177308320' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2419666689177308320'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2419666689177308320'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/essateenkaarisuudelma.html' title='[Es|Sateenkaarisuudelma]海市蜃樓，縹緲歌聲'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1241041017640807358</id><published>2007-12-12T04:35:00.000+08:00</published><updated>2008-01-09T12:10:08.613+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Drag City'/><title type='text'>[Orion Rigel Dommisse|What I Want from You Is Sweet]女孩童話，波希米亞傳説</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/YvGFgcFl5T_iLncIVbjIywbTytf2lbjB/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/YvGFgcFl5T_iLncIVbjIywbTytf2lbjB/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Orion Rigel Dommisse&lt;br /&gt;Album：What I Want from You Is Sweet&lt;br /&gt;Release Date：2007-09-17&lt;br /&gt;Label：Drag City&lt;br /&gt;Country：US&lt;br /&gt;Genre： Folk&lt;br /&gt;Style：Indie，Folk&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting：&lt;/span&gt;&lt;br /&gt;　　1 Fake Yer Death 4:05&lt;br /&gt;　　2 Alice and Sarah 3:40&lt;br /&gt;　　3 Simon Sent for Me 3:58&lt;br /&gt;　　4 A Faceless Death 2:37&lt;br /&gt;　　5 Capricorn 4:04&lt;br /&gt;　　6 Ashes From Your Burning Land 2:37&lt;br /&gt;　　7 Suicide Kiss (Because Dead) 3:58&lt;br /&gt;　　8 A Giver 3:49&lt;br /&gt;　　9 Little Neighbor 4:50&lt;br /&gt;　　10 Drink Yourself (To Death) 3:41&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;More Greg Weeks-curated Language Of Stone action, this time from Baltimore's Orion Rigel Dommisse, who - if her MySpace profile photo is to be believed - enjoys frolicking about in the woods dressed like she's just been dreamt up by Louisa May Alcott. No surprise then to discover that Fern Knight's Margie Wienk, Jessie Sparhawk and inevitably Weeks himself are all on-hand for some costume folk fun and games. This whole scene would get old really fast were it not for the fact that there's still plenty of notable music coming out of it, and Miss Dommisse is to be counted among the artists in the genre who still have something of merit to add to the great freak folk canon. The jaunty baroque woodland dynamics of 'Alice And Sarah' benefits from some trilling electronic jiggery-pokery, on top of the more run-of-the-mill configuration of strings and kooky vocal. Likewise, the sinister, abandoned fairground vibes of 'Drink Yourself (To Death)' sound splendid with a backdrop of floating synthesizers.（from boomkat）&lt;br /&gt;&lt;a href="http://www.myspace.com/orionrigeldommisse" target="_blank" rel="nofollow"&gt;http://www.myspace.c&lt;wbr&gt;om/orionrigeldommiss&lt;wbr&gt;e&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.6/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;在Orion Rigel Dommisse的Myspace上我很欣喜地發現，她在influence一欄裏寫有Valerie and Her Week of Wonders。沒想到竟然有著這樣一個女孩和我一樣被這部電影深深影響，熟悉我的人都知道我的名字即來源於此。Orion Rigel Dommisse的音樂風格頗具古典的氣質，她的旋律以及配器一定也受到了為這部電影作曲的捷克作曲家Luboš Fišer的影響，還有她的唱腔，包括她的穿著打扮，都非常古典。這張What I Want from You Is Sweet讓我想起我們都情有獨鈡的這部美麗、魔幻的來自于波希米亞的吸血鬼童話。&lt;/div&gt;&lt;a href="http://w13.easy-share.com/13487521.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/135367.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/135367.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1241041017640807358?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1241041017640807358/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1241041017640807358' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1241041017640807358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1241041017640807358'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/orion-rigel-dommissewhat-i-want-from.html' title='[Orion Rigel Dommisse|What I Want from You Is Sweet]女孩童話，波希米亞傳説'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-6597628490948508340</id><published>2007-12-12T03:41:00.000+08:00</published><updated>2008-01-14T20:50:29.542+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Because Music'/><title type='text'>[Charlotte Gainsbourg|5:55]飛機翺翔于天際，而你那邊幾點呢？</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/cKnus9kL5D8ogm4v2qarQeLv_xE0Im1N/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/cKnus9kL5D8ogm4v2qarQeLv_xE0Im1N/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Charlotte Gainsbourg&lt;br /&gt;Album：5:55&lt;br /&gt;Release Date：2006-09-04&lt;br /&gt;Label：Because Music&lt;br /&gt;Country：France&lt;br /&gt;Genre：                       Electronic,                          Pop,                          Rock&lt;br /&gt;Style：            Chanson,              Pop Rock,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;5:55 (4:51)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Bass, Guitar [Acoustic &amp;amp; 12 String], Glockenspiel -   Nicolas Godin       &lt;br /&gt;Drums -   Tony Allen       &lt;br /&gt;Lyrics By -   Jarvis Cocker                ,   Jean-Benoît Dunckel                ,   Nicolas Godin       &lt;br /&gt;Piano -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;AF607105 (4:30)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Lyrics By -   Jarvis Cocker       &lt;br /&gt;Synthesizer, Drums [Synth Drums] -   Jean-Benoît Dunckel       &lt;br /&gt;Synthesizer, Drums [Synth Drums], Bass, Guitar [Electric], Glockenspiel -   Nicolas Godin            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Operation (3:59)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Drums [Synth Drums], Guitar [Electric], Bass -   Nicolas Godin       &lt;br /&gt;Lyrics By -   Jarvis Cocker       &lt;br /&gt;Piano, Synthesizer -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tel Que Tu Es (3:10)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Lyrics By -   Jean-Benoît Dunckel                ,   Nicolas Godin       &lt;br /&gt;Percussion, Guitar [Electric], Bass -   Nicolas Godin       &lt;br /&gt;Piano -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Songs That We Sing (2:57)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Acoustic Guitar -   Neil Hannon       &lt;br /&gt;Arranged By [Strings] -   Joby Talbot       &lt;br /&gt;Drums -   Jeremy Stacey       &lt;br /&gt;Glockenspiel, Piano -   Jean-Benoît Dunckel       &lt;br /&gt;Lyrics By -   Jarvis Cocker                ,   Neil Hannon       &lt;br /&gt;Melodica, Bass -   Nicolas Godin       &lt;br /&gt;Strings -   Millennia Ensemble, The            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Beauty Mark (3:07)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Drums [Monomachine], Tambourin, Bass, Acoustic Guitar -   Nicolas Godin       &lt;br /&gt;Lyrics By -   Jarvis Cocker                ,   Jean-Benoît Dunckel                ,   Neil Hannon                ,   Nicolas Godin       &lt;br /&gt;Synthesizer [Moog], Piano, Synthesizer, Strings [Synth Strings], Vocals [Additional Chorus] -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Little Monsters (3:46)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Drums [Synth Drums], Glockenspiel, Bass, Synthesizer -   Nicolas Godin       &lt;br /&gt;Lyrics By -   Jarvis Cocker       &lt;br /&gt;Piano, Synthesizer -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Jamais (4:37)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Acoustic Guitar, Bass -   Nicolas Godin       &lt;br /&gt;Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Drums -   Jeremy Stacey       &lt;br /&gt;Lyrics By -   Jarvis Cocker       &lt;br /&gt;Piano, Synthesizer, Vibraphone -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Night-Time Intermission (2:44)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Drums -   Tony Allen       &lt;br /&gt;Guitar -   Nicolas Godin       &lt;br /&gt;Piano -   Jean-Benoît Dunckel       &lt;br /&gt;Written By -   Jarvis Cocker &amp;amp; Charlotte Gainsbourg            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Everything I Cannot See (5:46)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Arranged By [Strings], Conductor [Strings] -   David Richard Campbell*       &lt;br /&gt;Bass, Acoustic Guitar, Guitar [Electric] -   Nicolas Godin       &lt;br /&gt;Drums -   Jeremy Stacey       &lt;br /&gt;Lyrics By -   Jarvis Cocker       &lt;br /&gt;Piano, Organ -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;     &lt;/tr&gt;               &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Morning Song (3:06)&lt;/td&gt;   &lt;/tr&gt;         &lt;tr&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td&gt;&lt;small&gt;                         Acoustic Guitar -   Nicolas Godin       &lt;br /&gt;Lyrics By -   Charlotte Gainsbourg                ,   Jarvis Cocker       &lt;br /&gt;Vibraphone, Piano, Synthesizer -   Jean-Benoît Dunckel            &lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/12892.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/12892.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Even though &lt;i&gt;5:55&lt;/i&gt; (who paid tribute to  isn't technically Charlotte Gainsbourg's first solo album (that would be Charlotte for Ever, which was released when she was 13), it is her first solo album as an adult and, with the help of a dream team of collaborators, it's a fittingly sophisticated set that touches on her father Serge's brilliantly louche, literate pop without being overshadowed by it. Air's Jean-Benoît Dunckel and Nicolas GodinSerge Gainsbourg particularly well on &lt;i&gt;10,000 Hz Legend&lt;/i&gt;'s "Wonder Milky Bitch") wrote &lt;i&gt;5:55&lt;/i&gt;'s delicate music, while Jarvis Cocker and the Divine Comedy's Neil Hannon penned its lyrics. This mingling of French and English influences is mirrored in Gainsbourg's subtly expressive voice and accent, which provides the perfect complement to the album's lush sounds and vivid imagery. On "AF607105" -- the most Air-like song here -- she's a stewardess recounting the most glamorous plane crash ever; she performs an autopsy on a relationship on "The Operation," finally stating that "the heart was rejected by the host." As good as the atmospheric heartache of the first half of &lt;i&gt;5:55&lt;/i&gt; is, it's on the second half, when Gainsbourg and her crew stretch out a bit, that the album really gets interesting. "Jamais," a slightly tough, witty cautionary tale about literally acting like you're in love, is a standout, while the sexy, obsessive "Beauty Mark" and "Everything I Cannot See" would make her father proud.(from AMG)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.0/10&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;實際上是一張比較Pop的專輯，但是還是蠻好聼的，充滿著現代城市的味道，佈滿了暖暖陽光的那種。Charlotte Gainsbourg這個女子出身好，爸媽都是明星，所以注定了她從小就有了一個光明的前途，拍電影、唱歌，雖然我覺得她並不是非常地漂亮（有一點兜唇，哈哈）。不過她自己本人也確實具備著令父母驕傲的成分，在衆多的女明星中還是非常特別，也比較有個性。這張專輯中Charlotte發揮得很好，她的聲音很溫和很親近，聼似很隨意的唱著，卻展現著自己很灑脫很獨立的一面。雖然個人覺得用法語演唱可能會更好聽一些，但不妨礙我對這張唱片的喜歡。Beauty Mark使我有一種想翺翔的欲望，也使我有一種背上行囊去流浪的衝動。&lt;br /&gt;&lt;a style="font-weight: bold;" href="http://www.douban.com/subject/1863224/"&gt;去豆瓣上看看。。。。。。&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13458981.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/417080.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/417080.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;object height="290" width="410"&gt;&lt;param name="movie" value="http://media.imeem.com/pl/LRI-u5sNsk/aus=false/"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://media.imeem.com/pl/LRI-u5sNsk/aus=false/" type="application/x-shockwave-flash" wmode="transparent" height="290" width="410"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-6597628490948508340?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/6597628490948508340/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=6597628490948508340' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6597628490948508340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/6597628490948508340'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/charlotte-gainsbourg555.html' title='[Charlotte Gainsbourg|5:55]飛機翺翔于天際，而你那邊幾點呢？'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1429141082865444060</id><published>2007-12-11T02:16:00.000+08:00</published><updated>2008-01-05T12:47:32.240+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Karaoke Kalk'/><title type='text'>[März|Love Streams]五光十色的世界</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/5d1X7XAi7D-9EJv6zG7F499iAQ1IpWFI/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/5d1X7XAi7D-9EJv6zG7F499iAQ1IpWFI/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：März&lt;br /&gt;Album：Love Streams&lt;br /&gt;Release Date：2002-04&lt;br /&gt;Label：Karaoke Kalk&lt;br /&gt;Country：Germany&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Dub Techno,              Minimal&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Introductory (4:35)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Things Can Only Get Better (2:55)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Cricket Song (4:32)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Help Song (6:12)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Interlude #1 (1:06)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Chelsea Boys (6:17)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Hysteric Song (5:19)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;The Rain Rains (3:38)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Interlude #2 (1:16)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Love Streams (4:54)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Everybody Had A Hard Year (4:08)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Bars 1, 2, 3, 4 (5:20)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Continuing Karaoke's formidable run of form - with release after release of spine tingling beauty and warmth. Full blossomed releases from Donna Regina to Wechsel Garland have brightened many of our days. This is the official full length debut for Marz, aka sonic experimenter Ekkehard Ehlers and Albrecht Kunze, which follows their superb debut mini LP 'One From The Heart'. The album kicks off in an uptempo playground swing fashion with 'Things Can Only Get Better', relaxed bliss with accordion, percussion, found sounds, acoustic guitar and lifelike/digital finger clicks. Jaw dropping, ahhhhhh!!! 'The Cricket Song' samples the soft buzzing of this nocturnal insect while lowdown beats rub up with a wistful whistle and more guitar interplay. 'The Hysteric Song' is sweetly clickhouse mechanics, imagine Matthew Herbert meeting Raymond Scott's Music For Baby’s with a touch of BOC childhood reminiscing thrown in. After 'The Rain Song' and 'Everybody Had A Hard Year' (a total pop anthem for our times) you'll agree that resistance is futile. A total of twelve tracks that make up for an album that alongside the recent Wechsel and Donna albums rank as one of the most endearing of the year. Utter heartfelt joy.  （from boomkat）&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。推薦指數：8.0/10&lt;/span&gt;&lt;br /&gt;這張專輯給了我很不錯的心情，很振奮，很高興。驅散了很多天都是陰天的煩惱。很快活的電子，像細流一樣暢快，構成了一個五彩斑斕的世界，如同它可愛的名字Love Streams一樣，給人美好的感覺。&lt;br /&gt;&lt;a href="http://www.douban.com/subject/1401433/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/14057561.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1429141082865444060?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1429141082865444060/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1429141082865444060' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1429141082865444060'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1429141082865444060'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/mrzlove-streams.html' title='[März|Love Streams]五光十色的世界'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-1330956636085071728</id><published>2007-12-10T18:56:00.000+08:00</published><updated>2008-01-04T18:40:01.632+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Eric Malmberg|Den Gåtfulla Människan]星空、果園，我睡去了</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/AEgMoTdyZj9ERiKPSVGBNXc7Yv4yEgY9/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/AEgMoTdyZj9ERiKPSVGBNXc7Yv4yEgY9/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Eric Malmberg&lt;br /&gt;Album：Den Gåtfulla Människan&lt;br /&gt;Release Date：2005-04-13&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                                                 Electronic,                          Rock&lt;br /&gt;Style：            Prog Rock,              Ambient&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Det Högre Medvetandet&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Undermedvetandet&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Jaget&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Överjaget&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Delpersonligheterna&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Språk Och Tankestrukturer&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Människan Och Tiden&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Människan Och Evigheten&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;                Eric Malmberg is the genius hammondplayer from popular swedish progg-band &lt;span class="bbcode_artist"&gt;Sagor &amp;amp; Swing&lt;/span&gt;.His solo material is very similar to his work with Sagor &amp;amp; Swing and should appeal to the same fans as well as to fans of legendary organist &lt;span class="bbcode_artist"&gt;Bo Hansson&lt;/span&gt; (of &lt;span class="bbcode_artist"&gt;Hansson &amp;amp; Karlsson&lt;/span&gt;).Eric has also recorded material together with Bo Hansson and &lt;span class="bbcode_artist"&gt;Pluxus&lt;/span&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Eric Malmberg is something of an enigma. How he without apparent effort brings forth these timeless melodies we don’t know - only that the music is classic organ pop that aims straight for the heart.&lt;br /&gt;&lt;br /&gt;During the past years, he was the songwriter and organ player of Sagor &amp;amp; Swing. Soon after that band broke up, after four records, this productive musician started to sketch the main guidelines for a new solo album. A year later it's finished. An album made entirely on ORGAN and completely one man’s vision, recorded in Insjön, Sweden. A highly personal record, a travel into the human psyche as illustrated by the song titles.&lt;br /&gt;&lt;br /&gt;Contrary to some beliefs, the only instrument used on this CD is the organ. The same is true for two of the previous Sagor &amp;amp; Swing albums, “Melodier och fåglar” and “Allt hänger samman”. No synthesizers are involved. We know of no artist that has gone into more depth regarding the treatment of the Hammond organ as a general sound generator than Eric Malmberg.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：7.9/10&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span&gt;Eric Malmberg的個人專輯和&lt;/span&gt;Sagor &amp;amp; Swing差不多，充滿幻想。但是感覺Sagor &amp;amp; Swing更注重情感的抒發，而&lt;span&gt;Eric Malmberg的個人專輯&lt;/span&gt;讓我感覺自己好像是在看一部幻想題材的美術片，細膩，魔幻，光怪陸離。像是翺翔于太空，又像行走于童話中的仙境，每一件事物都充滿著魔法，都在閃閃發亮。很可愛，也還不錯的一張專輯。&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.douban.com/subject/1438288/"&gt;去豆瓣上看看。。。。。。&lt;br /&gt;&lt;/a&gt;&lt;a href="http://w13.easy-share.com/13948111.html"&gt;Share&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/334662.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/_/334662.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-1330956636085071728?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/1330956636085071728/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=1330956636085071728' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1330956636085071728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/1330956636085071728'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/eric-malmbergden-gtfulla-mnniskan.html' title='[Eric Malmberg|Den Gåtfulla Människan]星空、果園，我睡去了'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-2536926080576136717</id><published>2007-12-09T20:21:00.000+08:00</published><updated>2008-01-06T11:42:38.005+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cassette Vision'/><title type='text'>[Lem|Happiness]東京灣漫步，呼吸夜的空氣</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/XPfwtIUZ4T8JC-VNqi2uHDV2wZapLCo1/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/XPfwtIUZ4T8JC-VNqi2uHDV2wZapLCo1/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Lem&lt;br /&gt;Album：Happiness&lt;br /&gt;Release Date：2007-07-03&lt;br /&gt;Label：Cassette Vision&lt;br /&gt;Country：Japan&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：                      Electronic，Folktronica，Ambient&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Tracklisting：&lt;/span&gt;&lt;br /&gt;01. louisiana museum&lt;br /&gt;02. echo&lt;br /&gt;03. our times&lt;br /&gt;04. la lluvia amarilla&lt;br /&gt;05. rainy day&lt;br /&gt;06. april #02 -LEMix&lt;br /&gt;07. haru no hidamari&lt;br /&gt;08. rover everything  -LEMix&lt;br /&gt;09. happiness&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Tanaka Gorou is the one person music maker Lem. Currently living in Fukuoka, Japan he began playing and recording as Lem in 2002 after appearing in a number of guitar and acoustic groups.&lt;br /&gt;&lt;br /&gt;He makes and plays acoustic/electronic music with a light, playful air. His first album 'put a lem in your pocket' being released on the Cassette Vission label, while most recently appearing on the 'Galaxie 500 #Fairy' compilation album.&lt;br /&gt;&lt;br /&gt;His label compares him to, and may appeal to fans of other electronic/acoustic acts such as Fourtet and Savath &amp;amp; Savalas.&lt;br /&gt;&lt;br /&gt;This is the long expected 2nd album. It is soft and comfortable music,and he has good POP sense. The tunes which are united instruments and electronica immpress on listeners fully. Lem's sound is evolving through playing with Rei Harakami,Shugo Tokumaru and other artists.&lt;br /&gt;&lt;br /&gt;Lem creates light, elegant, poignant, ethereal, and soulful electronic music. His music is softly cool like the thin water rolling over the wet sand as the wave moves back into the ocean.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.4/10&lt;/span&gt; &lt;a href="http://www.douban.com/subject/2137897/"&gt; &lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/_/198619.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 240px; height: 240px;" src="http://userserve-ak.last.fm/serve/_/198619.jpg" alt="" border="0" /&gt;&lt;/a&gt;日本的folktronica現在做得真是很不錯，縂能夠讓我從中感受到清新的自然氣息，心情是開闊的，和行走在繁忙擁堵的東京市内截然不同。聼著這張專輯你能感受到海風拂面而來的清爽氣息，還有在寧靜的海邊漫步的無比放鬆。&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/2137897/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w15.easy-share.com/13468351.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-2536926080576136717?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/2536926080576136717/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=2536926080576136717' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2536926080576136717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/2536926080576136717'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/lemhappiness.html' title='[Lem|Happiness]東京灣漫步，呼吸夜的空氣'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-9186611437418071198</id><published>2007-12-09T02:13:00.000+08:00</published><updated>2007-12-29T11:42:28.204+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Tape|Rideau]幽深森林將我吞噬</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-00.slide.com/r/1/0/dl/PJMUWPBu4D_wzwyZcREaANdFyCkTXpmG/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-00.slide.com/r/1/0/dl/PJMUWPBu4D_wzwyZcREaANdFyCkTXpmG/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Tape&lt;br /&gt;Album：Rideau&lt;br /&gt;Release Date：2005-10-24&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                       Electronic&lt;br /&gt;Style：            Abstract,              Experimental&lt;br /&gt;&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sunrefrain (11:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;A Spire (11:45)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sand Dunes (4:42)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Exuma (6:15)&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Long Lost Engine (12:26)&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;On October the 24th the Swedish trio Tape will release their eagerly awaited third album – “Rideau”. The main idea behind this record was to make something that differed from the two previous albums that were recorded by the group members themselves, and also to try to work with another person to push the music in another direction. The choice fell on Marcus Schmickler, German musician and producer and the album was recorded in his studio in Cologne, winter/spring 2004-2005. Another way of working had to be found and the concentrated atmosphere that was established was soon transferred to the recordings. The surroundings of Cologne made for sure an imprint as the previous albums were recorded in rural Sweden. The songs have a more architectural structure this time, a sharper sound, more rhythmical elements and a grandeur that hasn’t shown before.&lt;br /&gt;　　&lt;br /&gt;Tape’s music moves between experimental music and pop without effort and has been recognized internationally for it’s particular sound where electronics blend with all sorts of acoustic and electric instruments.&lt;br /&gt;　　&lt;br /&gt;Tape was formed in 2000 by brothers Andreas and Johan Berthling together with Tomas Hallonsten. Their first recording Opera came out in 2002, the second Milieu in 2003, both released on Häpna. Tape has done shorter tours in Europe, the US and Japan. In August 2005 Staalplaat released a live CD of Tape in their “Mort Aux Vaches” series.&lt;br /&gt;　　&lt;br /&gt;Marcus Schmickler is a musician, producer and composer with a broad range. He makes pop with Pluramon (with Julee Cruise), experimental computer music solo, and composes contemporary music for choir.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; &lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.3/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;為了尋求新的音樂養分，這次Tape決定與德國著名電音創作人Marcus Schmickler合作，還特別到他位於科隆的錄音室工作，從以往有點即興隨性的田園風味過渡至這次結構嚴謹的音形塑造，節奏元素更突出，有一種別於以 往的華美感被發展出來。Rideau對Tape而言是一次成功的音樂突破，呈現一個全新的方向：結構性較強、聲響銳利、節奏元素更為明顯，寬廣而堂皇。（引自節點）&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1441574/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13480161.html"&gt;&lt;span style="font-weight: bold;"&gt;Download&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/221894.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/221894.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-9186611437418071198?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/9186611437418071198/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=9186611437418071198' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/9186611437418071198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/9186611437418071198'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/taperideau.html' title='[Tape|Rideau]幽深森林將我吞噬'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-7230660162004566778</id><published>2007-12-07T20:09:00.000+08:00</published><updated>2008-01-02T20:09:31.612+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Häpna'/><title type='text'>[Sagor &amp; Swing|Melodier Och Fåglar]祭祀，我的悲傷</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/iAn0LFjtsz-Hw2vMqQjQhS7_iH-llDmQ/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/iAn0LFjtsz-Hw2vMqQjQhS7_iH-llDmQ/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Sagor &amp;amp; Swing&lt;br /&gt;Album：Melodier Och Fåglar&lt;br /&gt;Release Date：2002&lt;br /&gt;Label：Häpna&lt;br /&gt;Country：Sweden&lt;br /&gt;Genre：                                                Electronic&lt;br /&gt;Style：            Downtempo,              Ambient&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;        &lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Apollons Aftonsång&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;In I Skogen&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Klonkmelodin&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Flickan Och Jätten&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Valsen Fortsätter Vidare&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;En Dag I Ruperts Rike&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Aningar&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Fantasilandet Raseras&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vagga Min Själ&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Efterklanger&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;簡介。。。。。。&lt;/span&gt; &lt;div style="text-align: justify;"&gt;Sagor &amp;amp; Swing is Eric Malmberg on Hammond organ and Ulf Möller on drums. This is the follow up to their debut album “Orgelfärger”, considered one of the most interesting records of last year by many Swedish critics.&lt;br /&gt;&lt;br /&gt;   “Melodier och fåglar” (“Melodies and birds”) is minimal and timeless, naive and simple. Eric calls his melodies “Nothing music”. Something to listen to when you almost want it to be quiet. When you are so affected by the noise from the media that you no longer bear with real silence. Then you may listen to “Melodier och fåglar”. By the time the record has ended, you may stay in the sofa and finally enjoy the quietness and stillness.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;我的碎碎唸。。。。。。評價指數：8.5/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Sagor &amp;amp; Swing ，由管風琴手Eric Malmberg與鼓手Ulf Moller合作的瑞典二人組，自2001年的Orgelfarger發行以來，就因為他們獨特的復古聲音組合，以及融合民謠、古典甚至放克搖滾的樂風而 被譽為是近年來最有趣的團體：Hammond organ繞來繞去的旋律，以古典的對位手法展開，由低調的打擊節拍伴奏，產生一首首極簡、永恆、純真，沒有目的不需抵達的小曲，在變與不變之間，那恆動 卻靜逸的美具有催眠的魔力。&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Häpna在專輯的介紹中說得鳥語花香的，但不知道爲什麽，我聼Melodier Och Fåglar的感覺是悲傷的，也許是我的心情實在鬱悶吧。聼Apollons Aftonsång、In I Skogen還有Fantasilandet Raseras的時候我居然哭了，Eric Malmberg的管風琴實在動人，撫慰人心的溫暖。我應該快樂，不是嗎？&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.douban.com/subject/1764655/"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13763191.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/339339.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/339339.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-7230660162004566778?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/7230660162004566778/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=7230660162004566778' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7230660162004566778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/7230660162004566778'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/sagor-swingmelodier-och-fglar.html' title='[Sagor &amp; Swing|Melodier Och Fåglar]祭祀，我的悲傷'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-4934717074797973708</id><published>2007-12-07T01:53:00.000+08:00</published><updated>2007-12-31T09:45:05.924+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Fonal Records'/><title type='text'>[ISLAJA|Palaa Aurinkoon]漂泊，屍骨未寒</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/IYHWPz707z8YEv3RY8l786x_dDzT4Yw-/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/IYHWPz707z8YEv3RY8l786x_dDzT4Yw-/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Islaja&lt;br /&gt;Album：Palaa Aurinkoon&lt;br /&gt;Release Date：2005-01-20&lt;br /&gt;Label：Fonal Records&lt;br /&gt;Country：Finland&lt;br /&gt;Genre：Electronic,                          Rock&lt;br /&gt;Style：            Folk Rock,              Abstract,              Experimental&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;table border="0" cellpadding="2" cellspacing="2"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Laivat Saapuu&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rohkaisulaulu&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Uni pöllönä Olemisesta&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Palaa Aurinkoon&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Haaveilija&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Senkun Tanssitaan&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Sateen Tullessa&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rukki&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Tule Puutarhaan&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Vaeltajan Laulu&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Rukous&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;簡介。。。。。。&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Islaja’s (Merja Kokkonen) second album ‘Palaa Aurinkoon’. This album is something of a marvel in the new folk scene, whereas one might have become accustomed to last years glut of folk releases with high profile albums from Devandra Banhart, Animal Collective and Vashti Bunyan to name but a few; Islaja possesses something else entirely. Possibly closer to the untrained free-folk of Jandek (minus the howling) than the twee English lilt of Vashti or Bolanisms of Devandra, Merja conjures up a fairytale outsider realm where gingerbread men run faster and faster and lonely witches lie in wait for over-adventurous children. Each song is moulded lovingly with delicate guitar strums, tumbling glockenspiels and Merja’s own fragile, breathy vocals. On the first listen the record could be compared to a drowsy Cocorosie or a snowbound Colleen, but Islaja is far deeper than either of these artists, grabbing you from the inside and taking control of your psyche. A perfect accompaniment to these cold winter nights, sitting by the fire with a cup of tea and a thick hardback book of Grim fairy tales, ‘Palaa Aurinkoon’ has a mythical beauty which is not forgotten easily. This comes as a huge recommendation and is another essential release on the incredible Fonal label.（from boomkat）&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/jCNRnvL9zD9Peo24ALzpA9qG_6vLweKz/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/jCNRnvL9zD9Peo24ALzpA9qG_6vLweKz/item" alt="" border="0" /&gt;&lt;/a&gt; &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;我的碎碎唸。。。。。。評價指數：8.8/10&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;這陣子瘋狂迷戀芬蘭Free Folk，導火索就是Islaja這張專輯。從Islaja蔓延到Lau Nau，到Kuupuu，以後一定還會有更多。這三個小丫頭已經把我搞得神魂顛倒，更令我欣喜的是Hertta Lussu Ässä的存在。所謂的Hertta Lussu Ässä就是，Hertta Lussu Ässä=Islaja + Kuupuu + Lau Nau。Islaja是三人中能夠找到資料最多，能夠找到專輯最多的。先說這張，因爲我先聼的是這張。&lt;br /&gt;&lt;br /&gt;她，名字是Merja Kokkonen。很長，我也不知道怎麽讀，但願有那麽一天會知道。有人把她稱作acid-folk版的Björk、Syd Barrett，也拿她和Nico作比較.但設若是我，我是不喜歡比較的，尤其不喜歡被別人成爲某某版的誰誰誰。我想她也不會很喜歡的，但是這在某些方面也表明她的音樂也越來越受到大家的關注和喜愛。她具備符合芬蘭的民族氣質，以及獨特的個人氣質。所以個人認爲不適合相提並論。&lt;br /&gt;&lt;br /&gt;Islaja的名字可能來自于某個被遺忘的小島，也可能來自于被人們忘卻了的寓言中的揮舞寶劍的勇敢女英雄。追溯這些對於這個有著滿腹音樂才華的實實在在的Islaja卻是顯得多麽得虛無縹緲，多麽沒有意義。&lt;br /&gt;&lt;br /&gt;Palaa Aurinkoon是她的第二張專輯，我認爲這張專輯在芬蘭民族場景的呈現上是個極品，Merja魔術般地運用著各種樂器似乎向我們講述著一個悲切的神話傳説。如果我將來拍一部電影的我想我一定會用她的音樂。對於歌詞我什麽也聼不懂，甚至連歌名都看不懂，因爲它全部是芬蘭語。但對於有力量有深度的音樂我的耳朵是能夠敏銳辨認的。也許正是因爲我們根本不懂的語言，我們才更會去關注，或者說去猜測音樂的内在精神，它的意境存在。&lt;br /&gt;&lt;br /&gt;初聼 Islaja的時候，我想不是像我這種就喜歡這樣的另類、psychedelic聲音的人，會不習慣，甚至不喜歡。你可能會覺得太冷或者太詭異。但是她遠比那些平庸的、寡然無味的Indie女聲和Folk女聲深刻地多，因爲她有捕捉聽者内心和控制聽者靈魂的能力與力量。Laivat saapuu中丁丁噹噹本應該是清脆可愛的聲響，因爲在Islaja的音樂裏而顯得那麽寂寞、憂傷、無可奈何，卻比清脆可愛更具深度。這是Islaja的魔力。Rukki中 鬼魅地重復著“哎哦”卻絕不枯燥。Rukous的手風琴和火車汽笛聲響起，預示著一部歐洲的老電影的開場，Islaja 和一個男性聲音一同地為聽者吟唱著簡單又震懾人心的淒楚的愛情故事（個人現在很喜歡手風琴這種充滿東歐韻味的樂器）。Palaa aurinkoon中非常民族化的芬蘭傳統的鼓樂，加上笛聲和手風琴，作爲貫穿全曲的中心，強烈，震撼，如同冰雹大張旗鼓地砸向你，你卻有一種暢快淋漓的感覺。鋼琴開始簡單地旁敲側擊，使曲子在配器上層次更加豐富。難以分辨遠近的緊張氣氛中，Islaja那聼起來有些虛弱得帶著呼吸的聲音彌漫。每個 track都值得一提，我很難對自己更喜歡哪個做出取捨。&lt;br /&gt;&lt;br /&gt;她的音樂確實冷，毋庸置疑的冷，可能和她生活在斯堪的納維亞地區有些關係。音符緩緩地延伸開來，變得越來越豐富。我會把它想象成，Islaja對著深秋即將凝滯的大河演唱的祭奠曲或者哀思曲。也許是祭奠流逝的年華，或者是遠去的愛情。古老的木質風琴的聲音悲壯異常。&lt;br /&gt;&lt;br /&gt;一個寒冷冬夜的悲涼演唱，也許靜靜地凝望窗外飄落的雪花和悄悄凝結的冰淩的時候，才會意識到這個完美陪伴的存在。我期待著這樣的冬日快些到來，或者全當這是個約定。附：Islaja的video：Rohkaisulaulu&lt;br /&gt;&lt;a href="http://www.viddler.com/explore/Ms_Valerie/videos/224/"&gt;http://www.viddler.com/explore/Ms_Valerie/videos/224/&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/jCNRnvL9zD9Peo24ALzpA9qG_6vLweKz/item"&gt;&lt;span style="font-weight: bold;"&gt;去豆瓣上看看。。。。。。&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://w13.easy-share.com/13577721.html"&gt;&lt;span style="font-weight: bold;"&gt;Share&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://userserve-ak.last.fm/serve/500/389712.jpg"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://userserve-ak.last.fm/serve/500/389712.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4722624708303882785-4934717074797973708?l=valeriemusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://valeriemusic.blogspot.com/feeds/4934717074797973708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4722624708303882785&amp;postID=4934717074797973708' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4934717074797973708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4722624708303882785/posts/default/4934717074797973708'/><link rel='alternate' type='text/html' href='http://valeriemusic.blogspot.com/2007/12/islajapalaa-aurinkoon.html' title='[ISLAJA|Palaa Aurinkoon]漂泊，屍骨未寒'/><author><name>Valerie</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://bp3.blogger.com/_BaOGwP1P_IQ/R1L5z01s7yI/AAAAAAAAAw4/RvB3m8SqSBU/S220/s1440221.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4722624708303882785.post-8300163555932076715</id><published>2007-12-06T20:58:00.000+08:00</published><updated>2008-01-11T12:43:45.745+08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Domino Recording Co.'/><title type='text'>[Four Tet|Rounds]Unspoken</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://deco-01.slide.com/r/1/0/dl/oG8mhgA5kz8ZidCGkE6mZcUrojWc61XA/item"&gt;&lt;img style="cursor: pointer; width: 400px;" src="http://deco-01.slide.com/r/1/0/dl/oG8mhgA5kz8ZidCGkE6mZcUrojWc61XA/item" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Artist：Four Tet&lt;br /&gt;Album：Rounds&lt;br /&gt;Release Date：2003&lt;br /&gt;Label：Domino Recording Company Ltd.&lt;br /&gt;Country：UK&lt;br /&gt;Genre：                                                 Electronic&lt;br /&gt;Style：            Leftfield,              Downtempo&lt;p&gt;  &lt;b&gt;Tracklisting:&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;&lt;table border="0" cellpadding="2" cellspacing="2"&gt;        &lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;Hands&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;She Moves She&lt;/td&gt;   &lt;/tr&gt;                &lt;tr&gt;     &lt;td align="left" nowrap="nowrap"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;First Thing&lt;/td&gt;   &lt;/tr&gt;                &lt
